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[null,"1.","Record Nr.",null,"UNINA9910503508103321"]
[null,null,"Autore",null,"Arez Abel"]
[null,null,"Titolo",null,"Art, Recherche et Animation : Dans l’animation et la recherche : expérimentations artistiques. Quelles interactions pour quelles transformations ? / / Cécile Croce, Chantal Crenn"]
[null,null,"Pubbl/distr/stampa",null,"Bordeaux, : Carrières Sociales Editions, 2021"]
[null,null,"ISBN",null,"979-1-0938-3928-8"]
[null,null,"Descrizione fisica",null,"1 online resource (312 p.)"]
[null,null,"Collana",null,"des Paroles & des Actes"]
[null,null,"Soggetti",null,"Art"]
[{"$nulls":4},"recherche"]
[{"$nulls":4},"animation socioculturelle"]
[{"$nulls":4},"pratique artisitique"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Cet ouvrage fait suite au colloque international « Dans l’animation et dans la recherche : Expérimentations artistiques. Quelles interactions pour quelles transformations ? » organisé par l’ISIAT, l’IUT Bordeaux Montaigne et leurs partenaires. Ce colloque visait à décloisonner les discours et à croiser les pratiques professionnelles concernées par trois axes : animer, créer, chercher. Ces rencontres ont réuni plus d’une cinquantaine d’intervenants, animateurs, médiateurs, artistes, universitaires ainsi qu’un public nombreux autour de conférences, ateliers, expositions, interventions artistiques : installations, vidéos, expositions de toiles, de photographies, de plans, de dessins, exposition virtuelle, concert, spectacle théâtral avec des chevaux… Cette place offerte aux réalisations artistiques témoigne de l’égale considération donnée aux réalisations artistiques, aux projets d’animation, aux retours d’expériences, ou aux échanges scientifiques qu’il s’agissait, dans leurs différences, de travailler ensemble. En restant fidèle aux croisements et aux tissages opérés dans ces rencontres, le présent ouvrage donne la parole aux chercheurs soucieux de l’animation sociale et socioculturelle et de ses expérimentations artistiques, aux animatrices et animateurs intéressés par la recherche et l’art, aux artistes tentés par l’animation et par la recherche. Outre la grande vivacité à faire et à créer avec les publics, à "]
[{"$nulls":4},"s’engager tout en opérant des remises sur le chantier des actions, en toute humilité, le fil directeur d’Art, Recherche, Animation est sans doute également l’émotion qui se dégage des récits des échanges vécus, les moments de joie et les pleurs qui parfois ont débordé l’analyse. Il permet ainsi, prolongé par la réception de la lectrice ou du lecteur, d’esquisser quelques réponses aux questionnements du départ, à savoir comment parvenir à penser ensemble art, recherche et animation."]
[null,"2.","Record Nr.",null,"UNINA9910781050803321"]
[null,null,"Autore",null,"Graham Daniel W"]
[null,null,"Titolo",null,"Explaining the cosmos [[electronic resource] ] : the Ionian tradition of scientific philosophy / / Daniel W. Graham"]
[null,null,"Pubbl/distr/stampa",null,"Princeton, N.J., : Princeton University Press, c2006"]
[null,null,"ISBN",null,"1-282-45828-0"]
[{"$nulls":4},"9786612458286"]
[{"$nulls":4},"1-4008-2745-0"]
[null,null,"Edizione",null,"[Course Book]"]
[null,null,"Descrizione fisica",null,"1 online resource (363 p.)"]
[null,null,"Classificazione",null,"08.21"]
[{"$nulls":4},"08.35"]
[null,null,"Disciplina",null,"182.1"]
[null,null,"Soggetti",null,"Philosophy, Ancient"]
[{"$nulls":4},"Pre-Socratic philosophers"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [309]-325) and indexes."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Preface -- Abbreviations and Brief References -- 1. The Ionian Program -- 2. Anaximander's Principles -- 3. Anaximenes' Theory of Change -- 4. The Generating Substance Theory as an Explanatory Hypothesis -- 5. Heraclitus's Criticism of Ionian Philosophy -- 6. Parmenides' Criticism of Ionian Philosophy -- 7. Anaxagoras and Empedocles: Eleatic Pluralists -- 8. The Elemental Substance Theory as an Explanatory Hypothesis -- 9. The Atomist Reform -- 10. Diogenes of Apollonia and Material Monism -- 11. The Ionian Legacy -- References -- Index Locorum -- General Index"]
[null,null,null,"Sommario/riassunto","Explaining the Cosmos is a major reinterpretation of Greek scientific thought before Socrates. Focusing on the scientific tradition of philosophy, Daniel Graham argues that Presocratic philosophy is not a mere patchwork of different schools and styles of thought. Rather, there is a discernible and unified Ionian tradition that dominates Presocratic debates. Graham rejects the common interpretation of the early Ionians as \"material monists\" and also the view of the later Ionians as desperately trying to save scientific philosophy from Parmenides' criticisms. In Graham's view, Parmenides plays a constructive role in shaping the scientific debates of the fifth century BC. Accordingly, the history of Presocratic philosophy can be seen not as a series of dialectical failures, but rather as a series of theoretical advances that led to empirical discoveries. Indeed, the Ionian tradition can be seen as "]
[{"$nulls":4},"the origin of the scientific conception of the world that we still hold today."]