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[null,"1.","Record Nr.",null,"UNINA9910660551403321"]
[null,null,"Autore",null,"Fitzpatrick Richard"]
[null,null,"Titolo",null,"Shark tracker : confessions of an underwater cameraman / / Richard Fitzpatrick"]
[null,null,"Pubbl/distr/stampa",null,"Sydney, New South Wales : , : New South, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"1-74224-817-9"]
[{"$nulls":4},"1-74224-262-6"]
[null,null,"Descrizione fisica",null,"1 online resource (240 pages)"]
[null,null,"Disciplina",null,"778.73"]
[null,null,"Soggetti",null,"Underwater photography"]
[{"$nulls":4},"Marine biologists - Australia"]
[{"$nulls":4},"Camera operators - Australia"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910709919903321"]
[null,null,"Autore",null,"Gilsinn David <1943->"]
[null,null,"Titolo",null,"Comparison of the performance of three algorithms for use in an Automated Transit Information System (ATIS) / / David E. Gilsinn; Elizabeth L. Leyendecker; Douglas R. Shier"]
[null,null,"Pubbl/distr/stampa",null,"Gaithersburg, MD : , : U.S. Dept. of Commerce, National Institute of Standards and Technology, , 1978"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"NBSIR ; ; 78-1426"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","1978."]
[{"$nulls":4},"Contributed record: Metadata reviewed, not verified. Some fields updated by batch processes."]
[{"$nulls":4},"Title from PDF title page."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,"3.","Record Nr.",null,"UNINA9910780640603321"]
[null,null,"Autore",null,"Streible Dan"]
[null,null,"Titolo",null,"Fight pictures [[electronic resource] ] : a history of boxing and early cinema / / Dan Streible"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, c2008"]
[null,null,"ISBN",null,"1-282-36021-3"]
[{"$nulls":4},"9786612360213"]
[{"$nulls":4},"0-520-94058-X"]
[null,null,"Descrizione fisica",null,"1 online resource (418 p.)"]
[null,null,"Disciplina",null,"791.43/6579"]
[null,null,"Soggetti",null,"Boxing films - United States - History and criticism"]
[{"$nulls":4},"Motion pictures - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 305-367) and index."]
[{"$nulls":4},"Includes filmography: p. 291-303."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Illustrations -- Foreword -- Acknowledgments -- Chronology -- Preliminaries: History, Prizefighting, Early Cinema -- 1. The Sporting and Theatrical Syndicate: Boxing Pictures and the Origins of Cinema, 1891-1896 -- 2. The Corbett-Fitzsimmons Fight: Women at the Veriscope, 1897 -- 3. Under the Lights: Filming Ringside in the Jim Jeffries Era, 1899-1904 -- 4. Fake Fight Films: S. Lubin of Philadelphia, 1897-1908 -- 5. Fight Pictures in the Nickelodeon Era: Miles Bros. of New York & San Francisco, 1905-1912 -- 6. Jack Johnson Films: Black Exhibition and White Suppression, 1908-1910 -- 7. Jack Johnson's Decline: The Prizefight Film Ban, 1911-1915 -- 8. Bootlegging The Clandestine Traffic in Fight Pictures, 1916-1940 -- Filmography -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","The first filmed prizefight, Veriscope's Corbett-Fitzsimmons Fight (1897) became one of cinema's first major attractions, ushering in an era in which hugely successful boxing films helped transform a stigmatized sport into legitimate entertainment. Exploring a significant and fascinating period in the development of modern sports and media, Fight Pictures is the first work to chronicle the mostly forgotten story of how legitimate bouts, fake fights, comic sparring matches, and more came to silent-era screens and became part of American popular culture."]