{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":3,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":52,"n_cols":5,"rows_kept":52,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[8,2,8,3],[9,2,9,3],[14,2,14,3],[14,4,14,5],[15,2,15,3],[15,4,15,5],[16,2,16,3],[16,4,16,5],[17,2,17,3],[18,2,18,3],[20,2,20,3],[21,2,21,3],[23,2,23,3],[24,2,24,3],[25,2,25,3],[29,2,29,3],[32,2,32,3],[32,4,32,5],[33,2,33,3],[33,4,33,5],[34,2,34,3],[34,4,34,5],[35,2,35,3],[36,2,36,3],[38,2,38,3],[39,2,39,3],[40,2,40,3],[44,2,44,3],[45,2,45,3],[49,2,49,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISA996390621803316"]
[null,null,"Autore",null,"Newcome Henry <1627-1695.>"]
[null,null,"Titolo",null,"An help to the duty in, and right improvement of sickness. By Henry Newcome, M.A. minister of the Gospel [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"London, : printed for Thomas Parkhurst at the Bible and Three Crowns in Cheap-side, near Mercers-Chappel, 1658"]
[null,null,"Descrizione fisica",null,"[14], 112 p"]
[null,null,"Soggetti",null,"Diseases"]
[{"$nulls":4},"God - Wrath"]
[{"$nulls":4},"Christian life"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Running title reads: An help to the duty of right improvement of sickness."]
[{"$nulls":4},"Reproduction of the original in the Congregational Library, London."]
[null,null,null,"Sommario/riassunto","eebo-0028"]
[null,"2.","Record Nr.",null,"UNINA9910786384203321"]
[null,null,"Autore",null,"Prideaux Sue"]
[null,null,"Titolo",null,"Strindberg [[electronic resource] ] : a life / / Sue Prideaux"]
[null,null,"Pubbl/distr/stampa",null,"New Haven, : Yale University Press, 2012"]
[null,null,"ISBN",null,"1-283-70006-9"]
[{"$nulls":4},"0-300-19419-6"]
[null,null,"Descrizione fisica",null,"1 online resource (359 p.)"]
[null,null,"Disciplina",null,"839.72/67"]
[{"$nulls":4},"B"]
[null,null,"Soggetti",null,"Authors, Swedish - 19th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 335-337) and index."]
[null,null,"Nota di contenuto",null,"Front matter -- CONTENTS -- Preface -- 1. MISS JULIE'S KITCHEN -- 2. THE SON OF A SERVANT -- 3. BASIC TRAINING -- 4. THE FREETHINKER -- 5. PLAYING WITH FIRE -- 6. A SHORT SWEDISH HONEYMOON -- 7. RABBLE ROUSER -- 8. UNDER THE ICE -- 9. MADNESS AND MODERNITY -- 10. EXPERIMENTAL THEATRE -- 11. THE BLACK PIGLET -- 12. FRIDA, NO STRANGER TO DRAMA -- 13. FRENCH VIVISECTIONS -- 14. INFERNO -- 15. OUT OF INFERNO -- 16. HARRIET BOSSE -- 17. THE INTIMATE THEATRE -- 18. The Blue Tower -- NOTES -- SELECT BIBLIOGRAPHY -- STRINDBERG'S PRINCIPAL LITERARY WORKS -- CHRONOLOGY"]
[null,null,null,"Sommario/riassunto","Novelist, satirist, poet, photographer, painter, alchemist, and hellraiser-August Strindberg was all these, and yet he is principally known, in Arthur Miller's words, as \"the mad inventor of modern theater\" who led playwriting out of the polite drawing room into the snakepit of psychological warfare. This biography, supported by extensive new research, describes the eventful and complicated life of one of the great literary figures in world literature. Sue Prideaux organizes Strindberg's story into a gripping and highly readable narrative that both illuminates his work and restores humor and humanity to a man often shrugged off as too difficult. Best known for his play Miss Julie, Strindberg wrote sixty other plays, three books of poetry, eighteen novels, and nine autobiographies. Even more than most, Strindberg is a writer whose life sheds invaluable light on his work. Prideaux explores Strindberg's many art-life connections, revealing for the first time the originals who inspired the characters of "]
[{"$nulls":4},"Miss Julie and her servant Jean, the bizarre circumstances in which the play was written, and the real suicide that inspired the shattering ending of the play. Recounting the playwright's journey through the \"real\" world as well as the world of belief and ideas, Prideaux marks the centenary of Strindberg's death in 1912 with a biography worthy of the man who laid the foundation for Western drama through the twentieth century and even into the twenty-first."]
[null,"3.","Record Nr.",null,"UNINA9910780378203321"]
[null,null,"Autore",null,"Kramer Lawrence <1946->"]
[null,null,"Titolo",null,"Musical meaning [[electronic resource] ] : toward a critical history / / Lawrence Kramer"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley ; ; London, : University of California Press, c2002"]
[null,null,"ISBN",null,"0-520-92832-6"]
[{"$nulls":4},"0-585-46624-6"]
[null,null,"Descrizione fisica",null,"1 online resource (347 p.)"]
[null,null,"Disciplina",null,"781.17"]
[null,null,"Soggetti",null,"Music - History and criticism"]
[{"$nulls":4},"Music - Philosophy and aesthetics"]
[{"$nulls":4},"Music, Influence of"]
[{"$nulls":4},"Subjectivity in music"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction. Sounding Out: Musical Meaning and Modern Experience -- 1. Hermeneutics and Musical History: A Primer without Rules, an Exercise with Schubert -- 2. Hands On, Lights Off: The \"Moonlight\" Sonata and the Birth of Sex at the Piano -- 3. Beyond Words and Music: An Essay on Songfulness -- 4. Franz Liszt and the Virtuoso Public Sphere: Sight and Sound in the Rise of Mass Entertainment -- 5. Rethinking Schumann's Carnaval: Identity, Meaning, and the Social Order -- 6. Glottis Envy: The Marx Brothers' A Night at the Opera -- 7. Hercules' Hautboys: Mixed Media and Musical Meaning -- 8. The Voice of Persephone: Musical Meaning and Mixed Media -- 9. Powers of Blackness: Jazz and the Blues in Modern Concert Music -- 10. Long Ride in a Slow Machine: The Alienation Effect from Weill to Shostakovich -- 11. Chiaroscuro: Coltrane's American Songbook -- 12. Ghost Stories: Cultural Memory, Mourning, and the Myth of Originality -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, integrating the study of music with social and cultural issues. This accessible and eloquently written book continues and deepens the trajectory of Kramer's thinking as it boldly argues that humanistic, not just technical, meaning is a basic force in music history and an indispensable factor in how, where, and when "]
[{"$nulls":4},"music is heard. Kramer draws on a broad range of music and theory to show that the problem of musical meaning is not just an intellectual puzzle, but a musical phenomenon in its own right. How have romantic narratives involving Beethoven's \"Moonlight\" Sonata affected how we hear this famous piece, and what do they reveal about its music? How does John Coltrane's African American identity affect the way we hear him perform a relatively \"white\" pop standard like \"My Favorite Things\"? Why does music requiring great virtuosity have different cultural meanings than music that is not particularly virtuosic? Focusing on the classical repertoire from Beethoven to Shostakovich and also discussing jazz, popular music, and film and television music, Musical Meaning uncovers the historical importance of asking about meaning in the lived experience of musical works, styles, and performances. Kramer's writing, clear and full of memorable formulations, demonstrates that thinking about music can become a vital means of thinking about general questions of meaning, subjectivity, and value. In addition to providing theoretical advances and insights on particular pieces and repertoires, Musical Meaning will be provocative reading for those interested in issues of identity, gender, and cultural theory. This book includes a CD of Kramer's own composition, Revenants: 32 Variations in C Minor, which he discusses in his final chapter."]