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[null,null,"Autore",null,"Jao Tsung-i"]
[null,null,"Titolo",null,"Harmoniousness: Essays in Chinese Musicology / / by Tsung-i Jao ; (Edited by) Colin Huehns"]
[null,null,"Pubbl/distr/stampa",null,"Leiden ; ; Boston : , : Brill, , 2022"]
[null,null,"ISBN",null,"90-04-51707-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Collected Works of Jao Tsung-I ; ; 1"]
[null,null,"Disciplina",null,"709"]
[null,null,"Soggetti",null,"Art History"]
[{"$nulls":4},"Asian Studies"]
[{"$nulls":4},"Chinese Philosophy"]
[{"$nulls":4},"Languages and Linguistics"]
[{"$nulls":4},"Philosophy"]
[{"$nulls":4},"Uralic, Altaic & East Asian Languages"]
[{"$nulls":4},"China"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Intro -- Contents -- Collected Works of Jao Tsung-i: Xuantang Anthology Series Introduction -- Figures and Tables -- Translator's Introduction -- Part 1 Qin 琴 -- Chapter 1 The Philosophy of the Guqin 古琴的哲學 -- Chapter 2 An Investigation of Juanzi's Qin Heart Starting with the Elegant Qin of Guodian, a Discussion of the Qin Scholarship of Laozi's Disciples 涓子《琴心》 -由 店 琴  子 人的琴學 -- Chapter 3 Several Issues Related to the First Volume of the Anthology for a Mentor of Intoning the Scriptures 'Śakra's Musician Pañcavaśikhin's Qin Songs Intoned 從《經唄導師 》第一種〈帝  天 樂人  琴 歌唄〉 想到的 干問 -- Part 2 Archaeology  古 -- Chapter 4 Using Artifacts Unearthed at Jia Lake to Discuss the Early Maturity of Ancestral Musical Wisdom 從 湖 物 先民 樂智慧的早熟 -- Chapter 5 Bamboo Slips of Yinque Mountain 'Heaven and Earth, the Eight Winds, the Five Elements, the Guest-Host Polarity, the Five Notes: Their Rightful Places': An Initial Investigation   山簡〈天地八 五 客主五 之居〉初探 -- Chapter 6 From Inscriptions on Bells Found in the Marquis Yi 乙 of Zeng's Tomb, a Discussion of the Science of Bell Modes and Tunings in Ancient China 由曾侯   古代的 律學 -- Chapter 7 Further Discussion of Bronze Drums -- Part 3 Dunhuang 敦煌 -- Chapter 8 Critical Analysis of the Crisscrossing Cultural Currents of Historical Events Surrounding the Dunhuang Pipa Scores 琵琶 史事來 去 之檢 -- Chapter 9 Introduction to "]
[{"$nulls":4},"Collected Essays on Dunhuang PipaScores 《敦煌琵琶   》序 -- Chapter 10 The Relationship between Dunhuang Pipa Scores and Dance Scores 敦煌琵琶    之 係 -- Chapter 11 Rearrangement and Reorganisation of Musical Repertories in the Later Zhou Dynasty and Issues relating to the Study of Lyric Song at the Beginning of the Song Dynasty Using Dunhuang Dance Scores to Discuss the Later Zhou Dynasty's Rearrangement and Reorganisation of Musical Repertories Together with the Origins of Liu Yong's Anthology of Musical Repertories 後周整理樂章 宋初 學."]
[{"$nulls":4},"Chapter 12 The Dunhuang Manuscript 'Siddhaṃ Chapter' and the Qin Composition 'Siddhaṃ Chapter' 敦煌〈悉曇章〉 琴曲〈悉曇章〉 -- Part 4 Lyrics, Operas 歌 、戲曲 -- Chapter 13 The Mystery of the Southern Opera God of Theatrical Entertainment's Operatic Incantation 'Luo-Li-Lian' 南戲戲神咒\"囉哩嗹\"之 -- Bibliography -- Index."]
[null,null,null,"Sommario/riassunto","Scholar, musician, artist, and gentleman: Jao Tsung-i’s harmonious musical journey."]
[{"$nulls":4},"From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician’s musician, the scholar’s scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place."]