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[null,"1.","Record Nr.",null,"UNINA9910780644303321"]
[null,null,"Titolo",null,"Scottish cinema now [[electronic resource] /] / edited by Jonathan Murray, Fidelma Farley and Rod Stoneman"]
[null,null,"Pubbl/distr/stampa",null,"Newcastle upon Tyne, : Cambridge Scholars, 2009"]
[{"$nulls":4},"Newcastle upon Tyne : , : Cambridge Scholars, , 2009"]
[null,null,"ISBN",null,"1-282-18991-3"]
[{"$nulls":4},"9786612189913"]
[{"$nulls":4},"1-4438-0413-4"]
[null,null,"Descrizione fisica",null,"1 online resource (260 p.)"]
[null,null,"Disciplina",null,"791.4309411"]
[null,null,"Soggetti",null,"Motion pictures - Scotland"]
[{"$nulls":4},"Motion picture industry - Scotland"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Include bibliographical references."]
[null,null,"Nota di contenuto",null,"TABLE OF CONTENTS; EDITORS' INTRODUCTION; ACKNOWLEDGEMENTS; DEMONS IN THE MACHINE; REEL 2 REAL CACOPHONY; SCOTCH MYTHS, SCOTTISH FILM CULTURE AND THE SUPPRESSION OF LUDIC MODERNISM; NOSTOPHOBIA; THEY KNOW WHERE THEY'RE GOING; 'BONNIE SCOTLAND, EH?'; SCOTLAND'S OTHER KINGDOMS; ADMITTING THE KAILYARD; NEW SCOTTISH CINEMA AS TRANS-NATIONAL CINEMA; SCREENING SCOTLAND; NOT MADE IN SCOTLAND; CHASING CROSSOVER; WHAT'S THE POINT OF FILM SCHOOL, OR, WHAT DID BEACONS FIELD STUDIOS EVER DO FOR THE SCOTTISH FILM INDUSTRY?; SHAPE-SHIFTERS; LIST OF CONTRIBUTORS"]
[null,null,null,"Sommario/riassunto","Cinema from Scotland has attained an unprecedented international profile in the decade or so since Shallow Grave (1995) and Trainspotting (1996) impinged on the consciousness of audiences and critics around the world. Scottish Cinema Now is the first collection of essays to examine in depth the new films and filmmakers that have emerged from Scotland over the last ten years. With contributions from both established names and new voices in British Cinema Studies, the volume combines detailed t..."]