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[null,"1.","Record Nr.",null,"UNINA9910702206803321"]
[null,null,"Autore",null,"Kane Thomas J"]
[null,null,"Titolo",null,"Final report for contract \"prototype laser-diode-pumped solid state laser transmitters\" [[electronic resource] ] : for period April 1987-June 1989 / / Thomas J. Kane, Emily A. P. Cheng, Richard W. Wallace"]
[null,null,"Pubbl/distr/stampa",null,"[Washington, D.C.] : , : [National Aeronautics and Space Administration], , [1989]"]
[null,null,"Descrizione fisica",null,"1 online resource (3 unnumbered pages, 60 pages) : illustrations"]
[null,null,"Collana",null,"[NASA contractor report ; ; NASA CR-185056]"]
[null,null,"Soggetti",null,"Frequency modulation"]
[{"$nulls":4},"Glass lasers"]
[{"$nulls":4},"Heterodyning"]
[{"$nulls":4},"Laser materials"]
[{"$nulls":4},"Neodymium lasers"]
[{"$nulls":4},"Semiconductor lasers"]
[{"$nulls":4},"YAG lasers"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from title screen (viewed on Nov. 9, 2012)."]
[{"$nulls":4},"\"June, 1989.\""]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (page 60)."]
[null,"2.","Record Nr.",null,"UNINA9910874781303321"]
[null,null,"Titolo",null,"Image Controversies : Contemporary Iconoclasm in Art, Media, and Cultural Heritage / / ed. by Birgit Mersmann, Christiane Kruse, Arnold Bartetzky"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; Boston : , : De Gruyter, , [2024]"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9783110773576"]
[{"$nulls":4},"3110773570"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (256 p.)"]
[null,null,"Disciplina",null,"701.03"]
[null,null,"Soggetti",null,"ART / History / Modern (late 19th Century to 1945)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Content -- Contemporary Iconoclasms -- I. ICONOCLAST POLITICS: CLASHES OVER MONUMENTS -- Beheading the Squatting N*** -- Socioclasm -- Iconoclasts in Dixie? -- Towards a Censorship from Below? -- II. IDOL DISPUTES IN PUBLIC SPACE AND ART INSTITUTIONS: CONFLICTS BETWEEN MATTER AND MAGIC -- Pictures That Divide -- ‘Idols’ in the Museum -- Malevolent/Benevolent Iconoclasm in Late Socialist Vietnam -- Re-Inventing Totemism -- Punishing Images -- III. MEDIATED ICONOCLASM IN ART AND CULTURAL HERITAGE. REACTIONS, REFLECTIONS, AND APPROPRIATIONS -- Posticonoclasm -- “What should we do with the empty plinth?” -- Econoclash -- Attacking the Surface -- Authors -- Credits"]
[null,null,null,"Sommario/riassunto","Gegenwärtig brechen in verschiedenen Gesellschaften Ikonoklasmen mit neuer Gewalt auf. Angriffe gegen Objekte visueller materieller Kultur und Geschichtszeugnisse bieten Zündstoff für gesellschaftliche Auseinandersetzungen. Sie sind Ausdruck politischer, religiöser, nationaler und identitätsbedingter Konflikte. Selbst die Freiheit der Kunst ist durch Zensur und Cancel Culture bedroht. In Fallstudien aus verschiedenen Regionen der Welt werden zeitgenössische Ikonoklasmen in Kunst, Medien und im Umgang mit dem Kulturerbe in globaler und interdisziplinärer Perspektive einer kritischen Analyse unterzogen. Die Publikation befasst sich mit Angriffen auf Denk- und Mahnmäler, Auseinandersetzungen in der Kunstproduktion und im Museumsbetrieb sowie mit Formen eines medialisierten Ikonoklasmus "]
[{"$nulls":4},"in der zeitgenössischen Kunst."]
[{"$nulls":4},"In many contemporary societies we encounter iconoclasm breaking out with renewed violence. Iconoclastic actions against objects of visual material culture and testimonials of history act as dynamite in the public sphere. They are expressions of political, religious, national, and identity conflicts. Even the freedom of art is threatened by censorship and cancel culture. Based on case studies from different world regions, contemporary iconoclasms in art, media, and cultural heritage are critically analyzed from both a global and an interdisciplinary perspective. Divided into three sections, the book discusses attacks on monuments and memorials, idol disputes in museums and the visual arts, and forms of mediated iconoclasm in contemporary art."]