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[null,"1.","Record Nr.",null,"UNINA9910682515603321"]
[null,null,"Autore",null,"Tan Corinne"]
[null,null,"Titolo",null,"Regulating content on social media : copyright, terms of service and technological features / / Corinne Tan"]
[null,null,"Pubbl/distr/stampa",null,"London : , : UCL Press, , 2018"]
[null,null,"Descrizione fisica",null,"1 online resource (xi, 265 pages)"]
[null,null,"Disciplina",null,"343.410999"]
[null,null,"Soggetti",null,"Internet - Law and legislation - Great Britain"]
[{"$nulls":4},"Social media - Law and legislation - Great Britain"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"I. Regulation on social media -- II. Regulation of content-generative behaviours from a copyright perspective -- III. Approach -- IV. Structure -- Notes -- Chapter One: Scope of study and a day in the life of Jane Doe -- I. Defining social media and user-generated content -- II. Choice of social media platforms -- III. A day in the life of Jane -- IV. Conclusion -- Notes -- Chapter Two: Regulation by copyright laws -- I. Relevant copyright standards -- A. Subsistence: works and other subject matter protected by copyright -- B. Subsistence: originality -- C. Subsistence: authorship -- D. Subsistence: fixation, recording or reduction to material form -- E. Infringement: scope of protection -- F. Infringement: other rights -- G. Infringement: remedies -- H. Infringement: fair use and fair dealing exceptions -- I. Conflict of laws issues -- J. Summary -- II. Scenario one: the application of copyright laws -- A. Jane's use of the music video clip on YouTube as her morning alarm -- B. Jane's 'pinning' of the YouTube music video clip on her pin-board titled 'My Favourite Things' on Pinterest -- C. Jane's use of Evangeline's earlier commentary on Facebook to create her own commentary -- D. Jane's use of multiple photographs of newborn babies available on the pin-boards of other Pinterest users to create a collage to share on Pinterest -- E. Jane's simultaneous sharing of the collage on Facebook and Twitter -- F. Jane's sharing of the same collage in her blog post on WordPress -- G. Zee's contribution to Wikipedia on 'income inequality' using what Jane has written -- H. Jane's creation and sharing of a new video clip by way of 'vidding' on YouTube, and subsequently on Facebook -- I. Cheryl's use of 'stills' from Jane's video clip as thumbnail images on her website -- J. Other "]
[{"$nulls":4},"users' partial use of Jane's collage to create their own, and sharing the same on Pinterest, Facebook and Twitter -- K. Editor Jasper's use of Jane's collage on the cover page of his magazine -- III. Conclusion -- Notes -- Chapter Three: Application of the terms of service -- I. Terms of service -- A. Ownership and licensing -- 1. Facebook -- 2. Pinterest -- 3. YouTube -- 4. Twitter -- 5. Wikipedia -- 6. Observations -- B. Copyright policy -- 1. Facebook -- 2. Pinterest -- 3. YouTube -- 4. Twitter -- 5. Wikipedia -- 6. Observations -- C. Indemnification and limitation of liability -- 1. Facebook -- 2. Pinterest -- 3. YouTube -- 4. Twitter -- 5. Wikipedia -- 6. Observations -- D. Governing law and jurisdiction -- 1. Facebook -- 2. Pinterest -- 3. YouTube -- 4. Twitter -- 5. Wikipedia -- 6. Observations -- E. Summary -- II. Scenario two: the application of the terms of service -- A. Jane's use of the music video clip on YouTube as her morning alarm."]
[null,null,null,"Sommario/riassunto","How are users influenced by social media platforms when they generate content, and does this influence affect users' compliance with copyright laws? These are pressing questions in today's internet age, and Regulating Content on Social Media answers them by analysing how the behaviours of social media users are regulated from a copyright perspective. Corinne Tan, an internet governance specialist, compares copyright laws on selected social media platforms, namely Facebook, Pinterest, YouTube, Twitter and Wikipedia, with other regulatory factors such as the terms of service and the technological features of each platform. This comparison enables her to explore how each platform affects the role copyright laws play in securing compliance from their users. Through a case study detailing the content generative activities undertaken by a hypothetical user named Jane Doe, as well as drawing from empirical studies, the book argues that - in spite of copyright's purported regulation of certain behaviours - users are 'nudged' by the social media platforms themselves to behave in ways that may be inconsistent with copyright laws."]
[null,"2.","Record Nr.",null,"UNINA9910786384903321"]
[null,null,"Autore",null,"Maharidge Dale"]
[null,null,"Titolo",null,"Someplace like America [[electronic resource] ] : tales from the New Great Depression / / Dale Maharidge"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, 2013"]
[null,null,"ISBN",null,"0-520-95650-8"]
[null,null,"Edizione",null,"[Updated ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (349 p.)"]
[null,null,"Disciplina",null,"305.5620973"]
[null,null,"Soggetti",null,"Poverty - United States"]
[{"$nulls":4},"Unemployed - United States"]
[{"$nulls":4},"Working class - United States"]
[{"$nulls":4},"Working poor - United States"]
[{"$nulls":4},"United States Economic conditions 21st century"]
[{"$nulls":4},"United States Social conditions 21st century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"Photographs by Michael S. Williamson\"."]
[{"$nulls":4},"\"With a foreword by Bruce Springsteen\"."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Foreword By Bruce Springsteen -- Preface To The 2013 Edition -- Someplace Like America: An Introduction -- Snapshots From The Road, 2009 -- Part 1. America Begins A Thirty-Year Journey To Nowhere: The 1980's -- Part 2. The Journey Continues: The 1990's -- Part 3. A Nation Grows Hungrier: 2000 -- Part 4. Updating People And Places: The Late 2000's -- Part 5. America With The Lid Ripped Off: The Late 2000's -- Part 6. Rebuilding Ourselves, Then Taking America -- Acknowledgments And Credits -- Notes"]
[null,null,null,"Sommario/riassunto","In Someplace Like America, writer Dale Maharidge and photographer Michael S. Williamson take us to the working-class heart of America, bringing to life-through shoe leather reporting, memoir, vivid stories, stunning photographs, and thoughtful analysis-the deepening crises of poverty and homelessness. The story begins in 1980, when the authors joined forces to cover the America being ignored by the mainstream media-people living on the margins and losing their jobs as a result of deindustrialization. Since then, Maharidge and Williamson have traveled more than half a million miles to investigate the state of the working class (winning a Pulitzer Prize in the process). In Someplace Like America, they follow the lives of several families over the thirty-year span to present an intimate and devastating portrait of workers going "]
[{"$nulls":4},"jobless. This brilliant and essential study-begun in the trickle-down Reagan years and culminating with the recent banking catastrophe-puts a human face on today's grim economic numbers. It also illuminates the courage and resolve with which the next generation faces the future."]