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[null,"1.","Record Nr.",null,"UNINA9910782717903321"]
[null,null,"Autore",null,"Reeve William C. <1943->"]
[null,null,"Titolo",null,"Kleist on stage : 1804-1987 / / William C. Reeve"]
[null,null,"Pubbl/distr/stampa",null,"Montreal : , : McGill-Queen's University Press, , 1993"]
[{"$nulls":4},"©1993"]
[null,null,"ISBN",null,"1-282-85612-X"]
[{"$nulls":4},"9786612856129"]
[{"$nulls":4},"0-7735-6362-8"]
[null,null,"Descrizione fisica",null,"1 online resource (238 pages) : illustrations"]
[null,null,"Disciplina",null,"792.9/5/0943"]
[null,null,"Soggetti",null,"Theater - Europe, German-speaking - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [217]-226) and index."]
[null,null,"Nota di contenuto",null,"Front Matter -- Contents -- Acknowledgments -- Introduction -- Die Familie Schroffenstein -- Der zerbrochene Krug -- Amphitryon -- Penthesilea -- Das Käthchen von Heilbronn -- Die Hermannsschlacht -- Prinz Friedrich von Homburg -- Conclusion -- Notes -- Works Cited -- Newspapers and Magazines Cited -- Audio-Visual Material -- Index"]
[null,null,null,"Sommario/riassunto","Since an account of every known staging would require several volumes, Kleist on Stage is limited to major productions in Germany, Austria, and Switzerland that attracted more than the usual press coverage, and to interpretations and adaptations outside the German-speaking countries. Reeve presents a chronological stage history of each of the plays, beginning with Die Familie Schroffenstein and ending with Prinz Friedrich von Homburg. He also discusses some of the problems faced by a director attempting to put a Kleistian drama on stage, and pleads for greater understanding and cooperation between the academic and theatrical traditions."]
[null,"2.","Record Nr.",null,"UNINA9910780376403321"]
[null,null,"Autore",null,"Ascott Roy"]
[null,null,"Titolo",null,"Telematic embrace [[electronic resource] ] : visionary theories of art, technology, and consciousness / / Roy Ascott ; edited and with an essay by Edward A. Shanken"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, c2003"]
[null,null,"ISBN",null,"0-520-93537-3"]
[{"$nulls":4},"1-59734-933-X"]
[null,null,"Descrizione fisica",null,"1 online resource (441 p.)"]
[null,null,"Disciplina",null,"700/.285"]
[null,null,"Soggetti",null,"Computer art"]
[{"$nulls":4},"Art and technology"]
[{"$nulls":4},"Art - Forecasting"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 399-411) and index."]
[null,null,"Nota di contenuto",null,"ILLUSTRATIONS; PREFACE AND ACKNOWLEDGMENTS; FROM CYBERNETICS TO TELEMATICS; 1. THE CONSTRUCTION OF CHANGE; 2. STATEMENT FROM CONTROL; 3. BEHAVIOURIST ART AND THE CYBERNETIC VISION; 4. BEHAVIOURABLES AND FUTURIBLES; 5. THE PSIBERNETIC ARCH; 6. TABLE; 7. CONNECTIVE CRITICISM; 8. NETWORK AS ARTWORK: THE FUTURE OF VISUAL ARTS EDUCATION; 9. TOWARDS A FIELD THEORY FOR POSTMODERNIST ART; 10. TEN WINGS; 11. ART AND TELEMATICS: TOWARDS A NETWORK CONSCIOUSNESS; 12. CONCERNING NETS AND SPURS: MEANING, MIND, AND TELEMATIC DIFFUSION; 13. ART AND EDUCATION IN THE TELEMATIC CULTURE"]
[{"$nulls":4},"14. GESAMTDATENWERK: CONNECTIVITY, TRANSFORMATION, AND TRANSCENDENCE15. BEYOND TIME-BASED ART: ESP, PDP, AND PU; 16. IS THERE LOVE IN THE TELEMATIC EMBRACE?; 17. PHOTOGRAPHY AT THE INTERFACE; 18. HEAVENLY BODIES: TELECONSTRUCTING A ZODIAC FOR THE TWENTY-FIRST CENTURY; 19. TELENOIA; 20. FROM APPEARANCE TO APPARITION: COMMUNICATION AND CULTURE IN THE CYBERSPACE; 21. THE ARS ELECTRONICA CENTER DATAPOOL; 22. THE PLANETARY COLLEGIUM: ART AND EDUCATION IN THE POST-BIOLOGICAL ERA; 23. THE ARCHITECTURE OF CYBERCEPTION; 24. BACK TO NATURE II: ART AND TECHNOLOGY IN THE TWENTY-FIRST CENTURY"]
[{"$nulls":4},"25. THE MIND OF THE MUSEUM26. WEAVING THE SHAMANTIC WEB: ART AND TECHNOLOGIES IN THE BIO-TELEMATIC DOMAIN; 27. ART @ THE "]
[{"$nulls":4},"EDGE OF THE NET: THE FUTURE WILL BE MOIST!; 28. TECHNOETIC AESTHETICS: 100 TERMS AND DEFINITIONS FOR THE POST-BIOLOGICAL ERA; APPENDIX I: PROFESSIONAL APPOINTMENTS; APPENDIX II: PUBLICATIONS; APPENDIX III: ART PROJECTS AND EXHIBITIONS; APPENDIX IV: CAIIA-STAR RESEARCH CONFERENCES; REFERENCES; INDEX"]
[null,null,null,"Sommario/riassunto","Long before e-mail and the Internet permeated society, Roy Ascott, a pioneering British artist and theorist, coined the term \"\"telematic art\"\" to describe the use of online computer networks as an artistic medium. In Telematic Embrace Edward A. Shanken gathers, for the first time, an impressive compilation of more than three decades of Ascott's philosophies on aesthetics, interactivity, and the sense of self and community in the telematic world of cyberspace."]