{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":4,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":75,"n_cols":5,"rows_kept":75,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[8,2,8,3],[12,2,12,3],[13,2,13,3],[15,2,15,3],[15,4,15,5],[16,2,16,3],[16,4,16,5],[17,2,17,3],[17,4,17,5],[18,2,18,3],[19,2,19,3],[20,2,20,3],[21,2,21,3],[22,2,22,3],[23,2,23,3],[24,2,24,3],[25,2,25,3],[27,2,27,3],[27,4,27,5],[28,2,28,3],[28,4,28,5],[29,2,29,3],[29,4,29,5],[30,2,30,3],[31,2,31,3],[33,2,33,3],[34,2,34,3],[35,2,35,3],[36,2,36,3],[44,2,44,3],[45,2,45,3],[49,2,49,3],[52,2,52,3],[52,4,52,5],[53,2,53,3],[53,4,53,5],[54,2,54,3],[54,4,54,5],[55,2,55,3],[57,2,57,3],[58,2,58,3],[59,2,59,3],[60,2,60,3],[61,2,61,3],[62,2,62,3],[67,2,67,3],[68,2,68,3],[72,2,72,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA990001039990403321"]
[null,null,"Titolo",null,"DAFX : Digital Audio Effects / Udo Zolzer, Editor"]
[null,null,"Pubbl/distr/stampa",null,"Chichester : Wiley, c2002"]
[null,null,"ISBN",null,"0-471-49078-4"]
[null,null,"Descrizione fisica",null,"xix, 533 p. : ill. ; 25 cm"]
[null,null,"Disciplina",null,"006.5"]
[null,null,"Locazione",null,"FI1"]
[{"$nulls":4},"SC1"]
[null,null,"Collocazione",null,"16B-001"]
[{"$nulls":4},"S.16B-001"]
[{"$nulls":4},"006.5-ZOL-1"]
[{"$nulls":4},"006.5-ZOL-1A"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA990001627010203316"]
[null,null,"Autore",null,"HABERMAS, Jürgen"]
[null,null,"Titolo",null,"Storia e critica dell'opinione pubblica / Jürgen Habermas ; [traduzione di Augusto Illuminati, Ferruccio Masini e Wanda Perretta]"]
[null,null,"Pubbl/distr/stampa",null,"Bari : Laterza, 1977"]
[null,null,"Descrizione fisica",null,"309 p. ; 18 cm"]
[null,null,"Collana",null,"Universale Laterza ; 420"]
[null,null,"Disciplina",null,"301.154"]
[null,null,"Soggetti",null,"Opinione pubblica"]
[null,null,"Collocazione",null,"II.5. 122 (Varie Coll 9/420)"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910788366503321"]
[null,null,"Autore",null,"Harrison-Kahan Lori"]
[null,null,"Titolo",null,"The white negress [[electronic resource] ] : literature, minstrelsy, and the black-Jewish imaginary / / Lori Harrison-Kahan"]
[null,null,"Pubbl/distr/stampa",null,"New Brunswick, N.J., : Rutgers University Press, 2011"]
[null,null,"ISBN",null,"1-283-86420-7"]
[{"$nulls":4},"0-8135-4989-2"]
[null,null,"Descrizione fisica",null,"1 online resource (240 p.)"]
[null,null,"Collana",null,"American Literatures Initiative"]
[null,null,"Disciplina",null,"810.9/3529"]
[null,null,"Soggetti",null,"American literature - 20th century - History and criticism"]
[{"$nulls":4},"Passing (Identity) in literature"]
[{"$nulls":4},"Women and literature - United States - History - 20th century"]
[{"$nulls":4},"Ethnicity in literature"]
[{"$nulls":4},"African American women authors"]
[{"$nulls":4},"Jewish women authors - United States"]
[{"$nulls":4},"Americanization"]
[{"$nulls":4},"Immigrants in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"From White Negress to Yiddishe mama:  Sophie Tucker and the female blackface tradition -- The same Show Boat:  Edna Ferber's interracial ideal -- Limitations of white:  Fannie Hurst and the consumption of blackness -- Minstrel of the mountain:  Zora Neale Hurston and the black-Jewish imaginary."]
[null,null,null,"Sommario/riassunto","During the first half of the twentieth century, American Jews demonstrated a commitment to racial justice as well as an attraction to African American culture. Until now, the debate about whether such black-Jewish encounters thwarted or enabled Jews' claims to white privilege has focused on men and representations of masculinity while ignoring questions of women and femininity. The White Negress investigates literary and cultural texts by Jewish and African American women, opening new avenues of inquiry that yield more complex stories about Jewishness, African American identity, and the meanings of whiteness. Lori Harrison-Kahan examines writings by Edna Ferber, Fannie Hurst, and Zora Neale Hurston, as well as the blackface performances of vaudevillian Sophie Tucker and controversies over the "]
[{"$nulls":4},"musical and film adaptations of Show Boat and Imitation of Life. Moving between literature and popular culture, she illuminates how the dynamics of interethnic exchange have at once produced and undermined the binary of black and white."]
[null,"4.","Record Nr.",null,"UNINA9910780673503321"]
[null,null,"Autore",null,"Gillies Mary Ann <1959->"]
[null,null,"Titolo",null,"The professional literary agent in Britain, 1880-1920 / / Mary Ann Gillies"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2007"]
[{"$nulls":4},"©2007"]
[null,null,"ISBN",null,"1-4426-8499-2"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (265 p.)"]
[null,null,"Collana",null,"Studies in Book and Print Culture"]
[null,null,"Disciplina",null,"070.5/2"]
[null,null,"Soggetti",null,"Literary agents - Great Britain"]
[{"$nulls":4},"Authors and publishers - Great Britain - History - 19th century"]
[{"$nulls":4},"Authors and publishers - Great Britain - History - 20th century"]
[{"$nulls":4},"Grossbritannien"]
[{"$nulls":4},"Great Britain"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Why did the professional literary agent emerge in the 1880s? -- A.P. Watt : professional literary agent -- Establishing the agency model : George MacDonald and Watt -- Testing the agency model : \"Lucas Malet\" and Watt -- The second wave of agenting : J.B. Pinker -- The agent and \"popular\" literature : Somerville and Ross and Pinker -- Building a career : Joseph Conrad and Pinker."]
[null,null,null,"Sommario/riassunto","\"Breaking new ground in the study of British literary culture during an important, transitional period, this new work by Mary Ann Gillies focuses on the professional literary agent whose emergence in Britain around 1880 coincided with and accelerated the transformation of both publishing and authorship.\" \"Like other recent studies in book and print culture, The Professional Literary Agent in Britain, 1880-1920 starts from the central premise that the business of authorship is inextricably linked with the aesthetics of literary praxis. Rather than provide a broad overview of the period, however, Gillies focuses on a specific figure, the professional literary agent. She then traces the influence of two prominent agents - A.P. Watt (generally acknowledged as the first professional literary agent) and J.B. Pinker (the leading figure in the second wave of agents) - focusing on their respective relationships with two key clients. The case studies not only provide insight into the "]
[{"$nulls":4},"business dynamics of the literary world at this time, but also illustrate the shifting definition of literature itself during the period.\"--Jacket"]