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[null,"1.","Record Nr.",null,"UNINA9910698998003321"]
[null,null,"Autore",null,"Hutton John P"]
[null,null,"Titolo",null,"Coast Guard [[electronic resource] ] : observations on changes to management and oversight of the Deepwater Program : testimony before the Subcommittee on Coast Guard and Maritime Transportation, Committee on Transportation and Infrastructure, House of Representatives / / statement of John P. Hutton"]
[null,null,"Pubbl/distr/stampa",null,"[Washington, D.C.] : , : U.S. Govt. Accountability Office, , [2009]"]
[null,null,"Descrizione fisica",null,"8 pages : digital, PDF file"]
[null,null,"Collana",null,"Testimony ; ; GAO-09-462T"]
[null,null,"Soggetti",null,"Government contractors - United States - Evaluation"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from title screen (viewed on June 4, 2009)."]
[{"$nulls":4},"\"For release ... March 24, 2009.\""]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","The Deepwater Program is intended to replace or modernize 15 major classes of Coast Guard assets--five each of vessels and aircraft, and five other projects, including command, control, communications, computers, intelligence, surveillance, and reconnaissance (C4ISR) systems. [GAO's report focuses] on the progress the Coast Guard has made in improving its acquisition approach to the Deepwater Program and the challenges it continues to face."]
[null,"2.","Record Nr.",null,"UNINA9910791403703321"]
[null,null,"Autore",null,"McLaughlin Cahal"]
[null,null,"Titolo",null,"Recording memories from political violence [[electronic resource] ] : a film-maker's journey / / Cahal McLaughlin"]
[null,null,"Pubbl/distr/stampa",null,"Bristol ; ; Chicago, : Intellect, 2010"]
[null,null,"ISBN",null,"1-282-89608-3"]
[{"$nulls":4},"9786612896088"]
[{"$nulls":4},"1-84150-436-X"]
[null,null,"Descrizione fisica",null,"1 online resource (170 p.)"]
[null,null,"Disciplina",null,"791.43/6581"]
[null,null,"Soggetti",null,"Documentary films - Political aspects - Northern Ireland"]
[{"$nulls":4},"Documentary films - Political aspects - South Africa"]
[{"$nulls":4},"Documentary films - Production and direction"]
[{"$nulls":4},"Political violence in motion pictures"]
[{"$nulls":4},"Imprisonment in motion pictures"]
[{"$nulls":4},"Psychic trauma in motion pictures"]
[{"$nulls":4},"Memory - Political aspects - Northern Ireland"]
[{"$nulls":4},"Memory - Political aspects - South Africa"]
[{"$nulls":4},"Northern Ireland In motion pictures"]
[{"$nulls":4},"South Africa In motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Based on the author's thesis (doctoral)--Royal Holloway University of London."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front Cover; Preliminary Pages; Contents; Acknowledgements; Introduction; Chapter 1: Raising Heads above the Parapet: Research Questions, Context and Methodologies; Chapter 2: Telling Our Story: The Springhill Massacre; Chapter 3: A Prisoner's Journey: Educational Film-making; Chapter 4: We Never Give Up: Reparations in South Africa; Chapter 5: Inside Stories: Memories from the Maze and Long Kesh Prison; Chapter 6: Prisons Memory Archive: Multi-Narrative Story-Telling; Chapter 7: Unheard Voices: Collaboration with WAVE; Chapter 8: Conclusion; Bibliography and Filmography; Index; Back Cover"]
[null,null,null,"Sommario/riassunto","Based on work the author has carried out with survivor groups in South Africa and Northern Ireland, Recording Memories from Political Violence combines written and audiovisual texts to describe and analyze the use of documentary film making in recording experiences of political "]
[{"$nulls":4},"conflict. A variety of issues relevant to the genre are addressed at length, including the importance of ethics in the collaboration between the filmmaker and the participant and the effect of location on the accounts of participants. McLaughlin draws on the diverse fields of film and cultural studies, as well as nearly"]