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[null,"1.","Record Nr.",null,"UNINA9910780088203321"]
[null,null,"Autore",null,"Buckland Warren"]
[null,null,"Titolo",null,"The cognitive semiotics of film / / Warren Buckland [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2000"]
[null,null,"ISBN",null,"1-107-11992-8"]
[{"$nulls":4},"0-521-03715-8"]
[{"$nulls":4},"0-511-30249-5"]
[{"$nulls":4},"0-511-61314-8"]
[{"$nulls":4},"0-511-15540-9"]
[{"$nulls":4},"0-511-04997-8"]
[{"$nulls":4},"1-280-42959-3"]
[{"$nulls":4},"0-511-17521-3"]
[null,null,"Descrizione fisica",null,"1 online resource (xi, 174 pages) : digital, PDF file(s)"]
[null,null,"Disciplina",null,"791.43/01/4"]
[null,null,"Soggetti",null,"Motion pictures - Semiotics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 163-169) and index."]
[null,null,"Nota di contenuto",null,"Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; Index"]
[null,null,null,"Sommario/riassunto","In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-"]
[{"$nulls":4},"theory' in film studies."]