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[null,"1.","Record Nr.",null,"UNINA9910780908803321"]
[null,null,"Autore",null,"György Péter"]
[null,null,"Titolo",null,"Spirit of the place [[electronic resource] ] : from Mauthausen to MoMA / / by Péter György"]
[null,null,"Pubbl/distr/stampa",null,"Budapest, : CMCS/Center for Media & Communication Studies, 2008"]
[null,null,"ISBN",null,"9786155211584"]
[{"$nulls":4},"978-6-15521-158-4"]
[{"$nulls":4},"615-5211-58-2"]
[{"$nulls":4},"1-283-24819-0"]
[{"$nulls":4},"9786613248190"]
[null,null,"Descrizione fisica",null,"277 p. : col. ill"]
[null,null,"Disciplina",null,"701/.03"]
[null,null,"Soggetti",null,"Art and society"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Museums - Psychology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgements -- 1. The topography of memory -- 2. Oedipus at Colonus, Freud (museum) in exile -- 3. The empty couch—PSYCHOanalysis -- 4. Frederik Ruysch, Sigmund Freud, Osip Mandelstam -- 5. Pinakothek der Moderne, Munich -- 6. Museum of Ara Pacis, Rome -- 7. The disintegration of memory—the unreadable city -- 8. CECI TUERA CELA (This will kill that) -- 9. Clinic and church—The second museum age -- Subject Index -- Name Index"]
[null,null,null,"Sommario/riassunto","These essays are case-studies, the cases unraveling our cultural roots, memory itself. If a museum is the subject, then for instance the way the museum changes face, function, its manner of speech; how, a repository of collections and the cultural memory of humankind itself turns into one of the objects, memories, a custodian and exponent of its own history, or the opposite: how it connects with its modernized environs and changing audience: us. How has, or might the sanctum be transformed into a public venue, go from an inward looking, reverential enclosure to a space full of life. In other studies included here the author speaks of spatial and incarnate remembrance: the radical difference between a monument and a memorial. The duality of “always remembering” and “never forgetting”: a past depersonalized and dehistoricized as it was seized and processed. Of the layers of meaning "]
[{"$nulls":4},"attached to concentration camps, transmuting essence of artworks, and the difficult, the contradictory but inescapable processing of history and the past, of self-identical existence in history. So that we know we are alive. And how that is so."]