{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":16,"n_cols":5,"rows_kept":16,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[14,2,14,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910779430603321"]
[null,null,"Autore",null,"Thomas M. Wynn"]
[null,null,"Titolo",null,"R.S. Thomas [[electronic resource] ] : serial obsessive / / M. Wynn Thomas"]
[null,null,"Pubbl/distr/stampa",null,"Cardiff, : University of Wales Press, 2013"]
[null,null,"ISBN",null,"0-7083-2661-7"]
[{"$nulls":4},"1-299-20150-4"]
[null,null,"Descrizione fisica",null,"1 online resource (352 p.)"]
[null,null,"Disciplina",null,"821.914"]
[null,null,"Soggetti",null,"Poets, Welsh"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Acknowledgements; Illustrations; Abbreviations; Introduction; War Poet; For Wales, See Landscape; The Disappearing Clergyman; Son of Saunders; Family Matters; The Leper of Abercuawg; Irony in the Soul: R. S.(ocrates) Thomas; 'Time's Changeling'; 'The fantastic side of God'; Transatlantic Relations; 'The fast dipping brush'; 'The brush's piety'; Index"]
[null,null,null,"Sommario/riassunto","The study places the work of a major religious poet of the late twentieth century in a number of striking new perspectives that allow him to be viewed for the first time as an 'alternative' war poet, a conscience-stricken pacifist, a jealously opportunistic student of art, and an experimental biographer of the modern soul."]