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[null,"1.","Record Nr.",null,"UNINA9910778010503321"]
[null,null,"Autore",null,"Greenberg Karen B. <1964->"]
[null,null,"Titolo",null,"The least worst place [[electronic resource] ] : how Guantanamo became the world's most notorious prison / / Karen Greenberg"]
[null,null,"Pubbl/distr/stampa",null,"Oxford ; ; New York, : Oxford University Press, 2009"]
[null,null,"ISBN",null,"1-383-04576-3"]
[{"$nulls":4},"1-282-23507-9"]
[{"$nulls":4},"9786612235078"]
[{"$nulls":4},"0-19-156786-8"]
[null,null,"Descrizione fisica",null,"1 online resource (285 p.)"]
[null,null,"Disciplina",null,"355.7/1"]
[null,null,"Soggetti",null,"War on Terrorism, 2001-2009 - Prisoners and prisons, American"]
[{"$nulls":4},"Prisoners of war - Cuba - Guantánamo Bay Naval Base"]
[{"$nulls":4},"Prisoners of war - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [223]-252) and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Guide to People; Guide to Acronyms; Preface; 1 World Gone Wrong; 2 The First Team; 3 The Void; 4 Filling the Void; 5 The Bad Guys First; 6 The Petting Zoo; Photos; 7 The Caribbean Hilton; 8 The General and the Chaplain; 9 Missing Pieces; 10 A Political Animal; 11 Towels into Turbans; 12 Bowing Out; Postscript; Notes; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","The tale of how individual officers on the ground at Guantanamo Bay, along with their direct superiors, were unwittingly co-opted into the Pentagon's plan to turn the prison into an interrogation facility operating at the margins of the law and beyond. - ;Ever since its foundation in 2002, the Guantanamo Bay Detention Facility has become the symbol for many people around the world of all that is wrong with the 'war on terror'. Secretive, inhumane, and illegal by most international standards, it has been seen by many as a testament to American hubris in the post-9/11 era. Yet until now no one h"]
[null,"2.","Record Nr.",null,"UNINA9910404104903321"]
[null,null,"Autore",null,"Gunti Claus <p>Claus Gunti, University of Neuchâtel and University of Art and Design Lausanne, Schweiz </p>"]
[null,null,"Titolo"]
[{"$nulls":4},"Digital Image Systems : Photography and New Technologies at the Düsseldorf School / Claus Gunti"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2020"]
[null,null,"ISBN",null,"9783839439029"]
[{"$nulls":4},"3839439027"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (352 p.)"]
[null,null,"Collana",null,"Image"]
[null,null,"Disciplina",null,"771"]
[null,null,"Soggetti",null,"Photography"]
[{"$nulls":4},"Art"]
[{"$nulls":4},"Digital"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Computer"]
[{"$nulls":4},"Germany"]
[{"$nulls":4},"Düsseldorf School"]
[{"$nulls":4},"Thomas Ruff"]
[{"$nulls":4},"Andreas Gursky"]
[{"$nulls":4},"Jörg Sasse"]
[{"$nulls":4},"Art History of the 21st Century"]
[{"$nulls":4},"European Art"]
[{"$nulls":4},"Visual Studies"]
[{"$nulls":4},"Fine Arts"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Contents    4 Introduction    8 A FRAMING THE DÜSSELDORF SCHOOL    20 B WHAT IS DIGITAL PHOTOGRAPHY?    31 Introduction    40 A EMERGENCE OF A GERMAN DOCUMENTARY TRADITION    47 B THE END OF PHOTOGRAPHY    77 C DISCOURSE ON DIGITAL PHOTOGRAPHY IN GERMANY    98 Introduction    116 A PRE-DIGITAL MECHANISMS IN CONTEXT: 1960S / 1970S    120 B SERIAL CONSTRUCTIONS AND COMBINATORIAL FUNCTIONS: A TRANS-HISTORICAL PATTERN    137 Introduction    154 A DIGITAL RETOUCHING TOOLS    156 B DIGITAL STITCHING    175 C EARLY DIGITAL COMPOSITIONS    203 D THOMAS RUFF'S ANALOGUE AND "]
[{"$nulls":4},"DIGITAL EXPERIMENTS WITH THE PORTRAIT    219 Introduction    240 A COMPLEX COMPOSITES: ANDREAS GURSKY'S GENERIC WORLD    243 B IMAGE RECYCLING AND APPROPRIATIVE POSITIONS    259 C THOMAS RUFF'S GENERATED PHOTOGRAPHS AND THE LIMITS OF REPRESENTATION    300 D GENERIC PICTURE REALITIES    314 5 Conclusion    320 A BIBLIOGRAPHY    334 B INDEX    346 C ACKNOWLEDGEMENTS    349"]
[null,null,null,"Sommario/riassunto","In Digital Image Systems, Claus Gunti examines the antagonizing reactions to digital technologies in photography. While Thomas Ruff, Andreas Gursky and Jörg Sasse have gradually adopted digital imaging tools in the early 1990s, other photographers from the Düsseldorf School have remained faithful to film-based technologies. By evaluating the aesthetic and discursive preconditions of this situation and by extensively analyzing the digital work of these three photographers, this book shows that the digital turn in photography was anticipated by the conceptualization of images within systems, and thus offers new perspectives for understanding the »digital revolution«."]