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[null,"1.","Record Nr.",null,"UNISA996335848103316"]
[null,null,"Titolo",null,"ADB economics working paper series"]
[null,null,"Pubbl/distr/stampa",null,"Manila, : Asian Development Bank, 2008-"]
[null,null,"ISSN",null,"2313-6545"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Soggetti",null,"Globalization - Asia"]
[{"$nulls":4},"Economic history"]
[{"$nulls":4},"Economic policy"]
[{"$nulls":4},"Globalization"]
[{"$nulls":4},"Periodicals."]
[{"$nulls":4},"Asia Economic conditions 1945-"]
[{"$nulls":4},"Asia Economic policy"]
[{"$nulls":4},"Developing countries Economic conditions"]
[{"$nulls":4},"Asia"]
[{"$nulls":4},"Developing countries"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,"2.","Record Nr.",null,"UNISALENTO991002197099707536"]
[null,null,"Titolo",null,"Fluid dynamics [e-book] : lectures given at the 3rd 1982 session of the Centro Internazionale Matematico Estivo (C.I.M.E.) held at Varenna, Italy, August 22 – September 1, 1982 / edited by H. Beirão da Veiga"]
[null,null,"Pubbl/distr/stampa",null,"Berlin : Springer, 1984"]
[null,null,"ISBN",null,"9783540387732"]
[null,null,"Descrizione fisica",null,"1 online resource (vi, 193 p.)"]
[null,null,"Collana",null,"Lecture Notes in Mathematics, 0075-8434 ; 1047"]
[null,null,"Classificazione",null,"AMS 35D"]
[{"$nulls":4},"AMS 35D05"]
[{"$nulls":4},"AMS 35F25"]
[{"$nulls":4},"AMS 35F30"]
[{"$nulls":4},"AMS 35L60"]
[{"$nulls":4},"AMS 76N"]
[null,null,"Disciplina",null,"530.1"]
[null,null,"Soggetti",null,"Physics"]
[{"$nulls":4},"Mathematical physics"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Risorsa elettronica"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910780386803321"]
[null,null,"Autore",null,"Nead Lynda"]
[null,null,"Titolo",null,"The female nude : art, obscenity, and sexuality / / Lynda Nead"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 1992"]
[null,null,"ISBN",null,"88-6130-539-3"]
[{"$nulls":4},"1-134-97275-X"]
[{"$nulls":4},"1-134-97276-8"]
[{"$nulls":4},"1-280-32855-X"]
[{"$nulls":4},"0-203-13547-4"]
[null,null,"Descrizione fisica",null,"1 online resource (184 p.)"]
[null,null,"Disciplina",null,"704.9"]
[{"$nulls":4},"704.9/424 20"]
[{"$nulls":4},"704.9424"]
[null,null,"Soggetti",null,"Female nude in art"]
[{"$nulls":4},"Nude in art"]
[{"$nulls":4},"Sex in art"]
[{"$nulls":4},"Women in art"]
[{"$nulls":4},"Visual Arts"]
[{"$nulls":4},"Visual Arts - General"]
[{"$nulls":4},"Art, Architecture & Applied Arts"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 122-130) and index."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Contents; List of plates; Introduction; FRAMING THE FEMALE BODY; A DISCOURSE ON THE NAKED AND THE NUDE; A STUDY OF IDEAL ART; AESTHETICS AND THE FEMALE NUDE; OBSCENITY AND THE SUBLIME; 'THE DAMAGED VENUS'; THE FRAMEWORK OF TRADITION; THE LESSONS OF THE LIFE CLASS; ART CRITICISM AND SEXUAL METAPHOR; BREAKING OPEN THE BOUNDARIES; REDRAWING THE LINES; SACRED FRONTIERS; PURE AND MOTIVATED PLEASURE; POLICING THE BOUNDARIES; DISPLAYING THE FEMALE BODY; EROTIC ART: A FRAME FOR DESIRE; Notes; Works cited; Index"]
[null,null,null,"Sommario/riassunto","Anyone who examines the history of Western art must be struck by the prevalence of images of the female body. More than any other subject, the female nude connotes `art'. The framed image of a female body, hung on the walls of an art gallery, is an icon of Western culture, a "]
[{"$nulls":4},"symbol of civilization and accomplishment. But how and why did the female nude acquire this status?The Female Nude brings together, in an entirely new way, analysis of the historical tradition of the female nude and discussion of recent feminist art, and by exploring the ways in which acceptable and unacceptab"]