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[null,"1.","Record Nr.",null,"UNINA9910779015303321"]
[null,null,"Autore",null,"Crowther Paul"]
[null,null,"Titolo",null,"The phenomenology of modern art [[electronic resource] ] : exploding Deleuze, illuminating style / / Paul Crowther"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Continuum International Pub. Group, 2012"]
[null,null,"ISBN",null,"1-280-57717-7"]
[{"$nulls":4},"9786613606884"]
[{"$nulls":4},"1-4411-1506-4"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (301 p.)"]
[null,null,"Collana",null,"Key Thinkers"]
[null,null,"Disciplina",null,"709.04001"]
[null,null,"Soggetti",null,"Art, Modern - 20th century"]
[{"$nulls":4},"Phenomenology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Half title; Seriespage; Title; Copyright; Contents; List of Illustrations; Acknowledgements; Introduction: The Interpretation of Modern Art; Chapter One: Releasing Style from Sensation: Deleuze, Francis Bacon and Modern Painting; Introduction; Part One; Part Two; Part Three; Part Four; Conclusion; Chapter Two: Origins of Modernism and the Avant-Garde; Introduction; Part One; Part Two; Part Three; Chapter Three: Nietzsche and the Varieties of Expressionism; Introduction; Part One; Part Two; Part Three; Part Four; Chapter Four: Merleau-Ponty's Cezanne; Introduction; Part One; Part Two"]
[{"$nulls":4},"Part ThreePart Four; Conclusion; Chapter Five: Interpreting Cubist Space: From Kant to Phenomenology; Introduction; Part One; Part Two; Part Three; Part Four; Chapter Six: Duchamp, Kant, and Conceptual Phenomena; Introduction; Part One; Part Two; Conclusion; Chapter Seven: Greenberg's Kant and Modernist Painting; Introduction; Part One; Part Two; Chapter Eight: Deleuze and the Interpretation of Abstract Art; Introduction; Part One; Part Two; Conclusion; Chapter Nine: Plane Truths: Hans Hofmann, Modern Art and the Meaning of Abstraction; Introduction; Part One; Part Two; Part Three; Part Four"]
[{"$nulls":4},"Part FiveConclusion; Notes; Bibliography; Index; Plates 1; Plates 2; Plates 3; Plates 4"]
[null,null,null,"Sommario/riassunto","As a philosophical approach, phenomenology is concerned with structure in how phenomena are experienced. The Phenomenology of Modern Art uses phenomenological insights to explain the significance "]
[{"$nulls":4},"of style in modern art, most notably in Impressionism, Expressionism, Cezanne and Cubism, Duchampian conceptualism and abstract art. Paul Crowther explores this thematic approachin a new way, addressing specific visual artworks and tendencies in detail and introduces a new methodology- post-analytic phenomenology. It is this more critical, post-analytic orientation that allows the book to utilise some"]