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[null,"1.","Record Nr.",null,"UNINA9910774699903321"]
[null,null,"Autore",null,"Woodcock Jamie"]
[null,null,"Titolo",null,"The Fight Against Platform Capitalism : An Inquiry into the Global Struggles of the Gig Economy / / Jamie Woodcock"]
[null,null,"Pubbl/distr/stampa",null,"London : , : University of Westminster Press, , 2021"]
[{"$nulls":4},"©2021"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 115 pages)"]
[null,null,"Disciplina",null,"330.122"]
[null,null,"Soggetti",null,"Capitalism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","So far, platform work has been an important laboratory for capital. Management techniques, like the use of algorithms, are being tested with a view to exporting across the global economy and it is argued that automation is undermining workers' agency. Although the contractual trick of self-employment has allowed platforms to grow quickly and keep their costs down, yet it has also been the case also that workers have also found they can strike without following the existing regulations. This book develops a critique of platforms and platform capitalism from the perspective of workers and contributes to the ongoing debates about the future of work and worker organising. It presents an alternative portrait returning to a focus on workers' experience, focusing on solidarity, drawing out a global picture of new forms of agency. In particular, the book focuses on three dynamics that are driving struggles in the platform economy: the increasing connections between workers who are no longer isolated; the lack of communication and negotiation from platforms, leading to escalating worker action around shared issues; and the internationalisation of platforms, which has laid the basis for new transnational solidarity. Focusing on transport and courier workers, online workers and freelancers, author Jamie Woodcock concludes by considering how workers build power in different situations. Rather than undermining worker agency, platforms have instead provided the technical basis for the emergence of new global struggles against capitalism."]
[null,"2.","Record Nr.",null,"UNINA9910779091903321"]
[null,null,"Autore",null,"Murphy Sheila C. <1974->"]
[null,null,"Titolo",null,"How television invented new media [[electronic resource] /] / Sheila C. Murphy"]
[null,null,"Pubbl/distr/stampa",null,"New Brunswick, N.J., : Rutgers University Press, c2011"]
[null,null,"ISBN",null,"1-283-86445-2"]
[{"$nulls":4},"0-8135-5094-7"]
[null,null,"Descrizione fisica",null,"1 online resource (203 p.)"]
[null,null,"Disciplina",null,"384.55"]
[null,null,"Soggetti",null,"Television broadcasting - Technological innovations"]
[{"$nulls":4},"Television - Technological innovations"]
[{"$nulls":4},"Interactive television"]
[{"$nulls":4},"Convergence (Telecommunication)"]
[{"$nulls":4},"Television interactive toys"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 169-178) and index."]
[null,null,"Nota di contenuto",null,"Introduction : how television invents new media -- \"This is intelligent television\" : the emerging technologies of video games, computers, and the medium of television -- Is this convergence? : postnetwork television, new media and emerging middletexts -- From tube to a \"series of tubes\" : television in and as new media -- Alt-ctrl : the freedom of remotes and controls -- Conclusion : television is not new media."]
[null,null,null,"Sommario/riassunto","Now if I just remembered where I put that original TV play device--the universal remote control . . . Television is a global industry, a medium of representation, an architectural component of space, and a nearly universal frame of reference for viewers. Yet it is also an abstraction and an often misunderstood science whose critical influence on the development, history, and diffusion of new media has been both minimized and overlooked. How Television Invented New Media adjusts the picture of television culturally while providing a corrective history of new media studies itself. Personal computers, video game systems, even iPods and the Internet built upon and borrowed from television to become viable forms. The earliest personal computers, disguised as video games using TV sets as monitors, provided a case study for television's key role in the emergence of digital interactive devices. Sheila C. Murphy analyzes how specific technologies emerge and how "]
[{"$nulls":4},"representations, from South Park to Dr. Horrible's Sing-Along-Blog, mine the history of television just as they converge with new methods of the making and circulation of images. Past and failed attempts to link television to computers and the Web also indicate how services like Hulu or Netflix On-Demand can give rise to a new era for entertainment and program viewing online. In these concrete ways, television's role in new and emerging media is solidified and finally recognized."]