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[null,"1.","Record Nr.",null,"UNINA9910779913903321"]
[null,null,"Titolo",null,"Classics in film and fiction [[electronic resource] /] / edited by Deborah Cartmell, I.Q. Hunter, Heidi Kaye, Imelda Whelehan"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; Sterling, Va., : Pluto Press, 2000"]
[null,null,"ISBN",null,"1-84964-509-4"]
[{"$nulls":4},"0-585-42672-4"]
[null,null,"Descrizione fisica",null,"1 online resource (256 p.)"]
[null,null,"Collana",null,"Film/fiction ; ; v. 5"]
[null,null,"Disciplina",null,"791.43/6"]
[null,null,"Soggetti",null,"Canon (Literature)"]
[{"$nulls":4},"Film adaptations - History and criticism"]
[{"$nulls":4},"Motion pictures and literature"]
[{"$nulls":4},"Motion Pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[{"$nulls":3},"Livello bibliografico","Monografia"]
[{"$nulls":3},"Note generali","Description based upon print version of record."]
[{"$nulls":3},"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"\"\"Contents\"\"; \"\"Notes on Contributors\"\"; \"\"Introduction: Classics Across the Film/ Literature Divide \"\"; \"\"Notes\"\"; \"\"Further Reading\"\"; \"\"1. 'If Only You Could See What I've Seen with Your Eyes': Blade Runner and La Symphonie Pastorale\"\"; \"\"Notes\"\"; \"\"2. Classic Shakespeare for All: Forbidden Planet and Prospero's Books, Two Screen Adaptations of The Tempest \"\"; \"\"Notes\"\"; \"\"3. The Red and the Blue: Jane Eyre in the 1990's \"\"; \"\"Notes\"\"; \"\"4. Transcultural Aesthetics and the Film Adaptations of Henry James \"\"; \"\"The American\"\"; \"\"The Portrait of a Lady\"\"; \"\"The Wings of the Dove\"\"; \"\"Notes\"\""]
[{"$nulls":4},"\"\"5. 'Hystorical'  Puritanism: Contemporary Cinematic Adaptations of Nathaniel Hawthorne's The Scarlet Letter and Arthur Mil\"\" \"\"Notes\"\"; \"\"6. Mrs. Dalloway and Orlando: The Subject of Time and Generic Transactions \"\"; \"\"Notes\"\"; \"\"7. 'Desire Projected Itself Visually': Watching Death in Venice \"\"; \"\"Notes\"\"; \"\"8. Leopold Bloom Walks and Jimmy Stewart Stares: On Motion, Genre and the Classic \"\"; \"\"Notes\"\"; \"\"9. Trial and Error: Combinatory Fidelity in Two Versions of Franz Kafka's The Trial \"\"; \"\"Notes\"\"; \"\"10. In Cold Blood : Yellow Birds, New Realism and Killer Culture \"\"; \"\"Notes\"\""]
[{"$nulls":4},"\"\"11. Home by Tea- time: Fear of Imagination in Disney's Alice in Wonderland \"\"\"\"Notes\"\"; \"\"Index\"\"; \"\"2001 A Space Odyssey [Kubrick] 43\"\"; \"\"acting, stage and screen 96-7\"\"; \"\"actors\"\"; \"\"  foreign  58\"\"; \"\"  recycling  8\"\"; \"\"  recycling  8\"\"; \"\"  recycling  56-7\"\"; \"\"  recycling  56-"]
[{"$nulls":4},"7\"\"; \"\"  recycling  94\"\"; \"\"  recycling  94\"\"; \"\"  recycling  187-8\"\"; \"\"  recycling  187-8\"\"; \"\"  recycling  189-90\"\"; \"\"  recycling  189-90\"\"; \"\"adaptations of classics\"\"; \"\"  and contemporary context  3-4\"\"; \"\"  and imaginative rereadings  138\"\"; \"\"  and interpretation  7\"\"; \"\"  and interpretation  8\"\""]
[{"$nulls":4},"\"\"  and interpretation  10\"\"\"\"  and interpretation  48-50\"\"; \"\"  and interpretation  138\"\"; \"\"  and interpretation  181\"\"; \"\"  and making money  9\"\"; \"\"  and making money  94\"\"; \"\"  authority of text  43\"\"; \"\"  authority of text  45\"\"; \"\"  authority of text  46\"\"; \"\"  authority of text  49\"\"; \"\"  bringing past to life  121-3\"\"; \"\"  fidelity  3\"\"; \"\"  fidelity  4-5\"\"; \"\"  fidelity  8\"\"; \"\"  fidelity  181\"\"; \"\"  fidelity  190\"\"; \"\"  fidelity  203\"\"; \"\"  updating  5\"\"; \"\"  updating  6\"\"; \"\"  updating  38\"\"; \"\"  updating  66-7\"\"; \"\"  updating  68\"\"; \"\"  updating  69\"\"; \"\"Adorno, Theodor 180\"\""]
[{"$nulls":4},"\"\"aesthetics, and power 2-3\"\"\"\"Age of Innocence [Scorsese] 77\"\"; \"\"Aladdin [Disney] 222\"\"; \"\"Aldiss, Brian 40\"\"; \"\"Alexieff, Alexandre 182\"\"; \"\"Alice in Wonderland [Disney]\"\"; \"\"   210\"\"; \"\"   215\"\"; \"\"   217-22\"\"; \"\"  Alice objectified  220\"\"; \"\"  and female imagination  210\"\"; \"\"  and female imagination  213\"\"; \"\"  and female imagination  218\"\"; \"\"  and guilt  208\"\"; \"\"  and guilt  221-2\"\"; \"\"  and imaginative freedom  222\"\"; \"\"  and repression  207\"\"; \"\"  and surrealism  221\"\"; \"\"  conservative narrative  218-20\"\"; \"\"Allan, Robin\"\"; \"\"   215\"\"; \"\"   217\"\"; \"\"   220-1\"\"; \"\"allegory 44-5\"\""]
[{"$nulls":4},"\"\"Althusser, Louis 26\"\""]
[{"$nulls":3},"Sommario/riassunto","The contributors to this volume negotiate the notion of a ‘classic’ in film and fiction, exploring the growing interface and the blurring of boundaries between literature and film. Taking the problematic term 'classic' as its focus, the contributors consider both canonical literary and film texts, questioning whether classic status in one domain transfers it to another. Classics in Film and Fiction looks at a wide range of texts and their adaptations. Authors discussed are Shakespeare, Charlotte Brontë, Henry James, Franz Kafka, Thomas Mann, Virginia Woolf, Nathaniel Hawthorne, Arthur Miller, Truman Capote and Lewis Carroll. Book to film adaptations analysed include Jane Eyre, The Crucible, The Tempest and Alice in Wonderland. The collection also evaluates the term ‘classic’ in a wider context, including a comparison of Joyce's Ulysses with Hitchcock's Rear Window. Throughout, the contributors challenge the dichotomy between high culture and pop culture."]