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[null,"1.","Record Nr.",null,"UNINA9910777693603321"]
[null,null,"Autore",null,"Semmerling Tim Jon <1961->"]
[null,null,"Titolo",null,"Israeli and Palestinian postcards [[electronic resource] ] : presentations of national self / / Tim Jon Semmerling"]
[null,null,"Pubbl/distr/stampa",null,"Austin, : University of Texas Press, 2004"]
[null,null,"ISBN",null,"0-292-79749-4"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (256 p.)"]
[null,null,"Disciplina",null,"956.9405/022/2"]
[null,null,"Soggetti",null,"Postcards - Israel"]
[{"$nulls":4},"Postcards - Palestine"]
[{"$nulls":4},"Self-presentation - Israel"]
[{"$nulls":4},"Self-presentation - Palestine"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Figures -- Acknowledgments -- Introduction The Presentation of National Self -- One Palphot’s Israeli Self -- Two The Palestinian Self in Artwork Postcards -- Three The Janus-Faced Palestinian Self -- Four The Ecological Palestinian Self -- Five The Orientalized Area Self -- Six The Heritage-Enriched Palestinian Self -- Conclusion Tom Sawyer, Visual Methodologist, and the Presentation of National Self -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Searing images of suicide bombings and retaliatory strikes now define the Israeli-Palestinian conflict for many Westerners, but television and print media are not the only visual realms in which the conflict is playing out. Even tourist postcards and greeting cards have been pressed into service as vehicles through which Israelis and Palestinians present competing visions of national selfhood and conflicting claims to their common homeland. In this book, Tim Jon Semmerling explores how Israelis and Palestinians have recently used postcards and greeting cards to present images of the national self, to build national awareness and reinforce nationalist ideologies, and to gain international acceptance. He discusses and displays the works of numerous postcard/greeting card manufacturers, artists, and photographers and identifies the symbolic choices in their postcards, how the choices are arranged into messages, what the messages convey and to whom, and who benefits and loses in these presentations of national self. Semmerling convincingly demonstrates "]
[{"$nulls":4},"that, far from being ephemeral, Israeli and Palestinian postcards constitute an important arena of struggle over visual signs and the power to produce reality."]