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[null,"1.","Record Nr.",null,"UNISA990001740960203316"]
[null,null,"Autore",null,"LEHMANN, John"]
[null,null,"Titolo",null,"Edith Stewell / John Lehmann"]
[null,null,"Pubbl/distr/stampa",null,"London : Longmans, 1952"]
[null,null,"Descrizione fisica",null,"40 p. ; 22 cm"]
[null,null,"Collocazione",null,"II i-C-558/9"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910703771803321"]
[null,null,"Titolo",null,"Examining recent actions by the Office of Federal Contract Compliance Programs : hearing before the Subcommittee on Workforce Protections, Committee on Education and the Workforce, U.S. House of Representatives, One Hundred Thirteenth Congress, first session, hearing held in Washington, DC, December 4, 2013"]
[null,null,"Pubbl/distr/stampa",null,"Washington : , : U.S. Government Publishing Office, , 2015"]
[null,null,"Descrizione fisica",null,"1 online resource (iv, 202 pages)"]
[null,null,"Soggetti",null,"Affirmative action programs - United States"]
[{"$nulls":4},"Discrimination in employment - United States"]
[{"$nulls":4},"Public contracts - United States"]
[{"$nulls":4},"Delegated legislation - Economic aspects - United States"]
[{"$nulls":4},"Affirmative action programs"]
[{"$nulls":4},"Delegated legislation - Economic aspects"]
[{"$nulls":4},"Discrimination in employment"]
[{"$nulls":4},"Management"]
[{"$nulls":4},"Public contracts"]
[{"$nulls":4},"Legislative hearings."]
[{"$nulls":4},"Rules."]
[{"$nulls":4},"United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from title screen (viewed on May 11, 2015)."]
[{"$nulls":4},"Paper version available for sale by the Superintendent of Documents, United States Government Publishing Office."]
[{"$nulls":4},"\"Serial no. 113-41.\""]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,"3.","Record Nr.",null,"UNINA9910287943103321"]
[null,null,"Autore",null,"Arrué Michèle"]
[null,null,"Titolo",null,"La culture de l'engagement au cinéma / / Delphine Letort, Erich Fisbach"]
[null,null,"Pubbl/distr/stampa",null,"Rennes, : Presses universitaires de Rennes, 2018"]
[null,null,"ISBN",null,"2-7535-5724-1"]
[null,null,"Descrizione fisica",null,"1 online resource (251 p.)"]
[null,null,"Soggetti",null,"Film  Radio  Television"]
[{"$nulls":4},"engagement"]
[{"$nulls":4},"cinéma"]
[{"$nulls":4},"histoire et cinéma"]
[{"$nulls":4},"documentaire"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Au-delà de la figure du cinéaste engagé qui interpelle le public par son œuvre, cet ouvrage s'intéresse à la culture de l'engagement qui se déploie dans un espace extra-filmique. À travers des exemples tirés de contextes géographiques distincts (États-Unis, France, Espagne, Afrique du Sud, etc.), les auteurs démontrent que la politisation des films est souvent précédée par une prise de position des réalisateurs et des acteurs. La culture de l'engagement est liée à l'action collective permise par les films qui se laissent instrumentaliser à des fins politiques. Les festivals de cinéma sont ainsi des lieux de réflexion et de protestation, où l'artiste rencontre le militant dans un espace de mobilisation collective. Cet ouvrage dessine les contours historiques de cette culture cinématographique engagée ; il évoque les crises historiques qui appellent des actes de création. Du franquisme à l'apartheid, de la ségrégation raciale aux indignés, le cinéma absorbe les tensions sociales qu'il transcende dans un art de l'engagement.  Étudiés en lien avec leurs conditions de production et de réception, les films considérés dans cet ouvrage démontrent que le cinéma demeure un lieu de résistance à la fabrique du consentement. Ils s'inscrivent dans un rapport de force avec le cinéma dominant, dont ils interrogent les normes en montrant les luttes des oubliés de l'histoire."]