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[null,"1.","Record Nr.",null,"UNINA9910482042003321"]
[null,null,"Autore",null,"Anon"]
[null,null,"Titolo",null,"Handtvesten, ofte Privilegien, Handelingen, Costumen, ende Willekeuren der Stadt Aemstelredam. Mitsgaders concept vande geraemde poincten op 't stuck vande Iustitie, ofte maniere van procederen in civile saecken binnen deser stede ... als mede de Zee ende Scheeps-rechten van Wisbuy ... Hier achter zĳn by-gevoeght de Rechten ende Costumen van Antwerpen [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam, : Jacob Pietersz Wachter, 1639"]
[null,null,"Descrizione fisica",null,"Online resource ([29], [62], 466, [11], 152 p, 2° (fol.))"]
[null,null,"Lingua di pubblicazione",null,"Olandese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Reproduction of original in Koninklijke Bibliotheek, Nationale bibliotheek van Nederland."]
[null,"2.","Record Nr.",null,"UNINA9910765437103321"]
[null,null,"Autore",null,"Blok Gemma"]
[null,null,"Titolo",null,"The Cultural Construction of Safety and Security : Imaginaries, Discourses and Philosophies That Shaped Modern Europe"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam : , : Amsterdam University Press, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9789048555208"]
[{"$nulls":4},"9048555205"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (279 pages)"]
[null,null,"Disciplina",null,"362.88"]
[null,null,"Soggetti",null,"Human security - Europe - History"]
[{"$nulls":4},"HISTORY / Europe / General"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Table of Contents -- Introduction -- Gemma Blok and Jan Oosterholt -- Section 1 Philosophical Conceptualisations of Safety -- 1 Security, Certainty, Trust -- Historical and Contemporary Aspects of the Concept of Safety -- Eddo Evink -- 2 Tolerance: A Safety Policy in Pierre Bayle's Thought -- Ana Alicia Carmona Aliaga -- 3 The Shackles of Freedom -- The Modern Philosophical Notion of Public Safety -- Tom Giesbers -- Section 2 Security Cultures in History -- 4 The Invention of Collective Security after 1815 -- Beatrice de Graaf -- 5 Criminal, Cosmopolitan, Commodified -- How Rotterdam's Interwar Amusement Street, the Schiedamsedijk, Became a Safe Mirror Image of Itself -- Vincent Baptist -- 6 Tourists, Dealers or Addicts -- Security Practices in Response to Open Drug Scenes in Amsterdam, Rotterdam and Zurich, 1960-2000 -- Gemma Blok, Peter-Paul Bänzinger and Lisanne Walma -- Section 3 Narratives and Imaginaries of Safety -- 7 The 'Golden Age' Revisited -- Images and Notions of Safety in Insecure Times -- Nils Büttner -- 8 Safety as Nostalgia -- Infrastructural Breakdown in Stefan Zweig's Beware of Pity (1938) -- Frederik Van Dam -- 9 Brace for Impact -- Spatial Responses to Terror in Belfast and Oslo -- Roos van Strien -- Section 4 Narratives and Imaginaries of Unsafety -- 10 Safe at Home? -- The Domestic Space in Early Modern Visual Culture -- Sigrid Ruby -- 11 The Transfer of Nineteenth-Century Representations of Unsafety -- A Dutch Adaptation of Eugène Sue's Les Mystères de Paris -- Jan Oosterholt -- 12 Feeling Lost in a Modernising "]
[{"$nulls":4},"World -- A Critique on Martha Nussbaum's Emotion Theory through an Analysis of Feelings of Unsafety in Magda Szabó's Iza's Ballad -- Femke Kok -- List of Illustrations."]
[{"$nulls":4},"Figure 5.1 Professional profile of the Schiedamsedijk (1927). Source of map excerpt and address book data, respectively: Rotterdam City Archives, signature number: 40110-Z10, https://hdl.handle.net/21.12133/96CD44BCC38C4D1293732457E05751CE -- and Rotterdam -- Figure 5.2 Photograph of the Zevenhuissteeg with the Schiedamse­dijk in the background, presumably in 1937, by J.F.H. Roovers. Source: Romer, Passagieren op 'De Dijk', 40 / H.A. Voet. -- Figure 5.3 Photograph of The Black Diamond Bar on the Schiedamsedijk, presumably during the 1930s (exact date and creator unknown). Source: Romer, Passagieren op 'De Dijk', 57 -- Troost, De meisies van de Schiedamsedijk, 65. -- Figure 5.4 Photograph taken from inside the Prinsendam ship replica, overlooking the Schiedamsedijk during the 1935 VVV festivity week. Source: Romer, Het Leuvekwartier van weleer, 100 / Rotterdam City Archives, signature number: 2002-1588, https://hdl.ha -- Figure 7.1 Peter Paul Rubens, Adoration of the Magi, 1609 (retouched 1628-29), canvas, 355.5 × 493 cm, Madrid, Museo del Prado. -- Figure 7.2 Peter Paul Rubens, Samson and Delilah, ca. 1609, panel, 185 × 205 cm, London, National Gallery. -- Figure 7.3 Christian von Couwenbergh, Samson und Delila, 1632, canvas, 156 × 196 cm, Dordrecht, Dordrechts Museum. -- Figure 7.4 Peter Paul Rubens, Mars Disarmed by Venus, ca. 1615-17, canvas, 170 × 193 cm, formerly Schloss Königsberg. -- Figure 7.5 Adriaen van de Venne, Allegory of the Twelve Years' Truce, 1616, panel, 62 × 113 cm, Paris, Museé du Louvre. -- Figure 7.6 Peter Paul Rubens, Minerva Protects Pax from Mars (Allegory on the Blessings of Peace), 1629-30, canvas, 203.5 × 298 cm, London, National Gallery."]
[{"$nulls":4},"Figure 7.7 Peter Paul Rubens, A Sermon in a Village Church, ca. 1633-35, black chalk, brush and brownish red ink, watercolour, body colour and oil, 422 × 573 mm, New York, The Metropolitan Museum of Art. -- Figure 7.8 Peter Paul Rubens, Lansquenets Carousing ('The Marauders'), ca. 1637-40, canvas, 121.9 × 163.2 cm, Switzerland, Private Collection. -- Figure 7.9 Peter Paul Rubens, Die Schrecken des Krieges, 1637/38, canvas, 206 × 345 cm, Florence, Palazzo Pitti, Galleria Palatina. -- Figure 7.10 Hendrick Hondius, Cows in a Landscape, 1644, etching and engraving, 20.6 × 15.7 cm. -- Figure 10.1 Abraham Bosse, Le mari battant sa femme (The husband hitting his wife), ca. 1633, engraving, 21 × 30 cm / 25.8 × 33.3 cm, New York, Metropolitan Museum of Art, Inv. Nr. 24.36.5 (Public Domain). -- Figure 10.2 Pieter de Hooch, Woman with Child in a Pantry, ca. 1656-60, canvas, 65 × 60.5 cm, Amsterdam, Rijksmuseum, Inv. Nr. SK-A-182 (Public Domain). -- Figure 10.3 Pieter de Hooch, The Bedroom, 1658/60, canvas, 51 × 60 cm, Washington, DC, National Gallery of Art, Widener Collection (Public Domain). -- Figure 10.4 Pieter de Hooch, The Messenger of Love, ca. 1670, canvas, 57 × 53 cm, Hamburg, Kunsthalle, Inv. Nr. HK-184. © Hamburger Kunsthalle / bpk, Photo: Elke Walford. -- Figure 10.5 Pieter de Hooch, The Intruder: A Lady at Her Toilet Surprised by Her Lover, ca. 1665, canvas, 54.5 × 63 cm, London, Apsley House, The Wellington Collection, Inv. Nr. WM.1571-1948. -- Figure 10.6 Crispijn van de Passe I, Lucretia, 1589/1611, engraving, 23.3 × 16.2 cm, Amsterdam, Rijksmuseum, Inv. Nr. RP-P-1986-284 (Public Domain)."]
[null,null,null,"Sommario/riassunto","This volume analyses cultural perceptions of safety and security that have shaped modern European societies. The articles present a wide range of topics, from feelings of unsafety generated by early modern fake news to safety issues related to twentieth-century drug use in "]
[{"$nulls":4},"public space. The volume demonstrates how 'safety' is not just a social or biological condition to pursue but also a historical and cultural construct. In philosophical terms, safety can be interpreted in different ways, referring to security, certainty or trust. What does feeling safe and thinking about a safe society mean to various groups of people over time? The articles in this volume are bound by their joint effort to take a constructionist approach to emotional expressions, artistic representations, literary narratives and political discourses of (un)safety and their impact on modern European society."]
[null,"3.","Record Nr.",null,"UNINA9910963084803321"]
[null,null,"Autore",null,"Robichaud Denis J.-J."]
[null,null,"Titolo",null,"Plato's Persona : Marsilio Ficino, Renaissance Humanism, and Platonic Traditions / / Denis J.-J. Robichaud"]
[null,null,"Pubbl/distr/stampa",null,"Philadelphia : , : University of Pennsylvania Press, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"0-8122-9472-6"]
[null,null,"Descrizione fisica",null,"1 online resource (344 pages)"]
[null,null,"Disciplina",null,"186/.4"]
[null,null,"Soggetti",null,"Philosophy, Renaissance"]
[{"$nulls":4},"Humanism - Italy"]
[{"$nulls":4},"Platonists - Italy"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 289-316) and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Introduction -- Chapter 1. Prosopon/Persona: Philosophy and Rhetoric -- Chapter 2. Ficino and the Platonic Corpus -- Chapter 3. Socrates -- Chapter 4. Pythagoras and Pythagoreans -- Chapter 5. Plato -- Conclusion -- Appendix. Heuristic Prosopography of Ficino's Pythagoreans -- Notes -- Bibliography -- General Index -- Index Locorum -- Acknowledgments"]
[null,null,null,"Sommario/riassunto","In 1484, humanist philosopher and theologian Marsilio Ficino published the first complete Latin translation of Plato's extant works. Students of Plato now had access to the entire range of the dialogues, which revealed to Renaissance audiences the rich ancient landscape of myths, allegories, philosophical arguments, etymologies, fragments of poetry, other works of philosophy, aspects of ancient pagan religious practices, concepts of mathematics and natural philosophy, and the dialogic nature of the Platonic corpus's interlocutors. By and large, Renaissance readers in the Latin West encountered Plato's text through Ficino's translations and interpretation. In Plato's Persona, Denis J.-J. Robichaud provides the first synthetic study of Ficino's interpretation of the Platonic corpus. Robichaud analyzes Plato's works in their original Greek and in Ficino's Latin translations, as well as Ficino's non-Platonic writings and correspondence, in the process uncovering new aspects of Ficino's intellectual work habits. In his letters and works, Ficino self-consciously imitated a Platonic style of prose, in effect devising a persona for himself as a Platonic philosopher. Plato's dialogues are "]
[{"$nulls":4},"populated with a wealth of literary characters with whom Plato interacts and against whom Plato refines his own philosophies. Reading through Ficino's translations, Robichaud finds that the Renaissance philosopher seeks an understanding of Plato's persona(e) among all the dialogues' interlocutors. In effect, Ficino assumed the role of Plato's Latin spokesperson in the Renaissance. Plato's Persona is grounded in an extensive study of scholarship in Renaissance humanism, classics, philosophy, and intellectual history, and contextualizes Ficino's intellectual achievements within the contemporary Christian orthodox view of Platonism. Ficino was an influential figure in the early Italian Renaissance: the key intermediary between Greek and Latin, and between manuscript and print, giving voice to Plato and access to the ancient frameworks needed to interpret his dialogues."]