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[null,"1.","Record Nr.",null,"UNINA9910779238803321"]
[null,null,"Autore",null,"Giroud Vincent"]
[null,null,"Titolo",null,"French opera [[electronic resource] ] : a short history / / Vincent Giroud"]
[null,null,"Pubbl/distr/stampa",null,"New Haven [Conn.], : Yale University Press, c2010"]
[null,null,"ISBN",null,"0-300-16821-7"]
[null,null,"Descrizione fisica",null,"1 online resource : illustrations"]
[null,null,"Disciplina",null,"782.10944"]
[null,null,"Soggetti",null,"Opera - France"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [340]-346) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- INTRODUCTION -- CHAPTER 1: FROM THE ORIGINS TO LULLY -- CHAPTER 2: FROM LULLY TO RAMEAU -- CHAPTER 3: THE AGE OF RAMEAU -- CHAPTER 4: GLUCK TO REVOLUTION -- CHAPTER 5: REVOLUTION TO ROMANTICISM -- CHAPTER 6: THE AGE OF GRAND OPÉRA -- CHAPTER 7: FRENCH OPERA UNDER THE SECOND EMPIRE -- CHAPTER 8: FROM CARMEN TO PELLÉAS -- CHAPTER 9: FROM THE BELLE ÉPOQUE TO THE ANNÉES FOLLES -- CHAPTER 10: CRISIS AND RENEWAL -- NOTES -- BIBLIOGRAPHY -- INDEX"]
[null,null,null,"Sommario/riassunto","French opera is second only to Italian opera in the length, breadth, and diversity of its history. Yet most people, if asked to come up with titles, could mention only a handful of titles-Carmen, Faust, Pelleas et Melisande, Samson et Dalila-a small list for an operatic tradition that began in the seventeenth century and is still very much alive. This book provides a full, single-volume account of opera in France from its origins to the present day.Vincent Giroud looks at the leading composers, from Lully to Messiaen and beyond; at the development of French operatic form and style; at performance, performers, and audience; and at the impact of French opera beyond France's borders. Lovers of opera will find this an ideal companion to their appreciation of the form."]