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[null,"1.","Record Nr.",null,"UNINA9910780053603321"]
[null,null,"Autore",null,"Phillips Mark <1946->"]
[null,null,"Titolo",null,"Society and sentiment [[electronic resource] ] : genres of historical writing in Britain, 1740-1820 / / Mark Salber Phillips"]
[null,null,"Pubbl/distr/stampa",null,"Princeton, N.J., : Princeton University Press, c2000"]
[null,null,"ISBN",null,"1-4008-0623-2"]
[{"$nulls":4},"1-282-76702-X"]
[{"$nulls":4},"9786612767029"]
[{"$nulls":4},"1-4008-2362-5"]
[{"$nulls":4},"1-4008-1299-2"]
[null,null,"Edizione",null,"[Course Book]"]
[null,null,"Descrizione fisica",null,"1 online resource (390 p.)"]
[null,null,"Disciplina",null,"907/.2041"]
[null,null,"Soggetti",null,"Historiography - Social aspects - Great Britain"]
[{"$nulls":4},"Historiography - Great Britain - History - 18th century"]
[{"$nulls":4},"Historiography - Great Britain - History - 19th century"]
[{"$nulls":4},"Literary form - History - 18th century"]
[{"$nulls":4},"Literary form - History - 19th century"]
[{"$nulls":4},"Sentimentalism - Social aspects - Great Britain"]
[{"$nulls":4},"Great Britain Historiography"]
[{"$nulls":4},"Great Britain Social life and customs 18th century"]
[{"$nulls":4},"Great Britain Social life and customs 19th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [351]-365) and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Preface -- List of Abbreviations -- Introduction: \"The More Permanent and Peaceful Scenes of Social Life\" -- THE ENGLISH PARNASSUS -- 1. David Hume and the Vocabularies of British Historiography -- 2. Hume and the Politics and Poetics of Historical Distance -- NARRATIVES AND READERS -- 3. Tensions and Accommodations: Varieties of Structure in Eighteenth-Century Narrative -- 4. History, the Novel, and the Sentimental Reader -- LIVES, MANNERS, AND \"THE HISTORY OF MAN\" -- 5. Biography and the History of Private Life -- 6. Manners and the Many Histories of Everyday Life: Custom, Commerce, Women, and Literature -- 7. Conjectural History: A History of Manners and of Mind -- CONTINUITIES -- 8. James Mackintosh: The Historian as Reader -- 9. Burke, Mackintosh, and the Idea of Tradition -- LITERARY HISTORY, MEMOIR, AND THE IDEA OF "]
[{"$nulls":4},"COMMEMORATION IN EARLY NINETEENTH- CENTURY BRITAIN -- 10. \"The Comedy of Middle Life\": Francis Jeffrey and Literary History -- 12. William Godwin and the Idea of Commemoration -- Conclusion. Historical Distance and the Reception of Eighteenth-Century Historical Writing -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","A deepening interest in both social and interior experience was a distinguishing feature of the cultural life of eighteenth-century Britain, influencing writers in all genres from fiction to philosophy. Focusing on this interplay of ideas and genres, Mark Phillips explores the ways in which writers and readers of history, memoir, biography and related literatures responded to the social and sentimental concerns of a modern, commercial society. He shows that the writing of history, which once concentrated exclusively on political events, widened its horizons in ways that often paralleled better-known developments in the contemporary novel. Ultimately, Phillips proposes a new model for the study of historiographical narrative. Countering tropological readings identified with Hayden White, he offers a more historically nuanced approach that stresses questions of genre and reception as a guide to understanding how narratives were reshaped by new audiences and new social needs. Drawing inspiration from both the social analysis of the Scottish Enlightenment and the sentimental aesthetics of the contemporary novel, historical writing began to explore the areas of social experience and private life for which there was no place in classical historiography. The consequence, Phillips argues, was a significant reframing of historical thought that expressed itself through new themes, including the histories of commerce, manners, literature, and women, and through some lively experiments in narrative form. This book offers a rich picture of historiography that will interest students of history and fiction alike."]