{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":42,"n_cols":5,"rows_kept":42,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[12,2,12,3],[13,2,13,3],[17,2,17,3],[19,2,19,3],[19,4,19,5],[20,2,20,3],[20,4,20,5],[21,2,21,3],[21,4,21,5],[22,2,22,3],[23,2,23,3],[25,2,25,3],[26,2,26,3],[27,2,27,3],[29,2,29,3],[36,2,36,3],[37,2,37,3],[39,2,39,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910780092703321"]
[null,null,"Autore",null,"Crystal David <1941->"]
[null,null,"Titolo",null,"Language and the internet / / David Crystal [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2001"]
[null,null,"ISBN",null,"0-511-04778-9"]
[{"$nulls":4},"0-511-15425-9"]
[{"$nulls":4},"1-139-16477-5"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (ix, 272 pages) : digital, PDF file(s)"]
[null,null,"Disciplina",null,"402/.2854678"]
[null,null,"Soggetti",null,"Language and languages"]
[{"$nulls":4},"Internet"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 243-251) and indexes."]
[null,null,"Nota di contenuto",null,"Cover; Half-title; Title; Copyright; Contents; Preface; 1 A linguistic perspective; 2 The medium of Netspeak; 3 Finding an identity; 4 The language of e-mail; 5 The language of chatgroups; 6 The language of virtual worlds; 7 The language of the Web; 8 The linguistic future of the Internet; References; Index of authors"]
[null,null,null,"Sommario/riassunto","David Crystal investigates the nature of the impact which the Internet is making on language. There is already a widespread popular mythology that the Internet is going to be bad for the future of language - that technospeak will rule, standards be lost, and creativity diminished as globalization imposes sameness. The argument of this book is the reverse: that the Internet is in fact enabling a dramatic expansion to take place in the range and variety of language, and is providing unprecedented opportunities for personal creativity. The Internet has now been around long enough for us to 'take a view' about the way in which it is being shaped by and is shaping language and languages, and there is no-one better placed than David Crystal to take that view. His book is written to be accessible to anyone who has used the Internet and who has an interest in language issues."]
[null,"2.","Record Nr.",null,"UNINA9910734835903321"]
[null,null,"Autore",null,"Vohnsen Mirna"]
[null,null,"Titolo",null,"Contemporary Argentine Women Filmmakers / / edited by Mirna Vohnsen, Daniel Mourenza"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023"]
[null,null,"ISBN",null,"9783031323461"]
[{"$nulls":4},"3031323467"]
[null,null,"Edizione",null,"[1st ed. 2023.]"]
[null,null,"Descrizione fisica",null,"1 online resource (274 pages)"]
[null,null,"Disciplina",null,"791.4098"]
[{"$nulls":4},"791.4302330982"]
[null,null,"Soggetti",null,"Motion pictures, American"]
[{"$nulls":4},"Gender identity in mass media"]
[{"$nulls":4},"Motion pictures - Production and direction"]
[{"$nulls":4},"Latin American Film and TV"]
[{"$nulls":4},"Media and Gender"]
[{"$nulls":4},"Directing"]
[{"$nulls":4},"Film and Television Production"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"1. Introduction. Women Filmmakers in Argentina: Reworking Cinematic Practices Mirna Vohnsen & Daniel Mourenza Auteurs -- 2. Lita Stantic: “The Personal Is Political” Is Professional Constanza Burucúa -- 3. Jeanine Meerapfel: Cosmopolitan Auteur of the Immigrant Condition Matt Losada -- 4. María Victoria Menis’s Counter-Cinema: La cámara oscura (2008) and María y el Araña (2013) Carolina Rocha -- Traumatic Experiences -- 5. Sisterhood on the Threshold in Julia Solomonoff’s Hermanas (2005) Mirna Vohnsen -- 6. Screaming into the Abyss: Trauma and Witnessing in Albertina Carri’s Los rubios (2003) and La rabia (2008) Fiona Clancy -- 7. Are You Listening? Voices and Images in Gabriela David’s Taxi, un encuentro (2001) and Lucía Puenzo’s El niño pez (2009) Ana Forcinito -- 8. Intersectionality in Gabriela David’s La mosca en la ceniza (2010) Traci Roberts-Camps -- Aesthetics -- 9. They Are All around Us: Pain, Memory and Multisensory Images in Paula Markovitch’s El premio (2011) Guillermo Severiche -- 10. The Oppositional Gaze in the Argentine Cinema of Migration: Negotiating Chinese Identity and Coloniality of Seeing in Nele Wohlatz’s El futuro "]
[{"$nulls":4},"perfecto (2016) Pedro Cabello del Moral & Roberto Elvira Mathez -- 11. Manipulating the Gaze in La novia del desierto (dir. Cecilia Atán and Valeria Pivato, 2017) Andrea Meador Smith -- Genre Cinema -- 12. Women, Hybridity and Genre in the Films of Verónica Chen Beatriz Urraca -- 13. A Different Terror: Crudo Films and Women’s Horror Cinema in Argentina Jonathan Risner -- 14. Girlhood and the Uncanny in the Coming-of-Age Genre: Abrir puertas y ventanas (dir. Milagros Mumenthaler, 2011) and Mamá, mamá, mamá (dir. Sol Berruezo Pichon-Rivière, 2020) Daniel Mourenza -- Epilogue. On Cinematic Disobedience Inela Selimović."]
[null,null,null,"Sommario/riassunto","This edited volume offers a wide-ranging picture of Argentine women filmmakers’ contribution to the film industry from the 1980s to the present by bringing together the work of highly acclaimed and emerging directors. Through thirteen critical essays by leading scholars in the field of Argentine cinema, the book acknowledges that contemporary women filmmakers have transformed the cinema of Argentina by questioning, challenging and debunking hegemonic patriarchal systems of representation. With a focus on women’s voices and experiences, the contributions redress both the under-representation of women and girls onscreen and the perpetuation of stereotypes, while exploring the innovative aesthetics used by these filmmakers. “This is the first book in English dedicated to the rich output of recent Argentine women filmmakers and features work by leading experts. A comprehensive, and well researched book that tells multiple stories of women’s filmmaking in Argentina.” – Deborah Shaw, Professor of Film and Screen Studies, University of Portsmouth, UK Dr Mirna Vohnsen is Assistant Lecturer in Spanish at Technological University Dublin. She specialises in contemporary Argentine cinema and culture. She is the author of Portrayals of Jews in Contemporary Argentine Cinema: Rethinking Argentinidad (2019) and the co-author of Eva Perón: A Reference Guide to Her Life and Works (2021). Dr Daniel Mourenza is Assistant Professor in Hispanic Cultural Studies at Radboud Universiteit. His research focuses on film theory, visual culture and Spanish and Latin American cinema. He is the author of Walter Benjamin and the Aesthetics of Film (2020). Mourenza has also co-edited a special issue of Parallax on ‘Barbarism’. ."]