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[null,"1.","Record Nr.",null,"UNINA9910780419703321"]
[null,null,"Autore",null,"Anderson William S."]
[null,null,"Titolo",null,"Barbarian play : Plautus' Roman comedy / / William S. Anderson"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1993"]
[{"$nulls":4},"©1993"]
[null,null,"ISBN",null,"1-4426-5429-5"]
[{"$nulls":4},"1-281-99756-0"]
[{"$nulls":4},"9786611997564"]
[{"$nulls":4},"1-4426-7117-3"]
[null,null,"Descrizione fisica",null,"1 online resource (195 p.)"]
[null,null,"Collana",null,"The Robson Classical Lectures"]
[null,null,"Disciplina",null,"872.01"]
[null,null,"Soggetti",null,"Latin drama (Comedy) - Greek influences"]
[{"$nulls":4},"Latin drama (Comedy) - History and criticism"]
[{"$nulls":4},"LITERARY CRITICISM / Ancient & Classical"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Rome (Empire)"]
[{"$nulls":4},"Greece"]
[{"$nulls":4},"Rome In literature"]
[{"$nulls":4},"Greece In literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents -- Foreword -- Preface -- ; 1 Plautus and the Deconstruction of Menander -- ; 2 si amicus Diphilo aut Philemoni es: Plautus' Exploitation of Other Writers and Features of the Greek Comic Tradition -- ; 3 Plautus' Plotting: The Lover Upstaged -- ; 4 Heroic Badness (malitia): Plautus' Characters and Themes -- ; 5 Words, Numbers, Movement: Plautus' Mastery of Comic Language, Metre, and Staging -- ; 6 Plautus and His Audience: The Roman Connection -- Notes -- Bibliography -- Index."]
[null,null,null,"Sommario/riassunto","Anderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek `models' and replaces them with a new, confident Roman comedy."]