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[null,"1.","Record Nr.",null,"UNINA9910778157303321"]
[null,null,"Autore",null,"Bishop Michael <1938->"]
[null,null,"Titolo",null,"The endless theory of days [[electronic resource] ] : the art and poetry of Gérard Titus-Carmel / / Michael Bishop"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; New York, : Rodopi, 2007"]
[null,null,"ISBN",null,"94-012-0408-X"]
[{"$nulls":4},"1-4294-8086-6"]
[null,null,"Descrizione fisica",null,"1 online resource (165 p.)"]
[null,null,"Collana",null,"Chiasma ; ; 22"]
[null,null,"Disciplina",null,"841.91409"]
[null,null,"Soggetti",null,"French literature - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- FOREWORD -- FROM HOT DOGS AND BANANAS TO DETERIORATION AND ALTERATION: FORM, IDEA, BEING -- JOAQUIN’S LOVE AFFAIR -- THE CRYPTIC AND THE NECESSARY, DEAMBULATION AND STICKS -- FROM COFFINS TO ITALIANA AND RIGGINGS, SHOP CURTAINS AND NARWA -- ACCOMPANYING THE OTHER: FROM CHARDIN, GOYA AND CAILLEBOTTE TO BONNARD, CRANE AND ROUD -- FALLING AND FLOWING -- THE SELF ACCOMPANIED: FROM ROBBE-GRILLET, ROSSI AND ROCHE TO COMMÈRE, BANCQUART AND BONNEFOY -- EXCAVATION AND FORGETTING, EMBANKMENT AND ABYSS -- FROM SHADOWS, INTERIORS AND SEASONS TO CAIRNS, FORESTS AND NIELLI -- QUESTIONS OF PRESENCE AND MANNERS OF DARKNESS -- LEAFINGS, JUNGLES AND HERBARIUM -- TODAY -- SELECTED BIBLIOGRAPHY."]
[null,null,null,"Sommario/riassunto","The Endless Theory of Days: The Art and Poetry of Gérard Titus-Carmel seeks to set forth the case for the special, multiple genius of a man who, despite the experience of a biting melancholy resulting from loss, despite an ‘indefectible feeling of estrangement from the world’, despite, too, the corrosive sense of art’s, of languages’s, deceptiveness, has never lost sight of a curious duty to the shadows that haunt and that, with now a strangeness that smiles, yet beckon toward ‘the very place, finally clarified and recognised, of pure evidence. [The place,] that is, where beauty is named’. This place, Gérard Titus-Carmel may feel, lies no doubt impossibly beyond the strict locus of his art and his writing, but it is a place he has struggled with dignity and unceasingly deployed energy to bring to a semblance "]
[{"$nulls":4},"of incarnation in a vast plastic and poetical oeuvre that has stirred, and will continue to stir, the minds and hearts of all those – from Derrida and Bonnefoy, Alain Robbe-Grillet and Pascal Quignard to Jacques Dupin and Marie-Claire Bancquart, and countless others – who have witnessed its exquisitely solemn unfolding over, today, more than forty years."]