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[null,"1.","Record Nr.",null,"UNINA9910699743503321"]
[null,null,"Titolo",null,"Veto message on H.R. 3808 [[electronic resource] ] : message from the President of the United States transmitting notification of the veto of H.R. 3808, the \"Interstate Recognition of Notarizations Act of 2010.\""]
[null,null,"Pubbl/distr/stampa",null,"Washington : , : U.S. G.P.O., , 2010"]
[null,null,"Descrizione fisica",null,"1 online resource (1 pages)"]
[null,null,"Collana",null,"House document / 111th Congress, 2d session ; ; 111-152"]
[null,null,"Soggetti",null,"Notaries - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from title screen (viewed Nov. 30, 2010)."]
[{"$nulls":4},"\"Referred to the Committee on the Judiciary.\""]
[{"$nulls":4},"\"November 18, 2010.\""]
[null,"2.","Record Nr.",null,"UNINA9910825467603321"]
[null,null,"Autore",null,"Tatari Marita"]
[null,null,"Titolo",null,"Kunstwerk Als Handlung : Transformationen Von Ausstellung und Teilnahme / / Marita Tatari"]
[null,null,"Pubbl/distr/stampa",null,"Paderborn : , : Wilhelm Fink, , [2017]"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"3-8467-6158-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"792.01"]
[null,null,"Soggetti",null,"Theater - Aesthetics"]
[{"$nulls":4},"Theater - Philosophy"]
[{"$nulls":4},"Art - Philosophy"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Synopsis -- Nach dem Werk? -- Austreibung des Geistes Emilia Galotti -- Handlung und Drama in Hegels Ästhetik -- Kapitel 4 -- Ausstellung und Teilnahme -- Schlussbetrachtungen -- Bibliographie."]
[null,null,null,"Sommario/riassunto","Das Buch zielt auf den Kern des Paradigmas gegenwärtiger Performanzforschung. Marita Tatari entwickelt eine originelle Position, die sich von jeglicher Überwindungslogik abgrenzt.Wenn der Übergang vom Drama zu neuen Kunstformen analysiert wird, so geschieht dies zumeist in Begrifflichkeiten, die epistemologisch in Fortschrittsschemata verhaftet sind. Ein Eingriff ins Urmodell des Fortschrittsverständnisses, nämlich Hegels Ästhetik, bildet den Kern des Unterfangens, das Kunstwerk in einem eigenständigen, weder sozialen noch ethischen Sinn als Handlung zu denken, mit den technologischen Bedingungen der Gegenwart zu konfrontieren und aus der Überwindungslogik herauszulösen. Peter Szondis Dramenverständnis, Friedrich Kittlers Austreibung des Geistes, Paul De Mans Dekonstruktion und andere Theorieansätze werden so relativiert und neue Perspektiven auf die Entwicklung von Kunstformen eröffnet."]