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[null,"1.","Record Nr.",null,"UNINA990006938650403321"]
[null,null,"Autore",null,"Vidal-Naquet, Pierre <1930-2006>"]
[null,null,"Titolo",null,"Le monde d'Homère / Pierre Vidal-Naquet"]
[null,null,"Pubbl/distr/stampa",null,"[Paris] : Perrin, c2000"]
[null,null,"ISBN",null,"2-262-01181-8"]
[null,null,"Descrizione fisica",null,"161 p., [12] c. di tav. ; 22 cm"]
[null,null,"Disciplina",null,"938.01"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"938.01 VID 1"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910777359903321"]
[null,null,"Autore",null,"Linville Susan E"]
[null,null,"Titolo",null,"Feminism, Film, Fascism : Women's Autobiographical Film in Postwar Germany [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Austin, TX, USA, : University of Texas Press, 19980401"]
[{"$nulls":4},"University of Texas Press"]
[null,null,"ISBN",null,"0-292-79972-1"]
[null,null,"Descrizione fisica",null,"1 online resource (208 p.)"]
[null,null,"Disciplina",null,"791.43/0943"]
[null,null,"Soggetti",null,"Motion pictures - History - Germany"]
[{"$nulls":4},"Women in motion pictures - Psychological aspects - Germany"]
[{"$nulls":4},"Women motion picture producers and directors - Germany"]
[{"$nulls":4},"Motion pictures"]
[{"$nulls":4},"Guilt"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Acknowledgments -- Introduction: Seeing Through he \"Postwar\" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Identity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine "]
[{"$nulls":4},"Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past."]