{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":29,"n_cols":5,"rows_kept":29,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[9,2,9,3],[9,4,9,5],[10,2,10,3],[10,4,10,5],[11,2,11,3],[11,4,11,5],[12,2,12,3],[13,2,13,3],[16,2,16,3],[17,2,17,3],[18,2,18,3],[22,2,22,3],[23,2,23,3],[27,2,27,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNIBAS000001209"]
[null,null,"Autore",null,"Kahn, Joan"]
[null,null,"Titolo",null,"The edge of the chair / edited by Joan Kahn"]
[null,null,"Pubbl/distr/stampa",null,"New York ; Evanston ; London : Harper & Row, 1967"]
[null,null,"Descrizione fisica",null,"X, 560 p. ; 22 cm."]
[null,null,"Disciplina",null,"813.08"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910780603103321"]
[null,null,"Autore",null,"Shimizu Celine Parreñas"]
[null,null,"Titolo",null,"The hypersexuality of race [[electronic resource] ] : performing Asian/American women on screen and scene / / Celine Parreñas Shimizu"]
[null,null,"Pubbl/distr/stampa",null,"Durham, : Duke University Press, 2007"]
[null,null,"ISBN",null,"0-8223-4033-X"]
[{"$nulls":4},"1-282-92330-7"]
[{"$nulls":4},"9786612923302"]
[null,null,"Descrizione fisica",null,"1 online resource (353 p.)"]
[null,null,"Disciplina",null,"791.43/6522"]
[null,null,"Soggetti",null,"Asians in motion pictures"]
[{"$nulls":4},"Women in motion pictures"]
[{"$nulls":4},"Asian American women in motion pictures"]
[{"$nulls":4},"Erotic films - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [301]-324) and index."]
[null,null,"Nota di contenuto",null,"The hypersexuality of Asian/American women : toward a politically productive perversity on screen and scene -- The bind of representation : performing and consuming hypersexuality in Miss Saigon -- The sexual bonds of racial stardom : Asian American femme fatales in Hollywood -- Racial threat or racial treat? Performing yellowface sex acts in stag films, 1920/34 -- Queens of anal, double, triple, and the gangbang : producing Asian/American -- Feminism in pornography, 1940s/1990s -- \"Little brown fucking machines powered by rice\" or sex tourists with movie -- Cameras and prostitutes without movie cameras : politicizing the bottom in Southeast Asian sex tourist movies -- The political power of hypersexuality in Asian American feminist films -- New horizons in race-positive sexuality."]
[null,null,null,"Sommario/riassunto","A study of the Asian woman as sexual icon in visual culture."]