{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":18,"n_cols":5,"rows_kept":18,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[4,2,4,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[13,2,13,3],[16,2,16,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910772092503321"]
[null,null,"Titolo",null,"Performing cultures of equality / / edited by Emilia María Durán-Almarza, Carla Rodríguez González, Suzanne Clisby"]
[null,null,"Pubbl/distr/stampa",null,"Abingdon, Oxon, England ; ; New York, New York : , : Routledge, , [2022]"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"1-00-316275-4"]
[{"$nulls":4},"1-003-16275-4"]
[{"$nulls":4},"1-000-57506-3"]
[{"$nulls":4},"1-000-57509-8"]
[null,null,"Descrizione fisica",null,"1 online resource (193 pages)"]
[null,null,"Collana",null,"GRACE Project"]
[null,null,"Disciplina",null,"709.040755"]
[null,null,"Soggetti",null,"Performance art"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- Contributors -- Acknowledgements or Credits List -- 1. Performing Cultures of Equality: Embodiments, Visualities, Inscriptions -- PART I: Embodying (In)Equalities -- 2. Honey Pot Performance's Black Feminist Praxis: Embodiments of Collaboration and Collectivity -- 3. The Performance of Black Youth Masculinity in Bola Agbaje's and Mojisola Adebayo's Council-Estate Plays -- 4. Art's Political Potential and the Violence That the Art Does: On the Performative Operations of Krzysztof Wodiczko's Guests (2016) -- PART II: Visualizing (In)Equalities -- 5. Tinted Visions: Performing Equalities through Festive Decorations in LGBT-Themed Events in Hull (UK City of Culture 2017) -- 6. Social Media Reverberations of Feminist Assemblies: Reflections after Non una di meno's Verona transfemminista Rally -- 7. Gender-Based Violence and the Performance of Masculinity: A Comparative Analysis of the Documentary Films Ma l'amore c'entra and Serás hombre -- PART III: Inscribing (In)Equalities -- 8. Strangers, Persisters, and Killjoys: Confronting Gender Inequality through Performance Poetry -- 9. Imperialism's Performative Technologies: Race, Gender, and Wearable Devices in Aliette De Bodard's 'Immersion' -- 10. Figures of a Gender Now upon Us: The Transfeminine in Contemporary Queer Fiction from "]
[{"$nulls":4},"the Philippines -- Index."]