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[null,"1.","Record Nr.",null,"UNINA9910746297703321"]
[null,null,"Autore",null,"Wrethed Joakim <1968->"]
[null,null,"Titolo",null,"Gothic Hauntology : Everyday Hauntings and Epistemological Desire / / by Joakim Wrethed"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2023"]
[null,null,"ISBN",null,"9783031411113"]
[{"$nulls":4},"3031411110"]
[null,null,"Edizione",null,"[1st ed. 2023.]"]
[null,null,"Descrizione fisica",null,"1 online resource (ix, 165 pages)"]
[null,null,"Collana",null,"Palgrave Gothic, , 2634-6222"]
[null,null,"Disciplina",null,"306.1"]
[null,null,"Soggetti",null,"Goth culture (Subculture)"]
[{"$nulls":4},"Gothic Studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1.Introduction: “Avaunt! and quit my sight! let the earth hide thee!” Loss;Guilt;The Uncanny;Derridean Hauntology;Recent Hauntology Studies;Outline of the chapters -- 2. “Penelope was not a phantom”: Everyday Hauntology in Alice Munro and Margaret Atwood:Margaret Atwood, “Death by Landscape”Surfacing -- 3. “His eye spoke less than his lip”: Hauntology, Vampires and the Trace of the Animal in John Polidori’s The Vampyre, John Ajvide Lindqvist’s Let the Right One In, Octavia E. Butler’s Fledgling and Guillermo del Toro’s Cronos.;Let the Right One In;Fledgling;Cronos -- 4. “Nothing is but what is not”: Spectral Temporality and Hauntology in Selected Works by Edgar Allan Poe;“The Tell-Tale Heart”;“The Imp of the Perverse”;“The Black Cat”;“The Gold Bug\" -- 5. “[T]he grey pool and its blank haunted edge”: The Hauntology of Indeterminacy in Henry James’s The Turn of the Screw -- 6. “Light is dark and dark is light”: H. P. Lovecraft and Hauntology as Epistemological Desire -- “The Lurking Fear”;“The Music of Erich Zann”;“The Haunter of the Dark”;The Believing Atheist -- 7. “What she had seen was final”: Everyday Hauntology, the Threat of Male Violence and the Power of Fiction in Alice Munro’s “Free Radicals”, “Runaway” and “Passion”;“Free Radicals”;“Runaway”;“Passion” -- 8. Concluding Remarks: “I can feel my lost child surfacing within me”."]
[null,null,null,"Sommario/riassunto","This book provides a theoretically informed account of Gothic Hauntology. It is distinctive foremost in two ways. It shows hauntology at work in modern as well as older gothic narratives and it has a unique focus on everyday gothic as well as everyday hauntology. The chapters "]
[{"$nulls":4},"perform a historical circle going from Munro to Poe and then back again, offering novel readings of works by well-known authors that are contextualized under the umbrella of the theme. Anchored in a well-known topic and genre, but with a specific phenomenological framework, this book will be of interest to both students and more advanced scholars. Author Bio: Joakim Wrethed is Associate Professor at Stockholm University, Sweden. He has hitherto mainly worked in Irish Studies—especially on John Banville—but he has also published on the gothic genre."]