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[null,"1.","Record Nr.",null,"UNINA9910645949603321"]
[null,null,"Autore",null,"Knapp Lore"]
[null,null,"Titolo",null,"Empirismus und Ästhetik : Zur deutschsprachigen Rezeption von Hume, Hutcheson, Home und Burke im 18. Jahrhundert / / Lore Knapp"]
[null,null,"Pubbl/distr/stampa",null,"Berlin : , : De Gruyter, , 2022"]
[null,null,"Descrizione fisica",null,"1 online resource (470 pages) : illustrations"]
[null,null,"Collana",null,"Hallesche Beiträge zur europäischen Aufklärung ; ; Band 70"]
[null,null,"Disciplina",null,"146.4"]
[null,null,"Soggetti",null,"Empiricism - History"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Empirismus und Ästhetik werden in den Schriften von Francis Hutcheson, David Hume, Edmund Burke und Henry Home zu einer empiristischen Ästhetik verbunden. Sie argumentiert induktiv, psycho- oder physiologisch, evolutionär und demokratisch und lässt sich als frühe Form der empirischen Ästhetik verstehen. Ihr Transfer nach Deutschland in Rezensionen, Übersetzungen und Anschlussforschungen geht mit unwillkürlichen Anpassungen einher. Für die empiristische Ästhetik in der deutschsprachigen Aufklärung stehen nicht nur Namen wie Lichtenberg, Mendelssohn und Kant, Hamann, Herder und Merck, sondern auch die Übersetzer Dusch, Resewitz und Meinhard, die physiologisch Interessierten Haller, Platner, Lossius und Hißmann sowie die Leipziger Engel, Garve und Riedel, der Prager Meißner oder auch Enzyklopädisten wie Herz, Eschenburg und Schneider."]
[{"$nulls":4},"Prädestiniert durch ihre Geschichte - als Zentrum der deutschen Frühaufklärung mit europäischer Wirkung und als einer der Impulsgeber der anthropologischen Wende - gründete die Martin-Luther-Universität Halle-Wittenberg 1993 das Interdisziplinäre Zentrum für die Erforschung der Europäischen Aufklärung (IZEA). Bisherige und gegenwärtige Forschungsschwerpunkte des IZEA umfassen die aufklärerische Anthropologie, die Aufklärung im Bezugsfeld frühneuzeitlicher Esoterik, Universitätsgeschichte, den Philanthropismus und das Gartenreich Dessau-Wörlitz, neuere Akzente liegen auf der Frühaufklärung als."]
[null,"2.","Record Nr.",null,"UNINA9910838215303321"]
[null,null,"Autore",null,"Molina-Guzmán Isabel"]
[null,null,"Titolo",null,"Latinas and Latinos on TV : Colorblind Comedy in the Post-racial Network Era / / Isabel Molina-Guzmán"]
[null,null,"Pubbl/distr/stampa",null,", : University of Arizona Press, , 2018"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"0-8165-3724-0"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (153 pages)"]
[null,null,"Collana",null,"Latinx pop culture"]
[null,null,"Disciplina",null,"791.45652968073"]
[null,null,"Soggetti",null,"Lateinamerikaner"]
[{"$nulls":4},"Fernsehen"]
[{"$nulls":4},"Situation comedies (Television programs)"]
[{"$nulls":4},"Hispanic Americans on television"]
[{"$nulls":4},"Situation comedies (Television programs) - United States"]
[{"$nulls":4},"USA"]
[{"$nulls":4},"United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduction: Latina/os, hipster racism, and post-racial TV -- Scrubs(ing) the beginnings of post-racial TV -- Hipster racism comes to colorblind TV -- Reading against the post-racial TV Latina -- Conclusion: Post-racial past and colorblind futures on TV."]
[null,null,null,"Sommario/riassunto","\"Interweaving discussions about the ethnic, racial, and linguistic representations of Latinas/os within network television comedies, Isabel Molina-Guzmán probes published interviews with producers and textual examples from hit programs like Modern Family, The Office, and Scrubs to understand how these primetime sitcoms communicate difference in the United States. Understanding the complex ways that audiences interpret these programs, Molina-Guzmán situates her analysis within the Obama era, a period when ethnicity and race became increasingly grounded in hipster racism, and argues that despite increased inclusion, the feel-good imperative of TV comedies still inevitably leaves racism, sexism, and homophobia uncontested\"--Back cover."]