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[null,"1.","Record Nr.",null,"UNINA9910778869303321"]
[null,null,"Autore",null,"Glavin John"]
[null,null,"Titolo",null,"After Dickens : reading, adaptation and performance / / John Glavin [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 1999"]
[null,null,"ISBN",null,"1-107-11588-4"]
[{"$nulls":4},"0-521-03237-7"]
[{"$nulls":4},"1-280-16190-6"]
[{"$nulls":4},"0-511-11713-2"]
[{"$nulls":4},"0-511-14943-3"]
[{"$nulls":4},"0-511-30966-X"]
[{"$nulls":4},"0-511-48481-X"]
[{"$nulls":4},"0-511-05121-2"]
[null,null,"Descrizione fisica",null,"1 online resource (xiii, 226 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Cambridge studies in nineteenth-century literature and culture ; ; 20"]
[null,null,"Disciplina",null,"823/.8"]
[null,null,"Soggetti",null,"Performing arts - Great Britain - History - 19th century"]
[{"$nulls":4},"Performing arts in literature"]
[{"$nulls":4},"Stage adaptations"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 216-222) and index."]
[null,null,"Nota di contenuto",null,"; pt. I. Set up. ; 1. Dickens, adaptation and Grotowski. ; 2. ... as upon a theatre -- ; pt. II. Flashback. ; 3. ... to be a Shakespeare. ; 4. Exit: \"the sanguine mirage\" -- ; pt. III. Resolution. ; 5. How to do it. ; 6. Coda."]
[null,null,null,"Sommario/riassunto","After Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance."]