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[null,"1.","Record Nr.",null,"UNICAMPANIASUN0099322"]
[null,null,"Titolo",null,"3: Monocotiledoni infestanti, escluse le graminee / Ernst Hafliger ... [et al.]"]
[null,null,"Pubbl/distr/stampa",null,"Origgio : Ciba-Geigy, 1985"]
[null,null,"ISBN",null,"88-7645-042-4"]
[null,null,"Descrizione fisica",null,"XXIX, 132, [24] p. di tav. : ill. ; 31 cm + 3 fogli in plastica con la traduzione dei termini botanici."]
[null,null,"Disciplina",null,"584"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNICAMPANIASUN0065576"]
[null,null,"Autore",null,"Lichtenberg, Allan J."]
[null,null,"Titolo",null,"Regular and chaotic dynamics / A. J. Lichtenberg, M. A. Lieberman"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Springer, 1992"]
[null,null,"ISBN",null,"03-87977-45-7"]
[null,null,"Edizione",null,"[2. ed]"]
[null,null,"Descrizione fisica",null,"XXII, 692 p. ; 25 cm."]
[null,null,"Soggetti",null,"60Hxx - Stochastic analysis [MSC 2020]"]
[{"$nulls":4},"34Cxx - Qualitative theory for ordinary differential equation [MSC 2020]"]
[{"$nulls":4},"70Kxx - Nonlinear dynamics in mechanics [MSC 2020]"]
[{"$nulls":4},"35Bxx - Qualitative properties of solutions to partial differential equations [MSC 2020]"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNISALENTO991001932279707536"]
[null,null,"Titolo",null,"Prospettive di sviluppo del Salento / a cura di Claudia Sunna"]
[null,null,"Pubbl/distr/stampa",null,"San Cesario di Lecce : Manni, c2012"]
[null,null,"ISBN",null,"9788862664554"]
[null,null,"Descrizione fisica",null,"135 p. ; 21 cm"]
[null,null,"Collana",null,"Studi ; 156"]
[null,null,"Disciplina",null,"330.945753"]
[null,null,"Soggetti",null,"Sviluppo economico - Salento"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"4.","Record Nr.",null,"UNINA9910777522503321"]
[null,null,"Autore",null,"Colvin Margaret Elizabeth"]
[null,null,"Titolo",null,"Baroque Fictions : Revisioning the Classical in Marguerite Yourcenar / / Margaret Elizabeth Colvin"]
[null,null,"Pubbl/distr/stampa",null,"Leiden; ; Boston : , : BRILL, , 2005"]
[null,null,"ISBN",null,"94-012-0222-2"]
[{"$nulls":4},"1-4237-9169-X"]
[null,null,"Descrizione fisica",null,"1 online resource (178 p.)"]
[null,null,"Collana",null,"Faux Titre ; ; 271"]
[null,null,"Disciplina",null,"873.9"]
[null,null,"Soggetti",null,"Baroque literature - History and criticism"]
[{"$nulls":4},"Classicism in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"I. A Frontispiece -- II. Introduction -- Marguerite Yourcenar and the Writing of Fiction: An Aesthetic Imperative -- III. Chapter 1 -- Anna,Soror.: Neobaroque Sacralizes the Abject -- IV. Chapter 2 -- Denier du rêve : Baroque Discourses,Fascist Practices -- V. Chapter 3 -- Neobaroque Humanism: \"Sounding the Abyss \" in L 'Œuvre au Noir -- VI. Chapter 4 -- Neobaroque Confessions: Un homme obscur and the Oppressive Superficiality of Words -- VII. Conclusion -- An Author for the New Millennium -- VIII. Selected Works Cited and Consulted -- IX. Index of Proper Names."]
[null,null,null,"Sommario/riassunto","This volume is the first in-depth study of the French novelist Marguerite Yourcenar's fiction to contend that the author's texts exhibit in unexpected ways numerous characteristics of the neobaroque. This subversive, postmodern aesthetic privileges extravagant artistic play, flux, and heterogeneity. In demonstrating the affinity of Yourcenar's texts with the neobaroque, the author of this study casts doubt on their presumed transparency and stability, qualities associated with the French neoclassical tradition of the past century, where the Yourcenarian œuvre is most often placed. Yourcenar's election to the prestigious, tradition-bound French Academy in 1981 as its first female \"immortal\" cemented her already well-established niche in the twentieth-century French literary pantheon. A self-taught classicist, historian, and modern-day French moralist, Yourcenar has been praised for her polished, \"classical\" style and analyzed for her use of myth and universal themes. While those factors at first seem to justify "]
[{"$nulls":4},"amply the neoclassical label by which Yourcenar is most widely recognized, this study's close reading of four of her fictions reveals instead the texts' opacity and subversive resistance to closure, their rejection of stable interpretations, and their deconstruction of postmodern Grand Narratives. Theirs is a neobaroque \"logic,\" which stresses the absence of theoretical assurances and the limitations of reason. The coincidence of the new millennium - which in so many ways reflects Yourcenar's disquieting vision - and her centenary in 2003 affords not so much an excuse to reject the author's neoclassical label, but rather the obligation to reassess it in light of contemporary discourses. This study will be of interest to students of twentieth-century French fiction and comparative literature, especially that of the latter half of the twentieth century."]
[null,"5.","Record Nr.",null,"UNINA9910814610203321"]
[null,null,"Autore",null,"Mathews Karen R."]
[null,null,"Titolo",null,"Conflict, commerce, and an aesthetic of appropriation in the Italian maritime cities, 1000-1150 / / by Karen Rose Mathews"]
[null,null,"Pubbl/distr/stampa",null,"Leiden, Netherlands ; ; Boston, [Massachusetts] : , : Brill, , 2018"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"90-04-36080-8"]
[null,null,"Descrizione fisica",null,"1 online resource (236 pages) : illustrations, map, tables, photographs"]
[null,null,"Collana",null,"The Medieval Mediterranean : Peoples, Economies and Cultures, 400-1500, , 0928-5520 ; ; Volume 112"]
[null,null,"Disciplina",null,"720.94509021"]
[null,null,"Soggetti",null,"Monuments - Italy - History - To 1500"]
[{"$nulls":4},"Appropriation (Architecture) - Italy - History - To 1500"]
[{"$nulls":4},"Building materials - Recycling - Italy - History - To 1500"]
[{"$nulls":4},"Architecture and society - Italy - History - To 1500"]
[{"$nulls":4},"City-states - Italy - Civilization"]
[{"$nulls":4},"Italy Civilization 476-1268"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front Matter -- Contents -- Introduction Visualizing Conflict and Commerce in the Maritime Cities of Medieval Italy -- Local Traditions and Norman Innovations in the Artistic Culture of Southern Italy -- Emulation of and Appropriation from Byzantium in Venetian Visual Culture -- The Interplay of Islamic and Ancient Roman Spolia on Pisan Churches -- Rivalry with Pisa and Spolia as Plunder of War in Medieval Genoa -- Conclusion Shifting Significations of the Spolia Aesthetic."]
[null,null,null,"Sommario/riassunto","In Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150 , Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries. This comparative study addressing five urban centers argues that the multivalence of spolia and their openness to new interpretations made them the ideal visual form to define a distinct Mediterranean identity for the inhabitants of these cities, celebrating the wealth and prestige that resulted from the paired endeavors of war and commerce while referencing the cultures across the sea that inspired the greatest hostility, fear, or admiration."]