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[null,"1.","Record Nr.",null,"UNINA9910779199403321"]
[null,null,"Autore",null,"Rosenthal Léon"]
[null,null,"Titolo",null,"Le Romantisme [[electronic resource] /] / Léon Rosenthal"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Parkstone International, [2012?]"]
[null,null,"ISBN",null,"1-283-95198-3"]
[{"$nulls":4},"1-78042-771-9"]
[null,null,"Descrizione fisica",null,"1 online resource (200 p.)"]
[null,null,"Collana",null,"Collection art of century"]
[null,null,"Disciplina",null,"759.3"]
[null,null,"Soggetti",null,"Romanticism in art"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Sommaire; I. Les Préludes du romantisme; II. La Période romantique; III. L'Inspiration romantique; IV. Les Modes d'expression romantique; Conclusion; Extraits de textes littéraires; Jean-Jacques Rousseau (1712-1778); James McPherson (1736-1796); Johann Wolfgang von Goethe (1749-1832); William Blake (1757-1827); Johann Christoph Friedrich von Schiller (1759-1805); Germaine Necker, baronne de Staël-Holstein, dite Madame de Staël (1766-1817); Benjamin Constant (1767-1830); François René Chateaubriand, vicomte de Chateaubriand (1768-1848); William Wordsworth (1770-1850)"]
[{"$nulls":4},"Georg Philipp Friedrich Freiherr von Hardenberg, dit Novalis (1772-1801)Friedrich von Schlegel (1772-1829); Ernst Theodor Amadeus Hoffmann (1776-1822); Joseph von Görres (1776-1848); Henri Beyle, dit Stendhal (1783-1842); George Gordon Noel Byron, Lord Byron (1788-1824); James Fenimore Cooper (1789-1851); Alphonse de Lamartine (1790-1869); Percy Bysshe Shelley (1792-1822); John Keats (1795-1821); Heinrich Heine (1797-1856); Alfred de Vigny (1797-1863); Victor Hugo (1802-1885); Aurore Dupin, baronne Dudevant, dite Georges Sand (1804-1876); Alfred de Musset (1810-1857)"]
[{"$nulls":4},"Mikhaïl Iourevich Lermontov (1814-1841)Les Incontournables; Hubert Robert (Paris, 1733-1808); Johann Heinrich Füssli, dit Henry Fuseli (Zurich 1741 - Londres 1825); Francisco de Goya y Lucientes (Fuendetodos, 1746 - Bordeaux, 1828); John Robert Cozens (Londres, 1752-1797); William Blake (Londres, 1757-1827); Antoine-Jean Gros, baron Gros (Paris, 1771 - Meudon, 1835); Caspar David Friedrich (Greifswald, 1774 - Dresde, 1840); Joseph Mallord William Turner (Londres, 1775-1851); John Constable (East Bergholt, 1776 - Londres, "]
[{"$nulls":4},"1837); Philipp Otto Runge (Walgast, 1777 - Hambourg, 1810)"]
[{"$nulls":4},"Théodore Géricault (Rouen, 1791 - Paris 1824)Arie Scheffer, dit Ary Scheffer (Dortrecht, 1795 - Argenteuil, 1858); Eugène Delacroix (Saint-Maurice, 1798 - Paris, 1863); Richard Parkes Bonington (Nottingham, 1802 - Londres, 1828); Théodore Chassériau (Sainte-Barbe-de-Samana, 1819 - Paris, 1856); François Rude (Dijon, 1784 - Paris, 1855); Pierre Jean David, dit David d'Angers (Angers, 1788 - Paris, 1856); Jean-Jacques Pradier, dit James Pradier (Genève, 1790 - Bougival, 1852); Antoine-Louis Barye (Paris, 1796-1875); Jean-Étienne Chaponnière (Genève, 1801 - Mornex, Haute-Savoie, 1835)"]
[{"$nulls":4},"Antoine Augustin Préault, dit Auguste Préault (Paris, 1809-1879)Jean-Baptiste Carpeaux (Valenciennes, 1827 - Courbevoie, 1875); Bibliographie; Index"]
[null,null,null,"Sommario/riassunto","Véritable réaction au néo-classicisme envahissant le XIXe siècle, le romantisme marqua une réelle fracture intellectuelle. Rencontré dans les textes de Victor Hugo ou de Lord Byron, ce courant s'exprima en peinture dans la touche d'Eugène Delacroix, de Caspar David Friedrich ou de William Blake. En sculpture, François Rude montra le chemin de cette nouvelle liberté artistique, dotant ses réalisations de mouvements et d'expressions qui étaient jusque-là inconnus.Retraçant les différentes étapes de son évolution, ce livre propose d'étudier les différents aspects du mouvement romantique. Le lecte"]