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[null,"1.","Record Nr.",null,"UNINA990000040090403321"]
[null,null,"Autore",null,"Aloi, Roberto <1897-1981>"]
[null,null,"Titolo",null,"Esempi di arredamento moderno di tutto il mondo : sale di soggiorno, camini : 271 illustrazioni con didascalie in italiano, francese, inglese / Roberto Aloi ; presentazione di Carlo de Carli"]
[null,null,"Pubbl/distr/stampa",null,"Milano : Ulrico Hoepli Editore, 1952"]
[null,null,"Descrizione fisica",null,"XXXVII p., 271 c. di tav. : ill. ; 27 cm"]
[null,null,"Collana",null,"Collana architettonica ; 1"]
[null,null,"Disciplina",null,"749"]
[null,null,"Locazione",null,"FINBC"]
[{"$nulls":4},"FARBC"]
[{"$nulls":4},"DARST"]
[null,null,"Collocazione",null,"13 P 26 05"]
[{"$nulls":4},"ARR B 24"]
[{"$nulls":4},"11.630"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910454390503321"]
[null,null,"Autore",null,"Bollen Jonathan"]
[null,null,"Titolo",null,"Men at play [[electronic resource] ] : masculinities in Australian theatre since the 1950s / / Jonathan Bollen, Adrian Kiernander, Bruce Parr"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam, : Rodopi, 2008"]
[null,null,"ISBN",null,"94-012-0552-3"]
[{"$nulls":4},"1-4356-3903-0"]
[null,null,"Descrizione fisica",null,"1 online resource (262 p.)"]
[null,null,"Collana",null,"Australian playwrights ; ; monograph 11"]
[null,null,"Disciplina",null,"822.91409994"]
[null,null,"Soggetti",null,"Australian drama - 20th century - History and criticism"]
[{"$nulls":4},"Australian drama - 21st century - History and criticism"]
[{"$nulls":4},"Theater - Australia"]
[{"$nulls":4},"Masculinity in literature"]
[{"$nulls":4},"Gender identity in the theater"]
[{"$nulls":4},"Sex role in the theater"]
[{"$nulls":4},"Theater and society - Australia"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 185-200) and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Introduction -- “What’s a man to do?” -- Fists, boots and blues -- The bully and the businessman -- Black men, white men -- In the theatre of war -- “Wog boy” moves -- Representing gay masculinities -- From father to son -- Between the sea and the sky -- References -- Index."]
[null,null,null,"Sommario/riassunto","How are masculinities enacted in Australian theatre? How do Australian playwrights depict masculinities in the present and the past, in the bush and on the beach, in the city and in the suburbs? How do Australian plays dramatise gender issues like father-son relations, romance and intimacy, violence and bullying, mateship and homosexuality, race relations between men, and men’s experiences of war and migration? Men at Play explores theatre’s role in presenting and contesting images of masculinity in Australia. It ranges from often-produced plays of the 1950's to successful contemporary plays – from Dick Diamond’s Reedy River , Ray Lawler’s Summer of the Seventeenth Dol l, Richard Beynon’s The Shifting Heart and Alan Seymour’s The One Day of the Year to David Williamson’s Sons of Cain , Richard Barrett’s "]
[{"$nulls":4},"The Heartbreak Kid , Gordon Graham’s The Boys and Nick Enright’s Blackrock . The book looks at plays as they are produced in the theatre and masculinity as it is enacted on the stage. It is written in an accessible style for students and teachers in drama at university and senior high school. The book’s contribution to contemporary debates about masculinity will also interest scholars in gender, race and sexuality studies, literary studies and Australian history."]
[null,"3.","Record Nr.",null,"UNINA9910588800003321"]
[null,null,"Autore",null,"Gide André"]
[null,null,"Titolo",null,"André Gide & Jef Last : Correspondance / / André Gide, Jef Last"]
[null,null,"Pubbl/distr/stampa",null,"Lyon, : Presses universitaires de Lyon, 2022"]
[null,null,"ISBN",null,"2-7297-1303-4"]
[null,null,"Descrizione fisica",null,"1 online resource (192 p.)"]
[null,null,"Collana",null,"André Gide - Textes et correspondances"]
[null,null,"Disciplina",null,"848/.91209"]
[{"$nulls":4},"B"]
[null,null,"Soggetti",null,"Literature (General)"]
[{"$nulls":4},"littérature française"]
[{"$nulls":4},"littérature"]
[{"$nulls":4},"littérature épistolaire"]
[{"$nulls":4},"lettre"]
[{"$nulls":4},"XXe siècle"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","André Gide, frais converti au communisme, et le jeune militant enthousiaste Jef Last se lièrent d’amitié en 1934, à l’occasion d’un grand meeting parisien. Dès le printemps suivant, ils voyageaient ensemble au Maroc ; en 1936, Last accompagne Gide en URSS... En 1947, il est encore à ses côtés aux Fêtes de la Jeunesse à Munich. Jusqu’à sa mort, Gide échangea une abondante correspondance avec « ce fou de Jef » (1898-1972), romancier et journaliste hollandais, polyglotte, grand voyageur et personnage pittoresque et haut en couleurs, l’« ami charmant » pour qui il avait éprouvé « cette sorte de sympathie subite et violente, qui bondit par-dessus les barrières factices ». Les quelque 180 lettres inédites publiées ici prennent place au côté des grandes correspondances gidiennes déjà connues, et sont particulièrement intéressantes pour comprendre la « politique » de Gide (le voyage en URSS, la guerre d’Espagne, Munich...), mais il y est aussi beaucoup question de littérature, de voyages – et d’amitié."]
[null,"4.","Record Nr.",null,"UNINA9910768441703321"]
[null,null,"Autore",null,"Johnson Tom"]
[null,null,"Titolo",null,"Looking at Numbers / / by Tom Johnson, Franck Jedrzejewski"]
[null,null,"Pubbl/distr/stampa",null,"Basel : , : Springer Basel : , : Imprint : Birkhäuser, , 2014"]
[null,null,"ISBN",null,"9783034805544"]
[{"$nulls":4},"3034805543"]
[null,null,"Edizione",null,"[1st ed. 2014.]"]
[null,null,"Descrizione fisica",null,"1 online resource (126 p.)"]
[null,null,"Disciplina",null,"513.5"]
[null,null,"Soggetti",null,"Graph theory"]
[{"$nulls":4},"Mathematics"]
[{"$nulls":4},"Graph Theory"]
[{"$nulls":4},"Mathematics, general"]
[{"$nulls":4},"Mathematics in Music"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction -- 1. Permutations -- 1.1 Symmetric Group -- 1.2 Bruhat Order -- 1.3 Euler Characteristic -- 1.4 Group Action -- 1.5 Permutohedra and Cayley Graphs -- 1.6 Coxeter Groups -- 1.7 Homometric Sets -- 2. Sums -- 2.1 Integer Partitions -- References -- 3. Subsets -- 3.1 Combinatorial Designs -- 4 Kirkman’s Ladies, a Combinatorial Design -- 4.1 Steiner and Kirkman Systems -- 5. Twelve -- 5.1 (12,4,3) -- 6. (9,4,3) -- 6.1 Decomposition of Block Designs -- 7. 55 Chords -- 7.1 Chords and Designs.-8. Clarinet Trio -- 8.1 Strange Fractal Sequences -- 9. Loops -- 9.1 Self-Replicating Melodies -- 9.2 Rhythmic Canons.-10. Juggling -- 10.1 Juggling, Groups, and Braids -- 11. Unclassified -- 11.1 Some Other Designs -- A Figures -- References."]
[null,null,null,"Sommario/riassunto","Galileo Galilei said he was “reading the book of nature” as he observed pendulums swinging, but he might also simply have tried to draw the numbers themselves as they fall into networks of permutations or form loops that synchronize at different speeds, or attach themselves to balls passing in and out of the hands of good jugglers. Numbers are, after all, a part of nature. As such, looking at and thinking about them is a way of understanding our relationship to nature. But when we do so in a technical, professional way, we tend to overlook their basic attributes, the things we can understand by simply “looking at numbers.” Tom Johnson is a composer who uses logic and "]
[{"$nulls":4},"mathematical models, such as combinatorics of numbers, in his music. The patterns he finds while “looking at numbers” can also be explored in drawings. This book focuses on such drawings, their beauty and their mathematical meaning. The accompanying comments were written in collaboration with the mathematician Franck Jedrzejewski."]