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[null,"1.","Record Nr.",null,"UNINA9910780530103321"]
[null,null,"Autore",null,"Bohn Willard <1939->"]
[null,null,"Titolo",null,"The other futurism : futurist activity in Venice, Padua, and Verona / / Willard Bohn"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2004"]
[{"$nulls":4},"©2004"]
[null,null,"ISBN",null,"1-281-99470-7"]
[{"$nulls":4},"9786611994709"]
[{"$nulls":4},"1-4426-8198-5"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (228 p.)"]
[null,null,"Collana",null,"Toronto Italian Studies"]
[null,null,"Disciplina",null,"709/.45/09041"]
[null,null,"Soggetti",null,"Futurism (Art) - Italy - Veneto"]
[{"$nulls":4},"Arts, Italian - Italy - Veneto - 20th century"]
[{"$nulls":4},"History"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Verona"]
[{"$nulls":4},"Padua"]
[{"$nulls":4},"Venedig"]
[{"$nulls":4},"Italy Verona"]
[{"$nulls":4},"Italy Venice"]
[{"$nulls":4},"Italy Padua"]
[{"$nulls":4},"Italy"]
[{"$nulls":4},"Verone (Italie) Histoire 20e siecle"]
[{"$nulls":4},"Padoue (Italie) Histoire 20e siecle"]
[{"$nulls":4},"Venise (Italie) Histoire 20e siecle"]
[{"$nulls":4},"Verona (Italy) History 20th century"]
[{"$nulls":4},"Padua (Italy) History 20th century"]
[{"$nulls":4},"Venice (Italy) History 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Futurism in Venice -- The First Phase -- La Galleria d'Arte Moderna -- Synthetic Theatre -- Lunatics and Madmen -- The Second Phase -- Alberto Vianello -- Renzo Bertozzi -- The Theatre of Surprise -- "]
[{"$nulls":4},"Arabau BARU -- La Nuova Venezia -- The Aftermath -- Futurism in Padua -- The First Phase -- Synthetic Theatre -- The Second Phase -- Il Gruppo Futurista Padovano -- Vampe -- The Third Phase -- La Prima Mostra Triveneta -- Nino Burrasca -- Futurist Artists -- Canta giovinezza -- Il Gruppo Futurista Savare -- Aeropoets and Aeropainters -- The Last Days -- Futurism in Verona -- The First Phase -- Giorgio Ferrante and Diego Costa -- Lionello Fiumi -- The Second Phase -- Il Gruppo Futurista Veronese Boccioni -- Piero Anselmi -- Lyrical Experiments -- Major Figures in Verona -- Ignazio Scurto -- Bruno Aschieri -- Renato di Bosso and Alfredo G. Ambrosi -- Other Figures."]
[null,null,null,"Sommario/riassunto","Their provocative manifestos and outrageous performances earned the Italian Futurists international fame but, surprisingly, very little recognition outside of Italy for their actual achievements. The few English and American critics who have studied the movement in any depth have focused on the first phase, which spanned the years 1909-15 and was centred in Milan, Rome, and Florence. By contrast, the second phase covered a much longer period and represented a pan-Italian phenomenon. Despite the wealth of material available about this later part of the movement, there has been little attempt to survey Futurist activity outside of the major geographical centres in any detail or to relate it to the Futurist mainstream. In The Other Futurism, Willard Bohn seeks to remedy this oversight by examining the work of Futurists in Venice, Padua, and Verona from 1909 to 1944. He considers these local artists and writers both in terms of their relationship with F.T. Marinetti, who remained the major theorist and organizer of Futurist activities, and of their own specific adaptations and appropriations of Futurist theory. Conceived as a combination literary history and critical study, The Other Futurism looks at particular examples of literature, visual arts, and the performing arts and, using a series of rare documents, sheds new light on the complex cultural and political issues at the heart of this neglected chapter in Italy's history."]
[null,"2.","Record Nr.",null,"UNINA9910810841303321"]
[null,null,"Autore",null,"Steguweit Gisa"]
[null,null,"Titolo",null,"Das Doppelglück der Töne wie der Liebe : Regina Schlick-Strinasacchi (1761-1839) / / Gisa Steguweit"]
[null,null,"Pubbl/distr/stampa",null,"Nordhausen : , : Verlag Traugott Bautz GmbH, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"3-95948-958-7"]
[null,null,"Descrizione fisica",null,"1 online resource (113 pages)"]
[null,null,"Disciplina",null,"787.10714"]
[null,null,"Soggetti",null,"Violin - Performance"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Titelei -- Impressum -- Inhalt -- Neue Heimat Gotha -- Begegnung mit Mozart in Wien -- Reginas Herkunft, Kindheit, Ausbildung und Jugendjahre -- Regina wird Frau Schlick -- Musikeralltag -- Mutterschaft -- Das Jahr 1789 -- Reaktion auf den Tod Mozarts in Gotha -- Gastspiele am Weimarer Hof -- Ihr Verhältnis zu Vater Jagemann um 1790 -- Belvedere -- Regina und Goethe -- Schlicks und hiesige Instrumentenbauer -- Der Siegeszug der Gitarre -- Der musikalische Cercle des Prinzen August -- Schwangerschaft, fremde Gäste auf dem Gothaer Seeberg und viel Musik -- Späte Geburt des Sohnes Wilhelm -- Besuch von Madame de Staël in Gotha und Weimar -- Tochter Carolines Bemühen um eine Karriere als Sängerin -- Conrad Schlick und die Wiederbelebung der Gothaer Loge 1806 -- Italienreise mit Prinz Friedrich -- Zurück in Gotha -- Carl Maria von Weber zu Gast -- Musikfest 1812 -- Sohn Wilhelm das \"schwarze Schaf\" -- \"Donna Ruppia\" -- Hofkapellmeister Andreas Romberg in Gotha -- Zwist der Familie Schlick mit Prinz Friedrich -- Regina wird Witwe -- Endstation Dresden -- Nachbemerkungen -- Quellen und Literatur -- Abbildungsnachweis."]