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[null,"1.","Record Nr.",null,"UNINA9910765708503321"]
[null,null,"Autore",null,"Schübler Walter"]
[null,null,"Titolo",null,"Anton Kuh : Biographie / / Walter Schübler"]
[null,null,"Pubbl/distr/stampa",null,"Göttingen : , : Wallstein Verlag, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"3-8353-4209-6"]
[null,null,"Descrizione fisica",null,"1 online resource (525 pages)"]
[null,null,"Disciplina",null,"830.99436"]
[null,null,"Soggetti",null,"Authors, Austrian"]
[{"$nulls":4},"Journalists - Austria"]
[{"$nulls":4},"Austria"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"; Vorbemerkung -- ; Personsbeschreibung -- \"Eine wahre Wedekind-Tragödie\" : Wie er wurde -- 1909-1917 -- \"Sodbrennen im Artisten-Café\" : der Sprechsteller -- 1917-1919 -- \"Polemische Lassos\" : der \"apostolische Denunzius\" K. Kraus -- 1919-1920 -- Reinstes Deutsch vs. beste Mehlspeis : Anton Kuhs \"Prager Herkunft\" -- \"Mit den Waffen von Otto Gross und Sigmund Freud ins jüdische Schlafzimmer\" : \"Juden und Deutsche\" -- Wie der Herr, soʼs Gʼscher : \"Kraushysterische Peter Zapfels\" -- 1921 -- Beim \"Personal der Welt\" : Etabliert -- 1921-1922 -- \"Akustischer Kehraus einiger Nachmittage\" : \"Von Goethe abwärts\" -- \"Die Druckerschwärze ist noch frisch\" : \"Börne, der Zeitgenosse\" -- 1923-1924 -- \"Der Rest ist Speiben\" : Theater-Kritiker -- 1924-1925 -- \"Eine Unternehmung wie jede andere\" : \"Die Stunde\" -- \"An seinen Früchteln sollt ihr ihn erkennen\" : \"Der Affe Zarathustras\" -- 1925-1926 -- \"Wehe dem, der das letzte Wort hat\" oder : Ausser Spesen nichts gewesen : Prozess K. Kraus vs. Anton Kuh -- 1926 -- \"In jeder Beziehung die freieste Stadt der Welt\" : Berlin -- Eleve am Theater in der Josefstadt : als Kritiker Gunn in \"Fannys erstes Stück\" -- \"Herzlich grüsst Anton Kuh!\" : Trittbrettfahrer einer aktennotorischen Fehde -- 1926 -- Ethos und \"Ethospetetos\" : Anton Kuh vs. Karl Kraus -- 1926 -- In einem Gefühl \"unterirdischen Corpsgeistes\" : Bewerbung bei Maximilian Harden -- 1927 -- \"Verpatzter Äther\" : im Radio -- Tonfilmdrama \"A conto\" : Drehbuchautor -- 1928-1930 -- A.E.I.O.U.? : L.M.I.A.! : \"Der unsterbliche Österreicher\" -- 1930 -- \"Wenn der Literat den Raufbold spielt ...\" : Anton Kuh vs. Arnolt Bronnen -- Nestroy, "]
[{"$nulls":4},"verpreusst : Anton Kuhs \"Lumpacivagabundus\"-Bearbeitung -- 1931 -- ; Abbildungen -- \"Kuhrioses\" : in der Anekdote -- 1931-1932 -- \"Bis aufs psychologische Beuschel\" : \"Physiognomik\" und Physiognomik -- \"Einen Knobel-Penez ...\" oder \"Ein Bier für Herrn Kraus!\"? : das Geheimnis hinter dem roten Vorhang -- 1932-1933 -- \"Weit? ... von wo?\" : der \"Emigrant in Permanenz\" im Exil -- 1933-1936 -- \"Ein Klavier auf dem Wintergletscher?!\" : \"The Robber Symphony\" -- 1936-1938 -- \"Undesired expert\" in den USA : New York, in Etappen -- 1938-1941 -- ; Anhang -- ; Anmerkungen -- ; Chronologie -- ; Dank -- ; Siglen und Abkürzungen -- ; Quellen und Literatur -- ; Bildnachweise -- ; Personen- und Werkregister."]
[null,null,null,"Sommario/riassunto","Walter Schübler's biography portrays the extravagant life of the artist Anton Kuh in all its facets: the controversial publicist, who glossed over the current events in Vienna and Berlin with polemical verve; the wide-awake chroniclers of the 1910s, 1920s and 1930s; the self-confessed \"leftist,\" who risked neck and neck in dealing with the Nazis; the \"opposite Fex,\" which made a joke of teasing Karl Kraus for years; the bohemian who - programmatically tactless - did not miss any opportunity to provoke; the upbeat neurasthenic who lived suicidal; the fulminant impromptu speaker, who ran his train of thought, causing his audience to rush to applause. This first biography of the \"communicator\" also reconstructs his main work - the impromptu speeches - and throws everything over, which still circulates rumors about the supposed Viennese \"local size\". \"Of course it's something, speaking Austrian or Yiddish, foolish, wanting to read literature from the world of yesterday to bump into contemporaries. Nevertheless, cow is uncommon today: as commissioned to order living point artists as a moral diasporist and critic who insists on being different from the Germans. Cow led a life on the run from the potato. Schübler does not say that, just as he leaves the big discourses of cow's time in the background, anyway. But he lets it - perhaps most expensive merit of a biography - cow pronounce itself \"(SZ)."]