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[null,"1.","Record Nr.",null,"UNINA9910572195203321"]
[null,null,"Autore",null,"Slavov Matias"]
[null,null,"Titolo",null,"Relational passage of time / / Matias Slavov"]
[null,null,"Pubbl/distr/stampa",null,"Taylor & Francis, 2023"]
[{"$nulls":4},"New York : , : Taylor & Francis, , 2022"]
[null,null,"ISBN",null,"1-00-322423-7"]
[{"$nulls":4},"1-003-22423-7"]
[{"$nulls":4},"1-000-63520-1"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (148 pages) : illustrations"]
[null,null,"Collana",null,"Routledge Studies in Metaphysics"]
[null,null,"Disciplina",null,"115"]
[null,null,"Soggetti",null,"Time"]
[{"$nulls":4},"Relationism"]
[{"$nulls":4},"Time perception"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Relational, not substantial passage -- Relational passage is neither trivial nor question-begging -- Passage is directed -- We experience and misconceive passage -- Passage is not a fiction -- Time passes amidst perduring objects."]
[null,null,null,"Sommario/riassunto","This book defends a relational theory of the passage of time. The realist view of passage developed in this book differs from the robust, substantivalist position. According to relationism, passage is nothing over and above the succession of events, one thing coming after another. Causally related events are temporally arranged as they happen one after another along observers' worldlines. There is no unique global passage but a multiplicity of local passages of time. After setting out this positive argument for relationism, the author deals with five common objections to it: (a) triviality of deflationary passage, (b) a-directionality of passage, (c) the impossibility of experiencing passage, (d) fictionalism about passage, and (e) the incompatibility of passage with perduring objects. Relational Passage of Time will appeal to scholars and advanced students working in philosophy of time, metaphysics, and philosophy of physics."]
[null,"2.","Record Nr.",null,"UNINA9910764194103321"]
[null,null,"Titolo",null,"Praktiken ästhetischen Denkens : 9 Essays zur Neuverhandlung von Kunst und Ästhetik / / hrsg. von Jörg Wiesel, Nicolaj van der Meulen, Thomas Strässle, Dieter Mersch, Silvia Henke"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, [2023]"]
[{"$nulls":4},"2023"]
[null,null,"ISBN",null,"9783839470886"]
[{"$nulls":4},"3839470889"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (216 p.)"]
[null,null,"Collana",null,"Edition Medienwissenschaft ; 108"]
[null,null,"Disciplina",null,"701.17"]
[null,null,"Soggetti",null,"SOCIAL SCIENCE / Media Studies"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Inhalt -- Einleitung -- 4 Ästhetik als Denken, als Praxis, als Kunst und Forschen -- Artikulieren / Widerstehen -- Urteilskraft und ästhetische Kritik als Praktiken ästhetischen Denkens -- Die ästhetische Synthesis. Zur Form künstlerischen Denkens -- Widerstand und Schöpfungskraft. Zur Negativität ästhetischen Denkens -- Bilden / Formen -- Zum Beispiel. Ästhetische Bildung in der Lehre -- Forma Otwarta. Die Kunst der Mikropädagogiken bei Oskar Hansen -- Vorurteil und Entwurf. Das Parti-Pris der Neuen Fotografie -- Schreiben / Zeigen -- Das essayistische Prinzip. Über Nutzen und Grenzen einer metaästhetischen Perspektive -- Berühren. Zur epistemologischen Dialektik einer essayistischen Geste bei Harun Farocki -- Ästhetik der Zungenrede. Predigt als TV-Serie -- Autorinnen und Autoren -- Hinweis zum Projekt «Praktiken ästhetischen Denkens»"]
[null,null,null,"Sommario/riassunto","Wie lässt sich ästhetisches Denken offenlegen? Die Beiträge des Bandes folgen dazu der Spur bestimmter Begriffe wie Urteil, Synthese, Widerstand, Bildung, Berührung, Essay oder Predigt und machen sie als Praktiken ästhetischen Denkens sichtbar. In neun Essays verschieben sie dabei die Grenzen zwischen Kunst und Ästhetik, indem sie besonders poetische, visuelle und rhetorische Wirkungen von Gestaltungs-, Schreib- oder Filmarbeiten in den Fokus stellen. Dabei wird deutlich: Das Ästhetische verleiht dem »Wissen«, der »Kritik« oder auch dem »Schöpferischen« einen ebenso befremdlichen wie singulären Sinn."]