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[null,"1.","Record Nr.",null,"UNISALENTO991001542849707536"]
[null,null,"Autore",null,"Burton, Samuel Holroyd"]
[null,null,"Titolo",null,"The criticism of poetry / S.H. Burton"]
[null,null,"Pubbl/distr/stampa",null,"London : Longman, c1974"]
[null,null,"ISBN",null,"0582341140"]
[null,null,"Edizione",null,"[2 ed.]"]
[null,null,"Descrizione fisica",null,"ix,182 p. ; 19 cm."]
[null,null,"Soggetti",null,"Metrica"]
[{"$nulls":4},"Poesia - Guida allo studio"]
[{"$nulls":4},"Poesia - Teoria e tecnica"]
[{"$nulls":4},"Stilistica"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes bibliographical references"]
[null,"2.","Record Nr.",null,"UNINA9910778342303321"]
[null,null,"Autore",null,"Patton Cindy <1956->"]
[null,null,"Titolo",null,"Cinematic identity [[electronic resource] ] : anatomy of a problem film / / Cindy Patton"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis, Minn., : University of Minnesota Press"]
[{"$nulls":4},"[Bristol, : University Presses Marketing, distributor], c2007"]
[null,null,"ISBN",null,"0-8166-5040-3"]
[null,null,"Descrizione fisica",null,"1 online resource (200 p.)"]
[null,null,"Collana",null,"Theory out of bounds ; ; v. 29"]
[null,null,"Disciplina",null,"791.4365560973"]
[null,null,"Soggetti",null,"Minorities in motion pictures"]
[{"$nulls":4},"Motion pictures - United States"]
[{"$nulls":4},"Social problems in motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"CONTENTS; ACKNOWLEDGMENTS; 1. American Celluloid: New Medium, New Citizen; 2. In the Hearts of Men; 3. Censorship and the Problem Films; 4. Acting Up: The Performing American; 5. Two Conversations: Black and White Americans on Film; APPENDIX. PINKY: A SYNOPSIS; NOTES; REFERENCES; FILMOGRAPHY; INDEX"]
[null,null,null,"Sommario/riassunto","Cindy Patton takes Pinky as a starting point to meditate on the critical reception of this and other Òproblem filmsÓ and to explore the larger issues they raise about race, gender, and sexuality. Patton historicizes Òproblem filmsÓ and the arrival of Method acting in Hollywood, and in doing so offers new perspectives on identity politics, from feminism to the gay rights movement."]