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[null,"1.","Record Nr.",null,"UNINA9910709940203321"]
[null,null,"Autore",null,"Hicklin R. Austin"]
[null,null,"Titolo",null,"The myth of goats : how many people have fingerprints that are hard to match? / / Austin Hicklin, Brad Ulery, Craig Watson"]
[null,null,"Pubbl/distr/stampa",null,"[Gaithersburg, MD] : , : U.S. Dept. of Commerce, National Institute of Standards and Technology, , [2005]"]
[null,null,"Descrizione fisica",null,"1 online resource (24 pages) : illustrations"]
[null,null,"Collana",null,"NISTIR ; ; 7271"]
[null,null,"Soggetti",null,"Fingerprints - Identification - Automation"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"13 September 2005.\""]
[{"$nulls":4},"Contributed record: Metadata reviewed, not verified. Some fields updated by batch processes."]
[{"$nulls":4},"Title from page 1, viewed Mar. 9, 2007."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (page 24)."]
[null,"2.","Record Nr.",null,"UNINA9910372812503321"]
[null,null,"Autore",null,"Wagner Meike <p>Meike Wagner, Ludwig-Maximilians-Universität München, Deutschland </p>"]
[null,null,"Titolo"]
[{"$nulls":4},"Nähte am Puppenkörper : Der mediale Blick und die Körperentwürfe des Theaters / Meike Wagner"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2015"]
[{"$nulls":4},"2015, c2003"]
[null,null,"ISBN",null,"9783839401583"]
[{"$nulls":4},"3839401585"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (258)"]
[null,null,"Collana",null,"Kultur- und Medientheorie"]
[null,null,"Classificazione",null,"AP 66400"]
[null,null,"Soggetti",null,"Media Philosophy"]
[{"$nulls":4},"Medialität"]
[{"$nulls":4},"Postmodernes Theater"]
[{"$nulls":4},"Body"]
[{"$nulls":4},"Figurentheater"]
[{"$nulls":4},"Theatre"]
[{"$nulls":4},"Media"]
[{"$nulls":4},"Körperbild"]
[{"$nulls":4},"Körperdiskurs"]
[{"$nulls":4},"Theatre Studies"]
[{"$nulls":4},"Medienphilosophie"]
[{"$nulls":4},"Media Aesthetics"]
[{"$nulls":4},"Visual Studies"]
[{"$nulls":4},"Film"]
[{"$nulls":4},"Körper"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"Medien"]
[{"$nulls":4},"Theaterwissenschaft"]
[{"$nulls":4},"Medienästhetik"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Inhalt    5 Vorwort    9 Nähte am Puppenkörper    13 I. Denkentwürfe    39 II. Sehen und Körper    77 III. Medialität    97 IV. Fremdkörper    133 V. Körperkontrolle    173 VI. Entkörperungen    201 "]
[{"$nulls":4},"Nähte und Pixel    229 Literatur    235 Quellen    249 Die Künstler    251 Bildnachweise    255 Backmatter    256"]
[null,null,null,"Sommario/riassunto","Theater ist Körperkunst. Diese Aussage steht im Zentrum von Meike Wagners Studie »Nähte am Puppenkörper«. Die Autorin verschreibt sich jedoch keinem Abgrenzungsdiskurs zwischen einem ›präsenten‹, also unmittelbar erlebbaren Theaterkörper und einem (filmischen) Medienkörper, sondern erarbeitet durch den Bezug auf die konstruierten, verstörenden Kunstkörper des zeitgenössischen Figurentheaters eine medienphilosophische Perspektive, die postmoderne Körpertheorien und phänomenologische Ansätze verbindet. Damit leistet sie einen wichtigen Beitrag zur fortschreitenden Umorientierung der Theaterwissenschaft von binnenästhetischen Analysen zu einer Kulturwissenschaft, welche den »bodily turn« und den Diskurs um die »neuen Medien« in ihre Fragestellungen aufnimmt."]
[{"$nulls":4},"»[Wagner] gelingt es, die übliche Trennung zwischendem Theater als sogenanntem ›Life-Medium‹ und den visuellen Medien technischer Reproduzierbarkeit in Frage zu stellen.Gleichzeitig leistet Wagner damit einen wichtigen Beitrag zur Weiterentwicklung einer medienanthropologisch fundierten Sicht auf den (Kunst)Körper.«"]