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[null,"1.","Record Nr.",null,"UNINA9910748401403321"]
[null,null,"Autore",null,"Davidson Jane Chin"]
[null,null,"Titolo",null,"A Companion to Contemporary Art in a Global Framework"]
[null,null,"Pubbl/distr/stampa",null,"John Wiley & Sons, Inc, 2023"]
[{"$nulls":4},"Newark : , : John Wiley & Sons, Incorporated, , 2023"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"111984181X"]
[{"$nulls":4},"1-119-84180-1"]
[{"$nulls":4},"1-119-84181-X"]
[{"$nulls":4},"1-119-84179-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (589 pages)"]
[null,null,"Collana",null,"Blackwell Companions to Art History Series"]
[null,null,"Disciplina",null,"709.048"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Intro -- A Companion to Contemporary Art in a Global Framework -- Contents -- List of Illustrations -- Series Editor's Preface -- About the Editors -- Notes on Contributors -- Editors' Acknowledgments -- Introduction: The Eurocentrism of Contemporary Art, Staging the Project -- Part I Decades -- 1980-1990 -- 1 I Live in the Fourth Dimension When I Create Landscapes: Artist Statement -- 2 Seeing Beyond East/West Divides: Contemporary Art in and Around 1980s China -- 1990-2000 -- 3 Is There a Line that Connects All Things? Artist Statement -- 4 Why Contemporary Art Is Post-Soviet -- 2000-2010 -- 5 Art and Politics: Artist Statement -- 6 Māori and Pacific Art at the Turn of a New Millennium -- 2010-2020 -- 7 Art for Abolition: Artist Statement -- 8 Situating African Diasporic Art -- Part II Themes -- Institutions/Ontology -- 9 COLONIALISM \"The Whole World in his Hands\": A Decolonial Approach to European Concepts of Art -- 10 PEDAGOGY The Blank Canvas and Other Myths -- 11 CRAFT Craft and the Making of \"Global\" Contemporary Art -- 12 PERFORMANCE Dreams and Visions in the Interval -- 13 EMBODIMENT/MATERIALITY Love Songs (to End Hetero-Patriarchal, Settler-Colonial, Extractivism) -- Politics/Public Sphere -- 14 REVOLUTION Revolution is a Circle -- 15 ART AND ITS MARKETPLACES It Was a Small World, After All -- 16 PUBLIC SPHERES The Politics of Public Space in Postrevolutionary Iran -- 17 (ANTI-)CAPITALISM The Imminent Promise and Fear of a Getaway "]
[{"$nulls":4},"Car -- 18 ENVIRONMENT Envisioning a More Just Future: Feminist Activist Art, Climate Change, and the Anthropocene -- Identity/Subjectivity -- 19 INDIGENEITY Global Futurisms: Prophetic Practices of Reclamation, Liberation, and Transcendence -- 20 DIASPORA Transnational Collectivities of Solidarity and Affect -- 21 GENDER/SEXUALITY Performing the Intersection: Camp and the \"Cat Lady\"."]
[{"$nulls":4},"22 RACE/ETHNICITY Three Forms of Appropriation: Carrie Mae Weems, Glenn Ligon, and Nao Bustamante -- 23 DISABILITY Disability Justice, Community, and Performance -- Methods/Theories -- 24 POSTCOLONIAL/DECOLONIAL Post-/Anti-/Neo-/De- Colonial Theories and Visual Analysis -- 25 MARXISM/POST-MARXISM History, Marxism, Reality, and Utopia: The Bishan Project in China (2010-2016) -- 26 CRITICAL RACE THEORY \"The Blast Work\": Situating Critical Race Theory in Contemporary Art and Curatorial Practice -- 27 POSTSTRUCTURALISM/POSTMODERNISM/POSTCOLONIALISM Mapping Poststructuralism, Postmodernism, and Postcolonialism -- 28 GENDER/SEX THEORY Feminist/Queer/Trans Theory and Trans Embodied Methodologies in Contemporary Art: An Intergenerational Dialogue on the Page -- 29 PERFORMANCE THEORY The \"Studies Protocols\" of Performance Studies -- Technology/Media -- 30 INTERNET \"Bias Is Not a Bug. It's a Feature\": An Interview with Hito Steyerl on Representation in the Digital Age -- 31 SOCIAL MEDIA Why Is It So Hard to Look the Other in the Eye? The Selfie and its Discontents -- 32 ALGORITHM Algorithms in Global Art and Visual Culture -- Exhibition/Collecting/Archive -- 33 MUSEUM Time, Love, and the Museum -- 34 BIENNIAL/ART FAIR Biennial as a Discursive Political System for Contemporary Art -- 35 CURATING In Residence, Incarcerated Regina José Galindo's America's Family Prison -- 36 COLLECTING The World Should Collect Itself: Collecting Art Globally (and Other Predicaments) -- 37 ARCHIVE Ghosts in the Archive: Exorcism, Resurrection and the Possibilities of Repair -- Index -- EULA."]
[null,"2.","Record Nr.",null,"UNINA9910171041703321"]
[null,null,"Titolo",null,"Storia e problemi contemporanei"]
[null,null,"Pubbl/distr/stampa",null,"Urbino, : Il lavoro editoriale, 1988-"]
[{"$nulls":4},"Bologna : , : Editrice CLUEB"]
[null,null,"ISSN",null,"1826-7203"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"306/.0945"]
[null,null,"Soggetti",null,"Anti-fascist movements - Italy"]
[{"$nulls":4},"Socialism - Italy"]
[{"$nulls":4},"Anti-fascist movements"]
[{"$nulls":4},"Social conditions"]
[{"$nulls":4},"Socialism"]
[{"$nulls":4},"Periodicals."]
[{"$nulls":4},"Marche (Italy) Social conditions Periodicals"]
[{"$nulls":4},"Italy"]
[{"$nulls":4},"Italy Marche"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,null,null,"Note generali","Vols. for <1993- > have distinctive titles."]