{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":35,"n_cols":5,"rows_kept":35,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[7,2,7,3],[8,2,8,3],[12,2,12,3],[12,4,12,5],[13,2,13,3],[13,4,13,5],[14,2,14,3],[14,4,14,5],[15,2,15,3],[16,2,16,3],[19,2,19,3],[20,2,20,3],[21,2,21,3],[22,2,22,3],[28,2,28,3],[29,2,29,3],[33,2,33,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISA996396682803316"]
[null,null,"Autore",null,"Torriano Giovanni"]
[null,null,"Titolo",null,"The Italian reviv'd, or, The introduction to the Italian tongue [[electronic resource] ] : containing such grounds as are most immediately useful and necessary for the speedy and easie attaining of the same : as also a new store-house of proper and choice dialogues most useful for such as desire the speaking part ... / / by Gio. Torriano"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed by T.R. for J. Martyn, 1673"]
[null,null,"Descrizione fisica",null,"[7], 352 p"]
[null,null,"Soggetti",null,"Italian language - Grammar"]
[{"$nulls":4},"Dialogues, Italian"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Reproduction of original in the Huntington Library."]
[null,null,null,"Sommario/riassunto","eebo-0113"]
[null,"2.","Record Nr.",null,"UNINA9910777988403321"]
[null,null,"Autore",null,"Fox Pamela <1958->"]
[null,null,"Titolo",null,"Class fictions [[electronic resource] ] : shame and resistance in the British working-class novel, 1890-1945 / / Pamela Fox"]
[null,null,"Pubbl/distr/stampa",null,"Durham, : Duke University Press, 1994"]
[null,null,"ISBN",null,"1-283-06294-1"]
[{"$nulls":4},"9786613062949"]
[{"$nulls":4},"0-8223-8293-8"]
[null,null,"Descrizione fisica",null,"1 online resource (253 p.)"]
[null,null,"Collana",null,"Post-contemporary interventions"]
[null,null,"Disciplina",null,"823/.912093520623"]
[null,null,"Soggetti",null,"English fiction - 20th century - History and criticism"]
[{"$nulls":4},"Working class writings, English - History and criticism"]
[{"$nulls":4},"Literature and society - Great Britain - History - 20th century"]
[{"$nulls":4},"Working class - Great Britain - Intellectual life"]
[{"$nulls":4},"Working class in literature"]
[{"$nulls":4},"Shame in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [225]-234) and index."]
[null,null,"Nota di contenuto",null,"Introduction. Recovering the \"Narrow plot of acquisitiveness and desire\": a methodology for reading working-class narrative -- 1. Rehabilitating working-class cultural and literary history: the critical agenda -- 2. The ragged trousered philanthropists and after: epistemologies of class, legacies of resistance -- 3. On the \"Borderland of tears\": reputation, exposure and the public/private dynamic of working -class culture -- 4. The \"Revolt of the gentle\": romance and the politics of resistance in working-class writing -- Afterward: Getting their own back."]
[null,null,null,"Sommario/riassunto","Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on cer"]