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[null,"1.","Record Nr.",null,"UNINA9910779835703321"]
[null,null,"Autore",null,"Silverman Maxim"]
[null,null,"Titolo",null,"Palimpsestic memory [[electronic resource] ] : the Holocaust and colonialism in French and francophone fiction and film / / Max Silverman"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Berghahn Books, 2013"]
[null,null,"ISBN",null,"1-78238-900-8"]
[{"$nulls":4},"0-85745-884-1"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (216 p.)"]
[null,null,"Classificazione",null,"AP 59435"]
[null,null,"Disciplina",null,"843/.91409358405318"]
[null,null,"Soggetti",null,"French fiction - 20th century - History and criticism"]
[{"$nulls":4},"French fiction - French-speaking countries - History and criticism"]
[{"$nulls":4},"Colonies in literature"]
[{"$nulls":4},"Colonies in motion pictures"]
[{"$nulls":4},"Holocaust, Jewish (1939-1945), in literature"]
[{"$nulls":4},"Holocaust, Jewish (1939-1945), in motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction Staging Memory as Palimpsest; Chapter 1 The Politics and Poetics of Memory; Chapter 2 Concentrationary Memory; Chapter 3 Anti-colonialism Revisited; Chapter 4 Colonial Hauntings of the Holocaust Imaginary; Chapter 5 The Memory of the Image; Chapter 6 Memory Traces; Chapter 7 Cosmopolitical Memory; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of 'palimpsestic memory', which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which obli"]