{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":29,"n_cols":5,"rows_kept":29,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[12,2,12,3],[12,4,12,5],[13,2,13,3],[13,4,13,5],[14,2,14,3],[14,4,14,5],[15,2,15,3],[16,2,16,3],[19,2,19,3],[20,2,20,3],[21,2,21,3],[22,2,22,3],[23,2,23,3],[27,2,27,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISALENTO991002036889707536"]
[null,null,"Autore",null,"Cassandro, Paolo Emilio"]
[null,null,"Titolo",null,"Scritti vari, 1929-1990 / Paolo Emilio Cassandro ; ricerche a cura di Giuseppe Spallini"]
[null,null,"Pubbl/distr/stampa",null,"Bari : Cacucci, 1991"]
[null,null,"Descrizione fisica",null,"2 v. (xxiii, xi, 1721 p. compless.) : 1 ritr. ; 25 cm"]
[null,null,"Disciplina",null,"658.1"]
[null,null,"Soggetti",null,"Economia aziendale"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","In testa al front.: Università degli studi di Bari, Istituto di ragioneria e di economia aziendale"]
[{"$nulls":4},"In custodia"]
[null,"2.","Record Nr.",null,"UNINA9910779087803321"]
[null,null,"Autore",null,"Hinton Stephen"]
[null,null,"Titolo",null,"Weill's musical theater [[electronic resource] ] : stages of reform / / Stephen Hinton"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, 2012"]
[null,null,"ISBN",null,"1-280-11632-3"]
[{"$nulls":4},"9786613520760"]
[{"$nulls":4},"0-520-95183-2"]
[null,null,"Descrizione fisica",null,"1 online resource (xvi, 569 p.)"]
[null,null,"Disciplina",null,"782.1092"]
[null,null,"Soggetti",null,"Musical theater - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Illustrations -- Preface and Acknowledgments -- 1. Biographical Notes -- 2. The Busoni Connection -- 3. One-Act Operas -- 4. \"Songspiel\" -- 5. Plays with Music -- 6. Epic Opera -- 7. Didactic Theater (\"Lehrstück\") -- 8. Stages of Exile -- 9. Musical Plays -- 10. Stage vs. Screen -- 11. American Opera -- 12. Concept and Commitment -- Coda -- Appendix: Weill's Works for Stage or Screen -- Abbreviations -- Notes -- Credits -- Index"]
[null,null,null,"Sommario/riassunto","In the first musicological study of Kurt Weill's complete stage works, Stephen Hinton charts the full range of theatrical achievements by one of twentieth-century musical theater's key figures. Hinton shows how Weill's experiments with a range of genres-from one-act operas and plays with music to Broadway musicals and film-opera-became an indispensable part of the reforms he promoted during his brief but intense career. Confronting the divisive notion of \"two Weills\"-one European, the other American-Hinton adopts a broad and inclusive perspective, establishing criteria that allow aspects of continuity to emerge, particularly in matters of dramaturgy. Tracing his extraordinary journey as a composer, the book shows how Weill's artistic ambitions led to his working with a remarkably heterogeneous collection of authors, such as Georg Kaiser, Bertolt Brecht, Moss Hart, Alan Jay Lerner, and Maxwell Anderson."]