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[null,"1.","Record Nr.",null,"UNINA9910315241003321"]
[null,null,"Autore",null,"Anger Violaine"]
[null,null,"Titolo",null,"Sonate, que me veux-tu ? : Pour penser une histoire du signe / / Violaine Anger"]
[null,null,"Pubbl/distr/stampa",null,"Lyon, : ENS Éditions, 2016"]
[null,null,"ISBN",null,"2-84788-832-2"]
[{"$nulls":4},"2-84788-833-0"]
[null,null,"Descrizione fisica",null,"1 online resource (256 p.)"]
[null,null,"Soggetti",null,"Humanities&#44; Multidisciplinary"]
[{"$nulls":4},"Philosophy"]
[{"$nulls":4},"expression"]
[{"$nulls":4},"imitation"]
[{"$nulls":4},"musique instrumentatle autonome"]
[{"$nulls":4},"signe"]
[{"$nulls":4},"impression"]
[{"$nulls":4},"absolute music"]
[{"$nulls":4},"sign"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","La musique sans paroles peut-elle faire sens ? Qu’exprime-t-elle ? Peut-on signifier sans représenter ?  Avec les œuvres symphoniques de Mozart, Haydn, Beethoven et, plus largement, avec l’apparition de la musique instrumentale autonome, c’est la manière de concevoir la signification qui est bouleversée à la fin du XVIIIe siècle : le langage verbal n’a plus le monopole de la pensée.  Les débats se multiplient et l’on assiste avec eux, entre le début et la fin du XIXe siècle, à l’affirmation de « styles » musicaux, en France, en Angleterre et en Allemagne. Touchant à la conception même du langage, ces questions vont se poser pour l’ensemble des productions symboliques : poésie et peinture doivent alors apprendre comment exister sans représenter. À l’orée du XXe siècle, les œuvres de Freud ou de Saussure autant que celles de Stravinsky ou de Schoenberg, de Mallarmé ou de Van Gogh sont l’héritage de cette période intellectuelle foisonnante.  Resituer les familles de pensée, comprendre comment elles s’influencent, c’est ce "]
[{"$nulls":4},"que propose cet ouvrage, nous offrant ainsi des clés originales pour mieux apprécier les œuvres dans leur singularité et leur rapport au monde.  How can music without words have a meaning? What effect does it have? Is it possible to have a meaning without any representation?  Mozart, Haydn and Beethoven’s symphonies, and more generally, the autonomous instrumental music of the 19th century forced us to reconsider the process of meaning. The pre-eminence of verbal language was now a thing of the past.  This generated considerable discussion. Between the beginning and the end of the 19th century, in England, France and Germany, new ways of thinking emerged. These related to the personal style of a composer and the very elaboration of a language. They thus encompassed poetry and painting. All forms of symbolic production must, therefore, be able to exist without the help of representation. At the beginning of the 20th century, the works of Freud and…"]
[null,"2.","Record Nr.",null,"UNINA9910704589703321"]
[null,null,"Titolo",null,"APEC list of environmental goods : promoting exports, creating jobs, and advancing green growth and sustainable development"]
[null,null,"Pubbl/distr/stampa",null,"[Washington, D.C.] : , : Office of the United States Trade Representative, Executive Office of the President, , 2012"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Fact sheet"]
[null,null,"Soggetti",null,"Renewable energy sources - Asia"]
[{"$nulls":4},"Renewable energy sources - Pacific Area"]
[{"$nulls":4},"Hazardous wastes - Asia"]
[{"$nulls":4},"Hazardous wastes - Pacific Area"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from title screen (viewed on Jan. 27, 2014)."]
[{"$nulls":4},"\"September 2012.\""]