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[null,"1.","Record Nr.",null,"UNINA9910676683003321"]
[null,null,"Autore",null,"Barbin Évelyne"]
[null,null,"Titolo",null,"Faire et enseigner les sciences : collections, manuels, instruments / / Évelyne Barbin"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Éditions du Comité des travaux historiques et scientifiques, 2023"]
[null,null,"ISBN",null,"2-7355-0958-3"]
[null,null,"Soggetti",null,"Education"]
[{"$nulls":4},"époque contemporaine"]
[{"$nulls":4},"collections"]
[{"$nulls":4},"histoire des sciences"]
[{"$nulls":4},"histoire des techniques"]
[{"$nulls":4},"histoire"]
[{"$nulls":4},"patrimoine"]
[{"$nulls":4},"muséologie"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Autour des questions de conservation, de valorisation et de réactivation, qu’il s’agisse de bibliothèques ou de collections d’instruments, les contributions rassemblées dans ce recueil s’attachent à des lieux spécifiques et les ancrent dans des histoires d’hommes et de femmes qui, depuis leur création jusqu’à aujourd’hui, les ont fait vivre et revivre. Les lecteurs et les lectrices pourront ainsi participer à la grande aventure historique des savoirs scientifiques, en partant d’objets matériels qui leur sont inéluctablement liés.  Le Congrès national des sociétés historiques et scientifiques rassemble chaque année universitaires, membres de sociétés savantes et jeunes chercheurs. Ce recueil est issu de travaux présentés lors du 145e Congrès sur le thème « Collecter, collectionner, conserver »."]
[null,"2.","Record Nr.",null,"UNINA9910817106403321"]
[null,null,"Autore",null,"Broderick Mick"]
[null,null,"Titolo",null,"Reconstructing Strangelove : inside Stanley Kubrick's 'nightmare comedy' / / Mick Broderick"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Wallflower Press, , [2017]"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"0-231-85100-6"]
[null,null,"Descrizione fisica",null,"1 online resource (231 pages)"]
[null,null,"Disciplina",null,"791.4372"]
[null,null,"Soggetti",null,"PERFORMING ARTS / Film & Video / History & Criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgements -- Dr. Strangelove Timeline -- Glossary -- INTRODUCTION. Stanley Kubrick's Atomic Antecedents -- CHAPTER ONE. The Road to Strangelove: From Red Alert to The Delicate Balance of Terror and Beyond -- CHAPTER TWO. Doctors Strangelove -- CHAPTER THREE. 'Gentlemen, you can't fight in here...': Brinksmanship Amongst the Authors and Producers of Dr. Strangelove and Fail-Safe -- CHAPTER FOUR. Authentically Strange: Presidential Predelegation, Fail-safes and Doomsday Machines -- CHAPTER FIVE. Reconstructing Strangelove: Outtakes from the Cutting Room Floor -- CONCLUSION. Sons of Strangelove -- BIBLIOGRAPHY -- PRODUCTION CREDITS -- INDEX"]
[null,null,null,"Sommario/riassunto","During his career Stanley Kubrick became renowned for undertaking lengthy and exhaustive research prior to the production of all his films. In the lead-up to what would eventually become Dr. Strangelove (1964), Kubrick read voraciously and amassed a substantial library of works on the nuclear age. With rare access to unpublished materials, this volume assesses Dr. Strangelove's narrative accuracy, consulting recently declassified Cold War nuclear-policy documents alongside interviews with Kubrick's collaborators. It focuses on the myths surrounding the film, such as the origins and transformation of the \"straight\" script versions into what Kubrick termed a \"nightmare comedy.\" It assesses Kubrick's account of collaborating with the writers Peter George and Terry Southern against their individual remembrances and material archives. Peter Sellers's improvisations are compared to written scripts and daily continuity reports, showcasing the actor's brilliant talent and variations."]
[null,"3.","Record Nr.",null,"UNINA9910634095303321"]
[null,null,"Autore",null,"Bertrand Dominique"]
[null,null,"Titolo",null,"Rire et dialogue / / Michel Briand, Sandrine Dubel, Ariane Eissen"]
[null,null,"Pubbl/distr/stampa",null,"Rennes, : Presses universitaires de Rennes, 2017"]
[{"$nulls":4},"Rennes : , : Presses universitaires de Rennes, , 2022"]
[null,null,"ISBN",null,"9782753591479"]
[{"$nulls":4},"2753591474"]
[null,null,"Descrizione fisica",null,"1 online resource (210 pages)"]
[null,null,"Collana",null,"La Licorne"]
[null,null,"Soggetti",null,"Literary Reviews"]
[{"$nulls":4},"Literary Theory &amp; Criticism"]
[{"$nulls":4},"Literature (General)"]
[{"$nulls":4},"dialogue"]
[{"$nulls":4},"rire"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Le genre du dialogue s’élabore, dans l’Athènes du ive siècle, en réponse critique à la comédie, comme le suggèrent leurs rapports originels, et complexes : Aristophane n’est-il pas un convive du Banquet de Platon, et Socrate d’abord un personnage de la comédie ancienne ?  Ce volume se propose donc d’examiner le rire dialogal ou, si l’on préfère, les usages plaisants du dialogue, en se demandant comment et pourquoi l’on rit dans les dialogues, étant entendu que ce rire peut aller du léger sourire à la moquerie la plus féroce, de la comédie à la conversation, de la farce à la satire sociale, en passant par toutes les nuances possibles, dont les canoniques spoudogeloion, ou serio ludere.  Si l’on s’est intéressé aux mécanismes dialogaux du rire, on a considéré comme cruciale aussi l’étude de ce que le rire fait au dialogue, qu’il s’agisse du rire mis en scène dans le dialogue ou du rire que peut susciter ou non le dialogue, dans sa réception notamment.  La perspective d’ensemble est interdisciplinaire, rassemblant des spécialistes de périodes et approches diverses, Antiquité, Renaissance, Âge Classique et Lumières, littérature comparée, études théâtrales et linguistique cognitiviste. Cette diachronie large est traversée par la figure de Lucien, inventeur d’un dispositif hybride devenu un modèle "]
[{"$nulls":4},"soumis à de multiples variations, de Rabelais à Diderot.  Au fil des études se profilent quelques éléments de conclusion : dans le meilleur des cas, le rire pousse le dialogue à ses limites, désamorce les automatismes de pensée, tient à distance les normes sociales et favorise une véritable expérience philosophique. Mais il peut aussi le subvertir radicalement et l’amener à un point de rupture."]