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[null,"1.","Record Nr.",null,"UNINA9910495933403321"]
[null,null,"Autore",null,"Berger Mathieu"]
[null,null,"Titolo",null,"Les émotions collectives : En quête d’un « objet » impossible / Laurence Kaufmann, Louis Quéré"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Éditions de l’École des hautes études en sciences sociales, 2020"]
[null,null,"ISBN",null,"2-7132-3180-9"]
[null,null,"Descrizione fisica",null,"1 online resource (424 p.)"]
[null,null,"Soggetti",null,"Sociology &amp; Anthropology"]
[{"$nulls":4},"émotions collectives"]
[{"$nulls":4},"phénoménologie politique"]
[{"$nulls":4},"ambiance affective"]
[{"$nulls":4},"espace public"]
[{"$nulls":4},"dispositif rituel"]
[{"$nulls":4},"partage"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","La plupart des recherches reconnaissent à présent que les émotions, loin d’être des impulsions irrationnelles, sont au contraire des médiations cognitives et des appuis pratiques dont aucune action ne saurait se passer. Cette réhabilitation des émotions s’est vue toutefois reprocher son absence d’intérêt pour les sentiments diffus et la résonance parfois indisciplinée des corps. Or, ce sont précisément ces échappées affectives que l’on retrouve de façon particulièrement vive dans les émotions collectives. Ces dernières, sans corps propre, semblent disparaître ou s’évaporer dès que l’on s’en approche de trop près. Comment alors identifier avec certitude les émotions souvent « liquides » ou « gazeuses » qui sous-tendent et animent les conduites publiques ? Et comment les mettre en mots analytiques ? Pendant longtemps, une des façons de résoudre cette question a consisté à associer les émotions collectives aux moments d’effervescence qui leur confèrent une réalité tangible. Mais il y a des manières moins visibles de « partager » les émotions, y compris à distance, notamment par l’intermédiaire des médias ou des réseaux sociaux, qui infléchissent tout autant les comportements.  À ces problèmes épistémologiques et "]
[{"$nulls":4},"méthodologiques s’ajoute un problème ontologique : si l’émotion exige par définition un point d’ancrage corporel et donc singulier, comment peut-elle devenir collective et impersonnelle ? C’est dire si les émotions collectives ravivent certaines questions fondamentales des sciences sociales, notamment celles concernant les liens entre l’expérience individuelle et l’appartenance collective, l’événement éphémère et les sensibilités au long cours, la co-présence des corps et les liens à distance, l’imprévisibilité du ressenti et l’organisation rituelle des conduites. Objet épistémologique et ontologique impossible, l’émotion collective n’en est pas moins un phénomène social que les enquêtes théoriques et empiriques de ce volume tentent, chacune à leur manière, de…"]
[null,"2.","Record Nr.",null,"UNINA9910780587303321"]
[null,null,"Titolo",null,"Landscape and Earth in Early Modernity : Picturing Unruly Nature / / edited by Christine Göttler and Mia Mochizuki"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam, Netherlands : , : Amsterdam University Press, , [2022]"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"90-485-5215-X"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (425 pages) : illustrations (colour), digital, PDF file(s)"]
[null,null,"Collana",null,"Visual and Material Culture, 1300-1700 Series ; ; Volume 43"]
[null,null,"Disciplina",null,"704.9436"]
[null,null,"Soggetti",null,"Landscapes in art"]
[{"$nulls":4},"Nature in art"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Table of Contents -- List of Illustrations -- Acknowledgments -- Landscape, Mutability, and the Unruly Earth: An Introduction -- Part 1. Latent Landscapes -- 1. Waterland and the Disquiet of the Dutch Landscape -- 2. Landscape and Autography -- 3. Painted Landscape before Landscape Painting in Early Modern England -- Part 2. Elemental Resources -- 4. Unruly Indigo? Plants, Plantations, and Partitions -- 5. A Natural History in Stone: Medusa’s Unruly Gaze on bardiglio grigio -- 6. The Cosmologies of Early Modern Mining Landscapes -- Part 3. Staged Topographies -- 7. Aurea Aetas Antverpiensis : Land(scapes) in the Blijde Inkomst for Ernest of Austria into Antwerp, 1594 -- 8. An Overlooked Landscape Installation : The Winter Room at Copenhagen’s Rosenborg Castle -- 9. Insidious Images: Veiled Sight and Insight in Pieter Bruegel’s Landscapes -- Part 4. Fragile Ecologies -- 10. “In einem Augenblick”: Leveling Landscapes in Seventeenth-Century Disaster Flap Prints -- 11. Performative Landscapes: A Paradigm for Mediating the Ecological Imperative? -- Index"]
[null,null,null,"Sommario/riassunto","Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicises the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. The lens of the 'unruly' reveals "]
[{"$nulls":4},"the latent landscapes that undergirded their conception, the elemental resources that resurfaced from the bowels of the earth, the staged topographies that unsettled the boundaries between nature and technology, and the fragile ecologies that undermined the status quo of human environs."]