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[null,"1.","Record Nr.",null,"UNINA9910772088903321"]
[null,null,"Titolo",null,"Immediation I"]
[null,null,"Pubbl/distr/stampa",null,"Open Humanities Press, 2019"]
[null,null,"ISBN",null,"1-78542-084-4"]
[null,null,"Descrizione fisica",null,"1 online resource (333)"]
[null,null,"Disciplina",null,"700.1"]
[null,null,"Soggetti",null,"The arts"]
[{"$nulls":4},"Digital lifestyle"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"List of Diagrams and Figures -- First Movement: The World Immediating -- Second Movement: The More-Than Human -- Third Movement: Ecologies of Practices -- Interlude -- Notes on Contributors -- Works Cited -- Contents Immediation II."]
[null,null,null,"Sommario/riassunto","All “media-tion” stages and distributes real, embodied – that is, immediate, events. The concept of immediation entails that cultural, technical, aesthetic objects, subjects, and events can no longer be abstracted from the ways in which they contribute to and are changed by broader ecologies. Immediation I and II seek to engage the entwined questions of relation, event and ecology from outside already claimed territories, nomenclature and calls to action."]