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[null,"1.","Record Nr.",null,"UNINA9910455387003321"]
[null,null,"Titolo",null,"Cognitive poetics [[electronic resource] ] : goals, gains and gaps / / edited by Geert Brône, Jeroen Vandaele"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; New York, : Mouton de Gruyter, c2009"]
[null,null,"ISBN",null,"1-282-18799-6"]
[{"$nulls":4},"9786612187995"]
[{"$nulls":4},"3-11-021337-0"]
[null,null,"Descrizione fisica",null,"1 online resource (568 p.)"]
[null,null,"Collana",null,"Applications of cognitive linguistics, , 1861-4078 ; ; 10"]
[null,null,"Classificazione",null,"ER 955"]
[null,null,"Disciplina",null,"415"]
[null,null,"Soggetti",null,"Cognitive grammar"]
[{"$nulls":4},"Poetics"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Table of contents -- Cognitive poetics. A critical introduction -- Part I: Story -- Text worlds -- Cognitive approaches to narrative analysis -- Reflections on a cognitive stylistic approach to characterisation -- Part II: Figure -- Minding: feeling, form, and meaning in the creation of poetic iconicity -- Metaphor and figure-ground relationship: comparisons from poetry, music, and the visual arts -- Part III: Stance -- Deconstructing verbal humour with Construction Grammar -- Judging distances: mental spaces, distance, and viewpoint in literary discourse -- Does an \"ironic situation\" favor an ironic interpretation? -- Part IV: Critique -- How cognitive is cognitive poetics? The interaction between symbolic and embodied cognition -- Epilogue. How (not) to advance toward the narrative mind -- Backmatter"]
[null,null,null,"Sommario/riassunto","For more than two decades now, cognitive science has been making overtures to literature and literary studies. Only recently, however, cognitive linguistics and poetics seem to be moving towards a more serious and reciprocal type of interdisciplinarity. In coupling cognitive linguistics and poetics, cognitive poeticians aim to offer cognitive readings of literary texts and formulate specific hypotheses concerning the relationship between aesthetic meaning effects and patterns in the cognitive construal and processing of literary texts. One of the basic assumptions of the endeavour is that some of the key topics in poetics "]
[{"$nulls":4},"(such as the construction of text worlds, characterization, narrative perspective, distancing discourse, etc.) may be fruitfully approached by applying cognitive linguistic concepts and insights (such as embodied cognition, metaphor, mental spaces, iconicity, construction grammar, figure/ground alignment, etc.), in an attempt to support, enrich or adjust 'traditional' poetic analysis. Conversely, the tradition of poetics may support, frame or call into question insights form cognitive linguistics. In order to capture the goals, gains and gaps of this rapidly growing interdisciplinary field of research, this volume brings together some of the key players and critics of cognitive poetics. The eleven chapters are grouped into four major sections, each dealing with central concerns of the field: (i) the cognitive mechanisms, discursive means and mental products related to narrativity (Semino, Herman, Culpeper); (ii) the different incarnations of the concept of figure in cognitive poetics (Freeman, Steen, Tsur); (iii) the procedures that are meant to express or create discursive attitudes, like humour, irony or distance in general (Antonopoulou and Nikiforidou, Dancygier and Vandelanotte, Giora et al.); and (iv) a critical assessment of the current state of affairs in cognitive poetics, and more specifically the incorporation of insights from cognitive linguistics as only one of the contributing fields in the interdisciplinary conglomerate of cognitive science (Louwerse and Van Peer, Sternberg). The ensuing dialogue between cognitive and literary partners, as well as between advocates and opponents, is promoted through the use of short response articles included after ten chapters of the volume. Geert Brône, Katholieke Universiteit Leuven, Belgium; Jeroen Vandaele, University of Oslo, Norway."]
[null,"2.","Record Nr.",null,"UNINA9910671501603321"]
[null,null,"Autore",null,"Chavarro Cadena Jorge Enrique"]
[null,null,"Titolo",null,"Precios de transferencia / / Jorge Enrique Chavarro Cadena"]
[null,null,"Pubbl/distr/stampa",null,"Bogotá : , : Nueva Legislación Ltda., , 2013"]
[null,null,"ISBN",null,"1-4492-9409-X"]
[null,null,"Descrizione fisica",null,"1 online resource (255 p.)"]
[null,null,"Disciplina",null,"339.3"]
[null,null,"Soggetti",null,"Income - Colombia"]
[{"$nulls":4},"Taxation - Colombia"]
[{"$nulls":4},"Ingreso"]
[{"$nulls":4},"Impuesto"]
[{"$nulls":4},"Colombia"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Contiene índice."]
[null,null,"Nota di contenuto",null,"PRECIOS DE TRANSFERENCIA; PÁGINA LEGAL; ÍNDICE GENERAL; CAPÍTULO 1   GENERALIDADES; 1. ¿Cuál es la definición para Precios de Transferencia?; 1. 1 ¿Cuándo se considera que existe vinculación económica?; 1. 1. 1 Teniendo en cuenta lo anterior ¿qué se considera Matriz?; 1. 1. 2 ¿Cuándo se considerará que una sociedad es subordinada?; 1. 1. 2. 1 ¿Cuándo se presume que una sociedad es subordinada?; 1. 1. 2. 2 ¿Cuál es el concepto sociedad para efectos tributarios?; 1. 1. 3 ¿Cuáles son las sucursales y cuáles son las agencias?; 1. 1. 4 ¿Cuál es la diferencia entre sucursales y agencias?"]
[{"$nulls":4},"1. 1. 4. 1 ¿Cuáles son los establecimientos permanentes?1. 1. 5 ¿Qué es un Grupo Empresarial?; 1. 1. 5. 1 ¿Cuáles son los criterios para establecer una situación de control y/o grupo empresarial?; 1. 1. 6 ¿Cuál es la definición de sociedad extranjera?; 1. 1. 6. 1 ¿Cuáles son los requisitos que debe cumplir una sociedad extranjera para emprender negocios permanentes en Colombia?; 1. 1. 6. 2 ¿Cuáles son las obligaciones con que deben cumplir las sociedades extranjeras domiciliadas en el exterior?; 1. 1. 6. 3 De acuerdo con lo anterior ¿son contribuyentes las sociedades y entidades extranjeras?"]
[{"$nulls":4},"1. 1. 7 ¿Cuál es el manejo tributario que se debe implantar en los establecimientos permanentes y sucursales?1. 1. 8 ¿Qué es un paraíso fiscal?; 1. 1. 8. 1 ¿Quién y cómo se determinan los paraísos fiscales en Colombia?; 1. 1. 9 ¿Cómo se da la vinculación económica entre países miembros de la Comunidad Andina?; 1. 2 ¿Cuáles son los nuevos "]
[{"$nulls":4},"criterios de vinculación económica?; CAPÍTuLO 2   OBLIGADOS; 2. ¿Quiénes son obligados a determinar, para efectos del impuesto sobre la renta y complementarios, sus ingresos ordinarios y extraordinarios, sus costos y deducciones?"]
[{"$nulls":4},"2. 1 Para efectos del régimen de Precios de Transferencia ¿quiénes se consideran vinculados económicos o partes relacionadas?2. 1. 1 ¿En qué otras situaciones, se constituyen operaciones entre vinculados económicos o partes relacionadas?; 2. 2 ¿Cuáles son los métodos para determinar el precio o margen de utilidad en las operaciones con vinculados económicos o partes relacionadas?; 2. 2. 1 ¿Cómo se puede obtener y ajustar un rango de precios o de márgenes de utilidad cuando existan dos o más operaciones comparables?"]
[{"$nulls":4},"2. 2. 2 ¿Cuál es la metodología que deberá aplicar el contribuyente cuando opte por la aplicación del método estadístico del rango intercuartil?2. 3 ¿Cuáles son los criterios de comparabilidad entre vinculados económicos y partes independientes?; CAPÍTULO 3 DOCUMENTACION COMPROBATORIA Y DECLARACION; SECCIÓN 1 DOCuMENTACIÓN COMPROBATORIA; 3. ¿Cuáles contribuyentes del impuesto sobre la renta son quiénes deben enviar documentación a la DIAN?; 3. 1 ¿Cuál es el contenido de la documentación comprobatoria?"]
[{"$nulls":4},"3. 1. 1 ¿Cuál es la documentación e información a conservar, en cuanto sea compatible con el tipo de operación objeto de análisis y con el método utilizado?"]
[null,"3.","Record Nr.",null,"UNINA9910787675803321"]
[null,null,"Autore",null,"Westfahl Gary"]
[null,null,"Titolo",null,"William Gibson [[electronic resource] /] / Gary Westfahl"]
[null,null,"Pubbl/distr/stampa",null,"Urbana, IL, : University of Illinois Press, 2013"]
[null,null,"ISBN",null,"0-252-09508-1"]
[null,null,"Descrizione fisica",null,"1 online resource (225 p.)"]
[null,null,"Collana",null,"Modern masters of science fiction"]
[null,null,"Classificazione",null,"HU 9800"]
[null,null,"Disciplina",null,"813.54"]
[null,null,"Soggetti",null,"Authors, American - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Journey to the future: a biographical sketch -- 2. A dangerous amateur: contributions -- 3. Finding his own uses for things: the short fiction -- 4. Legends of the sprawl: neuromancer, count zero, and Mona Lisa overdrive -- 5. Different engines: the difference engine, screenplays, poetry, song lyrics, and nonfiction -- 6. A bridge to the present: virtual light, idoru, and all tomorrow's parties -- 7. All today's parties: pattern recognition, spook country, and zero history -- Conclusion -- Interview with William Gibson."]
[null,null,null,"Sommario/riassunto","The leading figure in the development of cyberpunk, William Gibson (born in 1948) crafted works in which isolated humans explored near-future worlds of ubiquitous and intrusive computer technology and cybernetics. This volume is the first comprehensive examination of the award-winning author of the seminal novel Neuromancer (and the other books in the Sprawl trilogy, Count Zero and Mona Lisa Overdrive), as well as other acclaimed novels including recent bestsellers Pattern Recognition, Spook Country, and Zero History. Renowned scholar Gary Westfahl draws upon extensive research to provide a compelling account of Gibson's writing career and his lasting influence in the science fiction world. Delving into numerous science fiction fanzines that the young Gibson contributed to and edited, Westfahl delivers new information about Gibson's childhood and adolescence. He describes for the first time more than eighty virtually unknown Gibson publications from his early years, including articles, reviews, poems, cartoons, letters, and a collaborative story. The book also documents the poems, articles, and introductions that Gibson has written for various books, and its discussions are enriched by illuminating comments from various print and online interviews. The works that "]
[{"$nulls":4},"made Gibson famous are also featured, as Westfahl performs extended analyses of Gibson's ten novels and nineteen short stories. Lastly, the book presents a new interview with Gibson in which the author discusses his correspondence with author Fritz Leiber, his relationship with the late scholar Susan Wood, his attitudes toward critics, his overall impact on the field of science fiction, and his recently completed screenplay and forthcoming novel.\"This comprehensive study will go down as the definitive book on William Gibson's career. Gary Westfahl's indefatigable research digs up virtually everything pertinent about Gibson.\"--James Gunn, founding director of the Center for the Study of Science Fiction. Gary Westfahl is an adjunct professor teaching in the Writing Program at the University of La Verne. His many publications on science fiction include the three-volume Greenwood Encyclopedia of Science Fiction and Fantasy and the Hugo Award-nominated Science Fiction Quotations: From the Inner Mind to the Outer Limits -- Publisher's website."]